The Collected Works of Sigmund Freud. Sigmund Freud

and from all the gorgeous and magnificent billows there indeed flashes and irradiates an ominous light of sense, but the path of the philosopher does not thereby become clearer." Such is the criticism of Scherner's description from one of his own adherents.

      Scherner does not belong to those authors who allow the mind to take along its undiminished capacities into the dream life. He indeed explains how in the dream the centrality and the spontaneous energy of the ego are enervated, how cognition, feeling, will, and imagination become changed through this decentralisation, and how no true mental character, but only the nature of a mechanism, belongs to the remnants of these psychic forces. But instead, the activity of the mind designated as phantasy, freed from all rational domination and hence completely uncontrolled, rises in the dream to absolute supremacy. To be sure, it takes the last building stones from the memory of the waking state, but it builds with them constructions as different from the structures of the waking state as day and night. It shows itself in the dream not only reproductive, but productive. Its peculiarities give to the dream life its strange character. It shows a preference for the unlimited, exaggerated, and prodigious, but because freed from the impeding thought categories, it gains a greater flexibility and agility and new pleasure; it is extremely sensitive to the delicate emotional stimuli of the mind and to the agitating affects, and it rapidly recasts the inner life into the outer plastic clearness. The dream phantasy lacks the language of ideas; what it wishes to say, it must clearly depict; and as the idea now acts strongly, it depicts it with the richness, force, and immensity of the mode in question. Its language, however simple it may be, thus becomes circumstantial, cumbersome, and heavy. Clearness of language is rendered especially difficult by the fact that it shows a dislike for expressing an object by its own picture, but prefers a strange picture, if the latter can only express that moment of the object which it wishes to describe. This is the symbolising activity of the phantasy.... It is, moreover, of great significance that the dream phantasy copies objects not in detail, but only in outline and even this in the broadest manner. Its paintings, therefore, appear ingeniously light and graceful. The dream phantasy, however, does not stop at the mere representation of the object, but is impelled from within to mingle with the object more or less of the dream ego, and in this way to produce an action. The visual dream, e.g., depicts gold coins in the street; the dreamer picks them up, rejoices, and carries them away.

      According to Scherner, the material upon which the dream phantasy exerts its artistic activity is preponderately that of the organic sensory stimuli which are so obscure during the day (comp. p. 29); hence the phantastic theory of Scherner, and the perhaps over-sober theories of Wundt and other physiologists, though otherwise diametrically opposed, agree perfectly in their assumption of the dream sources and dream excitants. But whereas, according to the physiological theory, the psychic reaction to the inner physical stimuli becomes exhausted with the awakening of any ideas suitable to these stimuli, these ideas then by way of association calling to their aid other ideas, and with this stage the chain of psychic processes seeming to terminate according to Scherner, the physical stimuli only supply the psychic force with a material which it may render subservient to its phantastic intentions. For Scherner the formation of the dream only commences where in the conception of others it comes to an end.

      The treatment of the physical stimuli by the dream phantasy surely cannot be considered purposeful. The phantasy plays a tantalising game with them, and represents the organic source which gives origin to the stimuli in the correspondent dream, in any plastic symbolism. Indeed Scherner holds the opinion, not shared by Volkelt and others, that the dream phantasy has a certain favourite representation for the entire organism; this representation would be the house. Fortunately, however, it does not seem to limit itself in its presentation to this material; it may also conversely employ a whole series of houses to designate a single organ, e.g., very long rows of houses for the intestinal excitation. On other occasions particular parts of the house actually represent particular parts of the body, as e.g., in the headache-dream, the ceiling of the room (which the dream sees covered with disgusting reptile-like spiders) represents the head.

      Quite irrespective of the house symbolism, any other suitable object may be employed for the representation of these parts of the body which excite the dream. "Thus the breathing lungs find their symbol in the flaming stove with its gaseous roaring, the heart in hollow boxes and baskets, the bladder in round, bag-shaped, or simply hollowed objects. The male dream of sexual excitement makes the dreamer find in the street the upper portion of a clarinette, next to it the same part of a tobacco pipe, and next to that a piece of fur. The clarinette and tobacco pipe represent the approximate shape of the male sexual organ, while the fur represents the pubic hair. In the female sexual dream the tightness of the closely approximated thighs may be symbolised by a narrow courtyard surrounded by houses, and the vagina by a very narrow, slippery and soft footpath, leading through the courtyard, upon which the dreamer is obliged to walk, in order perhaps to carry a letter to a gentleman" (Volkelt, p. 39). It is particularly noteworthy that at the end of such a physically exciting dream, the phantasy, as it were, unmasks by representing the exciting organ or its function unconcealed. Thus the "tooth-exciting dream" usually ends with the dreamer taking a tooth out of his mouth.

      The dream phantasy may, however, not only direct its attention to the shape of the exciting organ, but it may also make the substance contained therein the object of the symbolisation. Thus the dream of intestinal excitement, e.g., may lead us through muddy streets, the bladder-exciting dream to foaming water. Or the stimulus itself, the manner of its excitation, and the object it covets, are represented symbolically, or the dream ego enters into a concrete combination with the symbolisation of its own state, as e.g., when, in the case of painful stimuli, we struggle desperately with vicious dogs or raging bulls, or when in the sexual dream the dreamer sees herself pursued by a naked man. Disregarding all the possible prolixity of elaboration, a symbolising phantastic activity remains as the central force of every dream. Volkelt,⁷² in his finely and fervently written book, next attempted to penetrate further into the character of this phantasy and to assign to the psychical activity thus recognised, its position in a system of philosophical ideas, which, however, remains altogether too difficult of comprehension for any one who is not prepared by previous schooling for the sympathetic comprehension of philosophical modes of thinking.

      Scherner connects no useful function with the activity of the symbolising phantasy in dreams. In the dream the psyche plays with the stimuli at its disposal. One might presume that it plays in an improper manner. One might also ask us whether our thorough study of Scherner's dream theory, the arbitrariness and deviation of which from the rules of all investigation are only too obvious, can lead to any useful results. It would then be proper for us to forestall the rejection of Scherner's theory without examination by saying that this would be too arrogant. This theory is built up on the impression received from his dreams by a man who paid great attention to them, and who would appear to be personally very well fitted to trace obscure psychic occurrences. Furthermore it treats a subject which, for thousands of years, has appeared mysterious to humanity though rich in its contents and relations; and for the elucidation of which stern science, as it confesses itself, has contributed nothing beyond attempting, in entire opposition to popular sentiment, to deny the substance and significance of the object. Finally, let us frankly admit that apparently we cannot avoid the phantastical in our attempts to elucidate the dream. There are also phantastic ganglia cells; the passage cited on p. 63 from a sober and exact investigator like Binz,⁴ which depicts how the aurora of awakening flows along the dormant cell masses of the cerebrum, is not inferior in fancifulness and in improbability to Scherner's attempts at interpretation. I hope to be able to demonstrate that there is something actual underlying the latter, though it has only been indistinctly observed and does not possess the character of universality entitling it to the claim of a dream theory. For the present, Scherner's theory of the dream, in its contrast to the medical theory, may perhaps lead us to realise between what extremes the explanation of dream life is still unsteadily vacillating.

       (h) Relations between the Dream and Mental Diseases.—When we speak of the relation of the dream to mental disturbances, we may think of three different things: (1) Etiological and clinical relations, as when a dream represents or initiates a psychotic condition, or when it leaves such a condition behind it. (2) Changes to which the dream life is subjected in mental diseases. (3) Inner