The "Genius". Theodore Dreiser

object to the kind of work his father was doing, but it did not interest him. For himself he knew it would be a pointless, dreary way of making a living, and as for insurance, that was equally bad. He could hardly bring himself to read through the long rigamarole of specifications which each insurance paper itemized. There were times—evenings and Saturdays—when he clerked in his father's store, but it was painful work. His mind was not in it.

      As early as his twelfth year his father had begun to see that Eugene was not cut out for business, and by the time he was sixteen he was convinced of it. From the trend of his reading and his percentage marks at school, he was equally convinced that the boy was not interested in his studies. Myrtle, who was two classes ahead of him but sometimes in the same room, reported that he dreamed too much. He was always looking out of the window.

      Eugene's experience with girls had not been very wide. There were those very minor things that occur in early youth—girls whom we furtively kiss, or who furtively kiss us—the latter had been the case with Eugene. He had no particular interest in any one girl. At fourteen he had been picked by a little girl at a party as an affinity, for the evening at least, and in a game of "post-office" had enjoyed the wonder of a girl's arms around him in a dark room and a girl's lips against his; but since then there had been no re-encounter of any kind. He had dreamed of love, with this one experience as a basis, but always in a shy, distant way. He was afraid of girls, and they, to tell the truth, were afraid of him. They could not make him out.

      But in the fall of his seventeenth year Eugene came into contact with one girl who made a profound impression on him. Stella Appleton was a notably beautiful creature. She was very fair, Eugene's own age, with very blue eyes and a slender sylph-like body. She was gay and debonair in an enticing way, without really realizing how dangerous she was to the average, susceptible male heart. She liked to flirt with the boys because it amused her, and not because she cared for anyone in particular. There was no petty meanness about it, however, for she thought they were all rather nice, the less clever appealing to her almost more than the sophisticated. She may have liked Eugene originally because of his shyness.

      He saw her first at the beginning of his last school year when she came to the city and entered the second high school class. Her father had come from Moline, Illinois, to take a position as manager of a new pulley manufactory which was just starting. She had quickly become friends with his sister Myrtle, being perhaps attracted by her quiet ways, as Myrtle was by Stella's gaiety.

       One afternoon, as Myrtle and Stella were on Main Street, walking home from the post office, they met Eugene, who was on his way to visit a boy friend. He was really bashful; and when he saw them approaching he wanted to escape, but there was no way. They saw him, and Stella approached confidently enough. Myrtle was anxious to intercept him, because she had her pretty companion with her.

      "You haven't been home, have you?" she asked, stopping. This was her chance to introduce Stella; Eugene couldn't escape. "Miss Appleton, this is my brother Eugene."

      Stella gave him a sunny encouraging smile, and her hand, which he took gingerly. He was plainly nervous.

      "I'm not very clean," he said apologetically. "I've been helping father fix a buggy."

      "Oh, we don't mind," said Myrtle. "Where are you going?"

      "Over to Harry Morris's," he explained.

      "What for?"

      "We're going for hickory nuts."

      "Oh, I wish I had some," said Stella.

      "I'll bring you some," he volunteered gallantly.

      She smiled again. "I wish you would."

      She almost proposed that they should be taken along, but inexperience hindered her.

      Eugene was struck with all her charm at once. She seemed like one of those unattainable creatures who had swum into his ken a little earlier and disappeared. There was something of the girl with the corn-colored hair about her, only she had been more human, less like a dream. This girl was fine, delicate, pink, like porcelain. She was fragile and yet virile. He caught his breath, but he was more or less afraid of her. He did not know what she might be thinking of him.

      "Well, we're going on to the house," said Myrtle.

      "I'd go along if I hadn't promised Harry I'd come over."

      "Oh, that's all right," replied Myrtle. "We don't mind."

      He withdrew, feeling that he had made a very poor impression. Stella's eyes had been on him in a very inquiring way. She looked after him when he had gone.

      "Isn't he nice?" she said to Myrtle frankly.

      "I think so," replied Myrtle; "kind o'. He's too moody, though."

      "What makes him?"

      "He isn't very strong."

      "I think he has a nice smile."

      "I'll tell him!"

      "No, please don't! You won't, will you?"

      "No."

      "But he has a nice smile."

      "I'll ask you round to the house some evening and you can meet him again."

      "I'd like to," said Stella. "It would be a lot of fun."

      "Come out Saturday evening and stay all night. He's home then."

      "I will," said Stella. "Won't that be fine!"

      "I believe you like him!" laughed Myrtle.

      "I think he's awfully nice," said Stella, simply.

      The second meeting happened on Saturday evening as arranged, when he came home from his odd day at his father's insurance office. Stella had come to supper. Eugene saw her through the open sitting room door, as he bounded upstairs to change his clothes, for he had a fire of youth which no sickness of stomach or weakness of lungs could overcome at this age. A thrill of anticipation ran over his body. He took especial pains with his toilet, adjusting a red tie to a nicety, and parting his hair carefully in the middle. He came down after a while, conscious that he had to say something smart, worthy of himself, or she would not see how attractive he was; and yet he was fearful as to the result. When he entered the sitting room she was sitting with his sister before an open fire-place, the glow of a lamp with a red-flowered shade warmly illuminating the room. It was a commonplace room, with its blue cloth-covered center table, its chairs of stereotyped factory design, and its bookcase of novels and histories, but it was homey, and the sense of hominess was strong.

      Mrs. Witla was in and out occasionally, looking for things which appertained to her functions as house-mother. The father was not home yet; he would get there by supper-time, having been to some outlying town of the county trying to sell a machine. Eugene was indifferent to his presence or absence. Mr. Witla had a fund of humor which extended to joking with his son and daughters, when he was feeling good, to noting their budding interest in the opposite sex; to predicting some commonplace climax to their one grand passion when it should come. He was fond of telling Myrtle that she would one day marry a horse-doctor. As for Eugene, he predicted a certain Elsa Brown, who, his wife said, had greasy curls. This did not irritate either Myrtle or Eugene. It even brought a wry smile to Eugene's face for he was fond of a jest; but he saw his father pretty clearly even at this age. He saw the smallness of his business, the ridiculousness of any such profession having any claim on him. He never wanted to say anything, but there was in him a burning opposition to the commonplace, a molten pit in a crater of reserve, which smoked ominously now and then for anyone who could have read. Neither his father nor his mother understood him. To them he was a peculiar boy, dreamy, sickly, unwitting, as yet, of what he really wanted.

      "Oh, here you are!" said Myrtle, when he came in. "Come and sit down."

      Stella gave him an enticing smile.

      He walked to the mantel-piece and stood there, posing. He wanted to impress this girl, and he did not quite know how. He was almost lost for anything to say.

      "You can't