The "Genius". Theodore Dreiser

noise of the crickets, the chirp of the tree toads, the hang of the lucent suns and planets above the tree tops. The whole night was quick with the richness of fertility, stirring subtly about some work which concerned man very little or not at all, yet of which he was at least a part, till his eyelids drooped after a time and he went to bed to sleep deeply and dreamlessly.

      Next morning he was up early, eager for the hour to arrive when he might start. He did not think it advisable to leave before nine o'clock, and attracted considerable attention by strolling about, his tall, spare, graceful figure and forceful profile being an unusual sight to the natives. At nine o'clock a respectable carryall was placed at his disposal and he was driven out over a long yellow road, damp with the rain of the night before and shaded in places by overhanging trees. There were so many lovely wild flowers growing in the angles of the rail fences—wild yellow and pink roses, elder flower, Queen Anne's lace, dozens of beautiful blooms, that Eugene was lost in admiration. His heart sang over the beauty of yellowing wheatfields, the young corn, already three feet high, the vistas of hay and clover, with patches of woods enclosing them, and over all, house martens and swallows scudding after insects and high up in the air his boyhood dream of beauty, a soaring buzzard.

      As he rode the moods of his boyhood days came back to him—his love of winging butterflies and birds; his passion for the voice of the wood-dove (there was one crying in the still distance now)—his adoration for the virile strength of the men of the countryside. He thought as he rode that he would like to paint a series of country scenes that would be as simple as those cottage dooryards that they now and then passed; this little stream that cut the road at right angles and made a drinking place for the horses; this skeleton of an old abandoned home, doorless and windowless, where the roof sagged and hollyhocks and morning glories grew high under the eaves. "We city dwellers do not know," he sighed, as though he had not taken the country in his heart and carried it to town as had every other boy and girl who had gone the way of the metropolis.

      The Blue homestead was located in the centre of a rather wide rolling stretch of country which lay between two gently rising ridges of hill covered with trees. One corner of the farm, and that not so very far from the house, was cut by a stream, a little shallow thing, singing over pebbles and making willows and hazel bushes to grow in profusion along its banks, and there was a little lake within a mile of the house. In front of it was a ten acre field of wheat, to the right of it a grazing patch of several acres, to the left a field of clover; and near the house by a barn, a well, a pig pen, a corn crib and some smaller sheds. In front of the house was a long open lawn, down the centre of which ran a gravel path, lined on either side by tall old elm trees. The immediate dooryard was shut from this noble lawn by a low picket fence along the length of which grew lilac bushes and inside which, nearer the house, were simple beds of roses, calycanthus and golden glow. Over an arbor leading from the backdoor to a rather distant summer kitchen flourished a grapevine, and there was a tall remnant of a tree trunk covered completely with a yellow blooming trumpet vine. The dooryard's lawn was smooth enough, and the great lawn was a dream of green grass, graced with the shadows of a few great trees. The house was long and of no great depth, the front a series of six rooms ranged in a row, without an upper storey. The two middle rooms which had originally, perhaps seventy years before, been all there was of the house. Since then all the other rooms had been added, and there was in addition to these a lean-to containing a winter kitchen and dining room, and to the west of the arbor leading to the summer kitchen, an old unpainted frame storehouse. In all its parts the place was shabby and run down but picturesque and quaint.

      Eugene was surprised to find the place so charming. It appealed to him, the long, low front, with doors opening from the centre and end rooms direct upon the grass, with windows set in climbing vines and the lilac bushes forming a green wall between the house and the main lawn. The great rows of elm trees throwing a grateful shade seemed like sentinel files. As the carryall turned in at the wagon gate in front he thought "What a place for love! and to think Angela should live here."

      The carryall rattled down the pebble road to the left of the lawn and stopped at the garden gate. Marietta came out. Marietta was twenty-two years old, and as gay and joyous as her elder sister Angela was sober and in a way morbid. Light souled as a kitten, looking always on the bright side of things, she made hosts of friends everywhere she went, having a perfect swarm of lovers who wrote her eager notes, but whom she rebuffed with good natured, sympathetic simplicity. Here on this farm there was not supposed to be so much opportunity for social life as in town, but beaux made their way here on one pretext and another. Marietta was the magnet, and in the world of gaiety which she created Angela shared.

      Angela was now in the dining room—easy to be called—but Marietta wanted to see for herself what sort of lover her sister had captured. She was surprised at his height, his presence, the keenness of his eyes. She hardly understood so fine a lover for her own sister, but held out her hand smilingly.

      "This is Mr. Witla, isn't it?" she asked.

      "The same," he replied, a little pompously. "Isn't it a lovely drive over here?"

      "We think it nice in nice weather," she laughed. "You wouldn't like it so much in winter. Won't you come in and put your grip here in the hall? David will take it to your room."

      Eugene obeyed, but he was thinking of Angela and when she would appear and how she would look. He stepped into the large, low ceiled, dark, cool parlor and was delighted to see a piano and some music piled on a rack. Through an open window he saw several hammocks out on the main lawn, under the trees. It seemed a wonderful place to him, the substance of poetry—and then Angela appeared. She was dressed in plain white linen. Her hair, braided as he liked it in a great rope, lay as a band across her forehead. She had picked a big pink rose and put it in her waist. At sight of her Eugene held out his arms and she flew to them. He kissed her vigorously, for Marietta had discreetly retired and they were left alone.

      "So I have you at last," he whispered, and kissed her again.

      "Oh, yes, yes, and it has been so long," she sighed.

      "You couldn't have suffered any more than I have," he consoled. "Every minute has been torture, waiting, waiting, waiting!"

      "Let's not think of that now," she urged. "We have each other. You are here."

      "Yes, here I am," he laughed, "all the virtues done up in one brown suit. Isn't it lovely—these great trees, that beautiful lawn?"

      He paused from kissing to look out of the window.

      "I'm glad you like it," she replied joyously. "We think it's nice, but this place is so old."

      "I love it for that," he cried appreciatively. "Those bushes are so nice—those roses. Oh, dear, you don't know how sweet it all seems—and you—you are so nice."

      He held her off at arm's length and surveyed her while she blushed becomingly. His eager, direct, vigorous onslaught confused her at times—caused her pulse to beat at a high rate.

      They went out into the dooryard after a time and then Marietta appeared again, and with her Mrs. Blue, a comfortable, round bodied mother of sixty, who greeted Eugene cordially. He could feel in her what he felt in his own mother—in every good mother—love of order and peace, love of the well being of her children, love of public respect and private honor and morality. All these things Eugene heartily respected in others. He was glad to see them, believed they had a place in society, but was uncertain whether they bore any fixed or important relationship to him. He was always thinking in his private conscience that life was somehow bigger and subtler and darker than any given theory or order of living. It might well be worth while for a man or woman to be honest and moral within a given condition or quality of society, but it did not matter at all in the ultimate substance and composition of the universe. Any form or order of society which hoped to endure must have individuals like Mrs. Blue, who would conform to the highest standards and theories of that society, and when found they were admirable, but they meant nothing in the shifting, subtle forces of nature. They were just accidental harmonies blossoming out of something which meant everything here to this order, nothing to the universe at large. At twenty-two years of age he was thinking these things, wondering whether it would be possible ever to express them; wondering