Miss Mephistopheles. Fergus Hume

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Название Miss Mephistopheles
Автор произведения Fergus Hume
Жанр Языкознание
Серия
Издательство Языкознание
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isbn 4064066215514



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the child off the fatal track, himself falling together with the child to the ground. He was not a moment too soon, for hardly had he fallen before the car at a slower speed rolled past, and ultimately came to a standstill at the foot of the incline.

      Stewart arose to his feet considerably shaken, his clothes torn and covered with mud, and a painful feeling in the arm, on which he had fallen. Ezra crossed over to him, and the rescued child was standing on the footpath in the grasp of the gaudily-dressed girl who spoke volubly, regardless of the crowd of people standing by.

      The conductor of the car came to inquire into the affair, and having found that no one was hurt, retired, and the tram was soon sliding down the street. The crowd dispersed gradually, until only the child, Ezra, Keith, and the shrill-voiced girl were left.

      "Oh! gracious, good 'eavens!" said this young lady, who appeared to be a nursemaid, and spoke rapidly, without any stops; "to think as you should have bin nearly squashed by that ingine, and all comin' of runnin' out into the road, an' taking no notice of me as was postin' a letter in the pillar-box, not seeing anythin', thro' want of eyes at the back of me 'ead."

      The child, a quaint, thin-faced little girl, with dark eyes and glorious reddish-coloured hair, took no notice of this outburst, but pulled Keith's coat to attract his attention.

      "Thank you, man," she said, in a thin, reedy voice; "I will tell mumsey, and she will say nice things to you, and I will give you a kiss."

      Keith was touched in his soft heart by this naïve appeal, and, bending down, kissed the pale little face presented to him, much to the alarm of the nursemaid, who lifted up her hands in horror.

      "Oh! gracious, good 'eavens!" she piped shrilly, "as to what your mar will say, Miss Megs, I don't know, a-kissin' strange gents in the h'open street; not but what he don't deserve it, a-dragin' you from under the ingine, as oughtn't to be let run to spile--"

      "Hold your tongue, Bliggings," said Ezra sharply; "you ought to look more carefully after Meg, or she'll be killed some day."

      "Oh! gracious and good 'eavens!" cried Bliggings sniffing, "if it ain't Mr. Lazarhouse; and, beggin' your pardon, sir, it ain't my fault, as is well known to you as children will 'ookit unbeknown't to the most wary."

      "There, there," said Lazarus, bending down to kiss Meg; "least said, soonest mended; thanks to my friend here, it's no worse."

      "Which he ought to git a meddler," asserted Miss Bliggings, on whose feminine heart Keith's handsome face had made an impression. "But, gracious and good 'eavens, they only gives 'em for drowndin', though I never lets Miss Megs go near water, ingines bein' unexpected in their actions, and not to be counted on in their movin's."

      "Good-bye, Meg," said Lazarus, cutting short Bliggings in despair. "Tell your mamma I'll call and see her about this."

      "And bring the man," said Meg, glancing at Keith.

      "Yes, and bring the man," repeated Ezra, upon which Meg, being satisfied, made a quaint-like curtsey to both men, and was going away, when she suddenly came back, and pulling Keith's coat till he bent down, put her arms round his neck and kissed him.

      "Mumsey will be nice," she murmured, and then trotted quietly off with Bliggings, who kept expressing her opinion that, "Oh! gracious, good 'eavens! she was red up to her eyes at such conduct," a somewhat unnecessary assertion, seeing her complexion was permanently the colour of beetroot.

      "Come into Lane's Hotel and have a glass of brandy," said Ezra, when Meg and her attendant had disappeared; "you need it after the shaking you have had."

      "What is the child's name?" asked Keith, as he went into the bar. "You seem to know her."

      Ezra laughed softly, and ordered a glass of brandy for his friend.

      "A curious way Fate has of working," he said, rather irrelevantly. "She has played into your hands to-day, for that child is Kitty Marchurst's, better known as 'Caprice.'"

      "I didn't know she had a child," said Keith. "Who is the father? Is she married?"

      "No, she is not married. As to the father, it's a long story; I'll tell you all about it some day. Meanwhile, you have done her a service she will never forget."

      "Much good it will be to me," said Keith disbelievingly

      "You've exactly hit it," replied Ezra composedly. "She can do you a great deal of good, seeing that she is the reigning favourite of the stage at present. I will introduce you to her to-night, and then--"

      "Well?"

      Ezra shrugged his shoulders, and replied slowly,--

      "The best friend an ambitious man can have is a clever woman; a wiser man than I made that remark."

       CHAPTER III.

      PRINCE CARNIVAL.

      The "Bon-Bon" was the smallest, prettiest, and most luxurious theatre in Melbourne, and was exclusively devoted to farcical comedy, burlesque, and opera-bouffe, the latter class of entertainment being now the attraction. There was no pit, the circle and boxes being raised but little above the level of the stalls. The decorations were pink, white, and gold, the seats being covered with pale, rose-coloured plush, with curtains and hangings to match, while the electric lights, shining through pink globes, gave quite a warm glow to the theatre. The dome was decorated with allegorical figures representing Momus, the God of laughter, and Apollo, the God of music, while all round the walls were exquisitely-painted medallions of scenes from celebrated operas and burlesques. The proscenium was a broad frame of dullish gold, the curtain of roseate plush, and on either side of the stage were life-size statues of Offenbach and Planché in white marble. Altogether, a charming theatre, more like a cosy drawing-room than a place of public entertainment.

      At the entrance was a high flight of white marble stairs, leading to a wide corridor, the walls of which were hidden by enormous mirrors, and at intervals stood white marble statues of the Greek divinities, holding aloft electric lights. On the one side was the smoking-room,--a luxurious lounge,--and on the other a refreshment bar, all glass and glitter, which was crowded between the acts by the thirsty patrons of the play.

      Ezra and Keith arrived about nine o'clock, just as the first act of "Prince Carnival" was over, and finding the salon tolerably full, Lazarus sat down near one of the small, marble-topped tables, and lighting his cigarette, proceeded to point out to Keith all the notabilities present.

      The first to whom he called Stewart's attention was a group of three. One, a tall, portly-looking man, with a red, clean-shaven face and black hair, was irreproachably attired in evening dress, and chatted to a fair-haired youth with a supercilious smile, and a short, bald-headed old gentleman.

      "You see those three?" said Ezra, indicating the group. "The dark man of the ponderous Samuel Johnson type is Ted Mortimer, the lessee of the theatre; the idiot with the eyeglass is Lord Santon, who has come out from London to see us barbarians, and the apoplectic party with the bald head is no less a personage than Mr. Columbus Wilks, the great globe-trotter, who is going to write a book about Australia and New Zealand."

      "That will take him some time," observed Keith, with a smile.

      "Not at all," said Lazarus coolly. "He will run through the whole of Australasia in a few weeks, be the guest of the governors of the different colonies, and then give his impressions of our government, politics, trade, amusements, and scenery in a series of brilliant articles, whose truth and accuracy will be quite in accordance with the time which he has taken to collect his materials."

      "But he cannot judge of things so rapidly."

      "Of course not; but he will view everything through the rose-coloured spectacles of champagne and adulation, so his book will depict our land as a kind of nineteenth-century Utopia."

      "And Lord Santon?"

      "An hereditary legislator, who is being fêted for his title, and will go back to his ancestral