Название | Maggie - A Girl of the Streets |
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Автор произведения | Stephen Crane |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066388416 |
"Will I—"
"When I catch dat Riley kid I'll break 'is face! Dat's right! See?"
He turned his face to the wall as if resolved to grimly bide his time.
In the quarrel between husband and wife, the woman was victor. The man grabbed his hat and rushed from the room, apparently determined upon a vengeful drunk. She followed to the door and thundered at him as he made his way down stairs.
She returned and stirred up the room until her children were bobbing about like bubbles.
"Git outa deh way," she persistently bawled, waving feet with their dishevelled shoes near the heads of her children. She shrouded herself, puffing and snorting, in a cloud of steam at the stove, and eventually extracted a frying-pan full of potatoes that hissed.
She flourished it. "Come teh yer suppers, now," she cried with sudden exasperation. "Hurry up, now, er I'll help yeh!"
The children scrambled hastily. With prodigious clatter they arranged themselves at table. The babe sat with his feet dangling high from a precarious infant chair and gorged his small stomach. Jimmie forced, with feverish rapidity, the grease-enveloped pieces between his wounded lips. Maggie, with side glances of fear of interruption, ate like a small pursued tigress.
The mother sat blinking at them. She delivered reproaches, swallowed potatoes and drank from a yellow-brown bottle. After a time her mood changed and she wept as she carried little Tommie into another room and laid him to sleep with his fists doubled in an old quilt of faded red and green grandeur. Then she came and moaned by the stove. She rocked to and fro upon a chair, shedding tears and crooning miserably to the two children about their "poor mother" and "yer fader, damn 'is soul."
The little girl plodded between the table and the chair with a dish-pan on it. She tottered on her small legs beneath burdens of dishes.
Jimmie sat nursing his various wounds. He cast furtive glances at his mother. His practised eye perceived her gradually emerge from a muddled mist of sentiment until her brain burned in drunken heat. He sat breathless.
Maggie broke a plate.
The mother started to her feet as if propelled.
"Good Gawd," she howled. Her eyes glittered on her child with sudden hatred. The fervent red of her face turned almost to purple. The little boy ran to the halls, shrieking like a monk in an earthquake.
He floundered about in darkness until he found the stairs. He stumbled, panic-stricken, to the next floor. An old woman opened a door. A light behind her threw a flare on the urchin's quivering face.
"Eh, Gawd, child, what is it dis time? Is yer fader beatin' yer mudder, or yer mudder beatin' yer fader?"
Chapter III
Jimmie and the old woman listened long in the hall. Above the muffled roar of conversation, the dismal wailings of babies at night, the thumping of feet in unseen corridors and rooms, mingled with the sound of varied hoarse shoutings in the street and the rattling of wheels over cobbles, they heard the screams of the child and the roars of the mother die away to a feeble moaning and a subdued bass muttering.
The old woman was a gnarled and leathery personage who could don, at will, an expression of great virtue. She possessed a small music-box capable of one tune, and a collection of "God bless yehs" pitched in assorted keys of fervency. Each day she took a position upon the stones of Fifth Avenue, where she crooked her legs under her and crouched immovable and hideous, like an idol. She received daily a small sum in pennies. It was contributed, for the most part, by persons who did not make their homes in that vicinity.
Once, when a lady had dropped her purse on the sidewalk, the gnarled woman had grabbed it and smuggled it with great dexterity beneath her cloak. When she was arrested she had cursed the lady into a partial swoon, and with her aged limbs, twisted from rheumatism, had almost kicked the stomach out of a huge policeman whose conduct upon that occasion she referred to when she said: "The police, damn 'em."
"Eh, Jimmie, it's cursed shame," she said. "Go, now, like a dear an' buy me a can, an' if yer mudder raises 'ell all night yehs can sleep here."
Jimmie took a tendered tin-pail and seven pennies and departed. He passed into the side door of a saloon and went to the bar. Straining up on his toes he raised the pail and pennies as high as his arms would let him. He saw two hands thrust down and take them. Directly the same hands let down the filled pail and he left.
In front of the gruesome doorway he met a lurching figure. It was his father, swaying about on uncertain legs.
"Give me deh can. See?" said the man, threateningly.
"Ah, come off! I got dis can fer dat ol' woman an' it 'ud be dirt teh swipe it. See?" cried Jimmie.
The father wrenched the pail from the urchin. He grasped it in both hands and lifted it to his mouth. He glued his lips to the under edge and tilted his head. His hairy throat swelled until it seemed to grow near his chin. There was a tremendous gulping movement and the beer was gone.
The man caught his breath and laughed. He hit his son on the head with the empty pail. As it rolled clanging into the street, Jimmie began to scream and kicked repeatedly at his father's shins.
"Look at deh dirt what yeh done me," he yelled. "Deh ol' woman 'ill be raisin' hell."
He retreated to the middle of the street, but the man did not pursue. He staggered toward the door.
"I'll club hell outa yeh when I ketch yeh," he shouted, and disappeared.
During the evening he had been standing against a bar drinking whiskies and declaring to all comers, confidentially: "My home reg'lar livin' hell! Damndes' place! Reg'lar hell! Why do I come an' drin' whisk' here thish way? 'Cause home reg'lar livin' hell!"
Jimmie waited a long time in the street and then crept warily up through the building. He passed with great caution the door of the gnarled woman, and finally stopped outside his home and listened.
He could hear his mother moving heavily about among the furniture of the room. She was chanting in a mournful voice, occasionally interjecting bursts of volcanic wrath at the father, who, Jimmie judged, had sunk down on the floor or in a corner.
"Why deh blazes don' chere try teh keep Jim from fightin'? I'll break her jaw," she suddenly bellowed.
The man mumbled with drunken indifference. "Ah, wha' deh hell. W'a's odds? Wha' makes kick?"
"Because he tears 'is clothes, yeh damn fool," cried the woman in supreme wrath.
The husband seemed to become aroused. "Go teh hell," he thundered fiercely in reply. There was a crash against the door and something broke into clattering fragments. Jimmie partially suppressed a howl and darted down the stairway. Below he paused and listened. He heard howls and curses, groans and shrieks, confusingly in chorus as if a battle were raging. With all was the crash of splintering furniture. The eyes of the urchin glared in fear that one of them would discover him.
Curious faces appeared in doorways, and whispered comments passed to and fro. "Ol' Johnson's raisin' hell agin."
Jimmie stood until the noises ceased and the other inhabitants of the tenement had all yawned and shut their doors. Then he crawled upstairs with the caution of an invader of a panther den. Sounds of labored breathing came through the broken door-panels. He pushed the door open and entered, quaking.
A glow from the fire threw red hues over the bare floor, the cracked and soiled plastering, and the overturned and broken furniture.
In the middle of the floor lay his mother asleep. In one corner of the room his father's limp body hung across the seat of a chair.
The urchin stole forward. He began to shiver in dread of awakening his parents. His mother's great chest was heaving painfully. Jimmie paused and