At Fault. Kate Chopin

young man whom she so closely scrutinized was slightly undersized, but of close and brawny build. His hands were not so refinedly white as those of certain office bred young men of her acquaintance, yet they were not coarsened by undue toil: it being somewhat an axiom with him to do nothing that an available “nigger” might do for him.

      Close fitting, high-heeled boots of fine quality incased his feet, in whose shapeliness he felt a pardonable pride; for a young man’s excellence was often measured in the circle which he had frequented, by the possession of such a foot. A peculiar grace in the dance and a talent for bold repartee were further characteristics which had made Grégoire’s departure keenly felt among certain belles of upper Red River. His features were handsome, of sharp and refined cut; and his eyes black and brilliant as eyes of an alert and intelligent animal sometimes are. Melicent could not reconcile his voice to her liking; it was too softly low and feminine, and carried a note of pleading or pathos, unless he argued with his horse, his dog, or a “nigger,” at which times, though not unduly raised, it acquired a biting quality that served the purpose of relieving him from further form of insistence.

      He pulled rapidly and in silence down the bayou, that was now so entirely sheltered from the open light of the sky by the meeting branches above, as to seem a dim leafy tunnel fashioned by man’s ingenuity. There were no perceptible banks, for the water spread out on either side of them, further than they could follow its flashings through the rank underbrush. The dull plash of some object falling into the water, or the wild call of a lonely bird were the only sounds that broke upon the stillness, beside the monotonous dipping of the oars and the occasional low undertones of their own voices. When Grégoire called the girl’s attention to an object near by, she fancied it was the protruding stump of a decaying tree; but reaching for his revolver and taking quiet aim, he drove a ball into the black upturned nozzle that sent it below the surface with an angry splash.

      “Will he follow us?” she asked, mildly agitated.

      “Oh no; he’s glad ’nough to git out o’ the way. You betta put down yo’ veil,” he added a moment later.

      Before she could ask a reason—for it was not her fashion to obey at word of command—the air was filled with the doleful hum of a gray swarm of mosquitoes, which attacked them fiercely.

      “You didn’t tell me the bayou was the refuge of such savage creatures,” she said, fastening her veil closely about face and neck, but not before she had felt the sharpness of their angry sting.

      “I reckoned you’d ’a knowed all about it: seems like you know everything.” After a short interval he added, “you betta take yo’ veil off.”

      She was amused at Grégoire’s authoritative tone and she said to him laughing, yet obeying his suggestion, which carried a note of command: “you shall tell me always, why I should do things.”

      “All right,” he replied; “because they ain’t any mo’ mosquitoes; because I want you to see somethin’ worth seein’ afta while; and because I like to look at you,” which he was doing, with the innocent boldness of a forward child. “Ain’t that ’nough reasons?”

      “More than enough,” she replied shortly.

      The rank and clustering vegetation had become denser as they went on, forming an impenetrable tangle on either side, and pressing so closely above that they often needed to lower their heads to avoid the blow of some drooping branch. Then a sudden and unlooked for turn in the bayou carried them out upon the far-spreading waters of the lake, with the broad canopy of the open sky above them.

      “Oh,” cried Melicent, in surprise. Her exclamation was like a sigh of relief which comes at the removal of some pressure from body or brain.

      The wildness of the scene caught upon her erratic fancy, speeding it for a quick moment into the realms of romance. She was an Indian maiden of the far past, fleeing and seeking with her dusky lover some wild and solitary retreat on the borders of this lake, which offered them no seeming foot-hold save such as they would hew themselves with axe or tomahawk. Here and there, a grim cypress lifted its head above the water, and spread wide its moss covered arms inviting refuge to the great black-winged buzzards that circled over and about it in mid-air. Nameless voices—weird sounds that awake in a Southern forest at twilight’s approach,—were crying a sinister welcome to the settling gloom.

      “This is a place thet can make a man sad, I tell you,” said Grégoire, resting his oars, and wiping the moisture from his forehead. “I wouldn’t want to be yere alone, not fur any money.”

      “It is an awful place,” replied Melicent with a little appreciative shudder; adding “do you consider me a bodily protection?” and feebly smiling into his face.

      “Oh; I ain’t ’fraid o’ any thing I can see an on’erstan’. I can han’le mos’ any thing thet’s got a body. But they do tell some mighty queer tales ’bout this lake an’ the pine hills yonda.”

      “Queer—how?”

      “W’y, ole McFarlane’s buried up there on the hill; an’ they’s folks ’round yere says he walks about o’ nights; can’t res’ in his grave fur the niggas he’s killed.”

      “Gracious! and who was old McFarlane?”

      “The meanest w’ite man thet ever lived, seems like. Used to own this place long befo’ the Lafirmes got it. They say he’s the person that Mrs. W’at’s her name wrote about in Uncle Tom’s Cabin.”

      “Legree? I wonder if it could be true?” Melicent asked with interest.

      “Thet’s w’at they all say: ask any body.”

      “You’ll take me to his grave, won’t you Grégoire,” she entreated.

      “Well, not this evenin’—I reckon not. It’ll have to be broad day, an’ the sun shinin’ mighty bright w’en I take you to ole McFarlane’s grave.”

      They had retraced their course and again entered the bayou, from which the light had now nearly vanished, making it needful that they watch carefully to escape the hewn logs that floated in numbers upon the water.

      “I didn’t suppose you were ever sad, Grégoire,” Melicent said gently.

      “Oh my! yes;” with frank acknowledgment. “You ain’t ever seen me w’en I was real lonesome. ’Tain’t so bad sence you come. But times w’en I git to thinkin’ ’bout home, I’m boun’ to cry—seems like I can’t he’p it.”

      “Why did you ever leave home?” she asked sympathetically.

      “You see w’en father died, fo’ year ago, mother she went back to France, t’her folks there; she never could stan’ this country—an’ lef’ us boys to manage the place. Hec, he took charge the firs’ year an’ run it in debt. Placide an’ me did’n’ have no betta luck the naxt year. Then the creditors come up from New Orleans an’ took holt. That’s the time I packed my duds an’ lef’.”

      “And you came here?”

      “No, not at firs’. You see the Santien boys had a putty hard name in the country. Aunt Thérèse, she’d fallen out with father years ago ’bout the way, she said, he was bringin’ us up. Father, he wasn’t the man to take nothin’ from nobody. Never ’lowed any of us to come down yere. I was in Texas, goin’ to the devil I reckon, w’en she sent for me, an’ yere I am.”

      “And here you ought to stay, Grégoire.”

      “Oh, they ain’t no betta woman in the worl’ then Aunt Thérèse, w’en you do like she wants. See ’em yonda waitin’ fur us? Reckon they thought we was drowned.”

      IV. A Small Interruption.

      When Melicent came to visit her brother, Mrs. Lafirme persuaded him to abandon his uncomfortable quarters