Bayou Folk. Kate Chopin

and found the business that had called him to the country so engrossing that he had given no thought to those personal questions he had hoped to solve in going there.

      The old man had driven him around in the no-top buggy to show him how dismantled the fences and barns were. He could see for himself that the house was a constant menace to human life. In the evenings the three would sit out on the gallery and talk of the land and its strong points and its weak ones, till he came to know it as if it had been his own.

      Of the rickety condition of the cabins he got a fair notion, for he and Euphrasie passed them almost daily on horseback, on their way to the woods. It was seldom that their appearance together did not rouse comment among the darkies who happened to be loitering about.

      La Chatte, a broad black woman with ends of white wool sticking out from under her tignon, stood with arms akimbo watching them as they disappeared one day. Then she turned and said to a young woman who sat in the cabin door:—

      "Dat young man, ef he want to listen to me, he gwine quit dat ar caperin' roun' Miss 'Phrasie."

      The young woman in the doorway laughed, and showed her white teeth, and tossed her head, and fingered the blue beads at her throat, in a way to indicate that she was in hearty sympathy with any question that touched upon gallantry.

      "Law! La Chatte, you ain' gwine hinder a gemman f'om payin' intentions to a young lady w'en he a mine to."

      "Dat all I got to say," returned La Chatte, seating herself lazily and heavily on the doorstep. "Nobody don' know dem Sanchun boys bettah 'an I does. Did n' I done part raise 'em? W'at you reckon my ha'r all tu'n plumb w'ite dat-a-way ef it warn't dat Placide w'at done it?"

      "How come he make yo' ha'r tu'n w'ite, La Chatte?"

      "Dev'ment, pu' dev'ment, Rose. Did n' he come in dat same cabin one day, w'en he warn't no bigga 'an dat Pres'dent Hayes w'at you sees gwine 'long de road wid dat cotton sack 'crost 'im? He come an' sets down by de do', on dat same t'ree-laigged stool w'at you's a-settin' on now, wid his gun in his ban', an' he say: 'La Chatte, I wants some croquignoles, an' I wants 'em quick, too.' I 'low: 'G' 'way f'om dah, boy. Don' you see I's flutin' yo' ma's petticoat?' He say: 'La Chatte, put 'side dat ar flutin'i'on an' dat ar petticoat;' an' he cock dat gun an' p'int it to my head. 'Dar de ba'el,' he say; 'git out dat flour, git out dat butta an' dat aigs; step roun' dah, ole 'oman. Dis heah gun don' quit yo' head tell dem croquignoles is on de table, wid a w'ite table-clof an' a cup o' coffee.' Ef I goes to de ba'el, de gun's a-p'intin'. Ef I goes to de fiah, de gun's ar-p'intin'. W'en I rolls out de dough, de gun's a-p'intin'; an' him neva say nuttin', an' me a-trim'lin' like ole Uncle Noah w'en de mis'ry strike 'im."

      "Lordy! w'at you reckon he do ef he tu'n roun' an' git mad wid dat young gemman f'om de city?"

      "I don' reckon nuttin'; I knows w'at he gwine do,—same w'at his pa done."

      "W'at his pa done, La Chatte?"

      "G' 'long 'bout yo' business; you's axin' too many questions." And La Chatte arose slowly and went to gather her party-colored wash that hung drying on the jagged and irregular points of a dilapidated picket-fence.

      But the darkies were mistaken in supposing that Offdean was paying attention to Euphrasie. Those little jaunts in the wood were purely of a business character. Offdean had made a contract with a neighboring mill for fencing, in exchange for a certain amount of uncut timber. He had made it his work—with the assistance of Euphrasie—to decide upon what trees he wanted felled, and to mark such for the woodman's axe.

      If they sometimes forgot what they had gone into the woods for, it was because there was so much to talk about and to laugh about. Often, when Offdean had blazed a tree with the sharp hatchet which he carried at his pommel, and had further discharged his duty by calling it "a fine piece of timber," they would sit upon some fallen and decaying trunk, maybe to listen to a chorus of mocking-birds above their heads, or to exchange confidences, as young people will.

      Euphrasie thought she had never heard any one talk quite so pleasantly as Offdean did. She could not decide whether it was his manner or the tone of his voice, or the earnest glance of his dark and deep-set blue eyes, that gave such meaning to everything he said; for she found herself afterward thinking of his every word.

      One afternoon it rained in torrents, and Rose was forced to drag buckets and tubs into Offdean's room to catch the streams that threatened to flood it. Euphrasie said she was glad of it; now he could see for himself.

      And when he had seen for himself, he went to join her out on a corner of the gallery, where she stood with a cloak around her, close up against the house. He leaned against the house, too, and they stood thus together, gazing upon as desolate a scene as it is easy to imagine.

      The whole landscape was gray, seen through the driving rain. Far away the dreary cabins seemed to sink and sink to earth in abject misery. Above their heads the live-oak branches were beating with sad monotony against the blackened roof. Great pools of water had formed in the yard, which was deserted by every living thing; for the little darkies had scampered away to their cabins, the dogs had run to their kennels, and the hens were puffing big with wretchedness under the scanty shelter of a fallen wagon-body.

      Certainly a situation to make a young man groan with ennui, if he is used to his daily stroll on Canal Street, and pleasant afternoons at the club. But Offdean thought it delightful. He only wondered that he had never known, or some one had never told him, how charming a place an old, dismantled plantation can be—when it rains. But as well as he liked it, he could not linger there forever. Business called him back to New Orleans, and after a few days he went away.

      The interest which he felt in the improvement of this plantation was of so deep a nature, however, that he found himself thinking of it constantly. He wondered if the timber had all been felled, and how the fencing was coming on. So great was his desire to know such things that much correspondence was required between himself and Euphrasie, and he watched eagerly for those letters that told him of her trials and vexations with carpenters, bricklayers, and shingle—bearers. But in the midst of it, Offdean suddenly lost interest in the progress of work on the plantation. Singularly enough, it happened simultaneously with the arrival of a letter from Euphrasie which announced in a modest postscript that she was going down to the city with the Duplans for Mardi Gras.

      VI.

      When Offdean learned that Euphrasie was coming to New Orleans, he was delighted to think he would have an opportunity to make some return for the hospitality which he had received from her father. He decided at once that she must see everything: day processions and night parades, balls and tableaux, operas and plays. He would arrange for it all, and he went to the length of begging to be relieved of certain duties that had been assigned him at the club, in order that he might feel himself perfectly free to do so.

      The evening following Euphrasie's arrival, Offdean hastened to call upon her, away down on Esplanade Street. She and the Duplans were staying there with old Mme. Carantelle, Mrs. Duplan's mother, a delightfully conservative old lady who had not "crossed Canal Street" for many years.

      He found a number of people gathered in the long high-ceiled drawing-room,—young people and old people, all talking French, and some talking louder than they would have done if Madame Carantelle had not been so very deaf.

      When Offdean entered, the old lady was greeting some one who had come in just before him. It was Placide, and she was calling him Grégoire, and wanting to know how the crops were up on Red River. She met every one from the country with this stereotyped inquiry, which placed her at once on the agreeable and easy footing she liked.

      Somehow Offdean had not counted on finding Euphrasie so well provided with entertainment, and he spent much of the evening in trying to persuade himself that the fact was a pleasing one in itself. But he wondered why Placide was with her, and sat so persistently beside her, and danced so repeatedly with her when Mrs. Duplan played upon the piano. Then he could not see by what right these young creoles had already arranged for the Proteus ball, and every other entertainment that he had meant to provide for her.

      He