The Song of the Lark. Уилла Кэсер

tracks toward the blue mountains. She told herself she would never, never forget it. The spirit of human courage seemed to live up there with the eagles. For long after, when she was moved by a Fourth-of-July oration, or a band, or a circus parade, she was apt to remember that windy ridge.

      To-day she went to sleep while she was thinking about it. When Ray wakened her, the horses were hitched to the wagon and Gunner and Axel were begging for a place on the front seat. The air had cooled, the sun was setting, and the desert was on fire. Thea contentedly took the back seat with Mrs. Tellamantez. As they drove homeward the stars began to come out, pale yellow in a yellow sky, and Ray and Johnny began to sing one of those railroad ditties that are usually born on the Southern Pacific and run the length of the Santa Fe and the “Q” system before they die to give place to a new one. This was a song about a Greaser dance, the refrain being something like this:—

      “Pedro, Pedro, swing high, swing low,

       And it's allamand left again;

       For there's boys that's bold and there's some that's cold,

       But the gold boys come from Spain,

       Oh, the gold boys come from Spain!”

VIII

       Table of Contents

      Winter was long in coming that year. Throughout October the days were bathed in sunlight and the air was clear as crystal. The town kept its cheerful summer aspect, the desert glistened with light, the sand hills every day went through magical changes of color. The scarlet sage bloomed late in the front yards, the cottonwood leaves were bright gold long before they fell, and it was not until November that the green on the tamarisks began to cloud and fade. There was a flurry of snow about Thanksgiving, and then December came on warm and clear.

      Thea had three music pupils now, little girls whose mothers declared that Professor Wunsch was “much too severe.” They took their lessons on Saturday, and this, of course, cut down her time for play. She did not really mind this because she was allowed to use the money—her pupils paid her twenty-five cents a lesson—to fit up a little room for herself upstairs in the half-story. It was the end room of the wing, and was not plastered, but was snugly lined with soft pine. The ceiling was so low that a grown person could reach it with the palm of the hand, and it sloped down on either side. There was only one window, but it was a double one and went to the floor. In October, while the days were still warm, Thea and Tillie papered the room, walls and ceiling in the same paper, small red and brown roses on a yellowish ground. Thea bought a brown cotton carpet, and her big brother, Gus, put it down for her one Sunday. She made white cheesecloth curtains and hung them on a tape. Her mother gave her an old walnut dresser with a broken mirror, and she had her own dumpy walnut single bed, and a blue washbowl and pitcher which she had drawn at a church fair lottery. At the head of her bed she had a tall round wooden hat-crate, from the clothing store. This, standing on end and draped with cretonne, made a fairly steady table for her lantern. She was not allowed to take a lamp upstairs, so Ray Kennedy gave her a railroad lantern by which she could read at night.

      In winter this loft room of Thea's was bitterly cold, but against her mother's advice—and Tillie's—she always left her window open a little way. Mrs. Kronborg declared that she “had no patience with American physiology,” though the lessons about the injurious effects of alcohol and tobacco were well enough for the boys. Thea asked Dr. Archie about the window, and he told her that a girl who sang must always have plenty of fresh air, or her voice would get husky, and that the cold would harden her throat. The important thing, he said, was to keep your feet warm. On very cold nights Thea always put a brick in the oven after supper, and when she went upstairs she wrapped it in an old flannel petticoat and put it in her bed. The boys, who would never heat bricks for themselves, sometimes carried off Thea's, and thought it a good joke to get ahead of her.

      When Thea first plunged in between her red blankets, the cold sometimes kept her awake for a good while, and she comforted herself by remembering all she could of “Polar Explorations,” a fat, calf-bound volume her father had bought from a book-agent, and by thinking about the members of Greely's party: how they lay in their frozen sleeping-bags, each man hoarding the warmth of his own body and trying to make it last as long as possible against the on-coming cold that would be everlasting. After half an hour or so, a warm wave crept over her body and round, sturdy legs; she glowed like a little stove with the warmth of her own blood, and the heavy quilts and red blankets grew warm wherever they touched her, though her breath sometimes froze on the coverlid. Before daylight, her internal fires went down a little, and she often wakened to find herself drawn up into a tight ball, somewhat stiff in the legs. But that made it all the easier to get up.

      The acquisition of this room was the beginning of a new era in Thea's life. It was one of the most important things that ever happened to her. Hitherto, except in summer, when she could be out of doors, she had lived in constant turmoil; the family, the day school, the Sunday-School. The clamor about her drowned the voice within herself. In the end of the wing, separated from the other upstairs sleeping-rooms by a long, cold, unfinished lumber room, her mind worked better. She thought things out more clearly. Pleasant plans and ideas occurred to her which had never come before. She had certain thoughts which were like companions, ideas which were like older and wiser friends. She left them there in the morning, when she finished dressing in the cold, and at night, when she came up with her lantern and shut the door after a busy day, she found them awaiting her. There was no possible way of heating the room, but that was fortunate, for otherwise it would have been occupied by one of her older brothers.

      From the time when she moved up into the wing, Thea began to live a double life. During the day, when the hours were full of tasks, she was one of the Kronborg children, but at night she was a different person. On Friday and Saturday nights she always read for a long while after she was in bed. She had no clock, and there was no one to nag her.

      Ray Kennedy, on his way from the depot to his boardinghouse, often looked up and saw Thea's light burning when the rest of the house was dark, and felt cheered as by a friendly greeting. He was a faithful soul, and many disappointments had not changed his nature. He was still, at heart, the same boy who, when he was sixteen, had settled down to freeze with his sheep in a Wyoming blizzard, and had been rescued only to play the losing game of fidelity to other charges.

      Ray had no very clear idea of what might be going on in Thea's head, but he knew that something was. He used to remark to Spanish Johnny, “That girl is developing something fine.” Thea was patient with Ray, even in regard to the liberties he took with her name. Outside the family, every one in Moonstone, except Wunsch and Dr. Archie, called her “Thee-a,” but this seemed cold and distant to Ray, so he called her “Thee.” Once, in a moment of exasperation, Thea asked him why he did this, and he explained that he once had a chum, Theodore, whose name was always abbreviated thus, and that since he was killed down on the Santa Fe, it seemed natural to call somebody “Thee.” Thea sighed and submitted. She was always helpless before homely sentiment and usually changed the subject.

      It was the custom for each of the different Sunday Schools in Moonstone to give a concert on Christmas Eve. But this year all the churches were to unite and give, as was announced from the pulpits, “a semi-sacred concert of picked talent” at the opera house. The Moonstone Orchestra, under the direction of Professor Wunsch, was to play, and the most talented members of each Sunday School were to take part in the programme. Thea was put down by the committee “for instrumental.” This made her indignant, for the vocal numbers were always more popular. Thea went to the president of the committee and demanded hotly if her rival, Lily Fisher, were going to sing. The president was a big, florid, powdered woman, a fierce W.C.T.U. worker, one of Thea's natural enemies. Her name was Johnson; her husband kept the livery stable, and she was called Mrs. Livery Johnson, to distinguish her from other families of the same surname. Mrs. Johnson was a prominent Baptist, and Lily Fisher was the Baptist prodigy. There was a not very Christian rivalry between the Baptist Church and Mr. Kronborg's church.

      When Thea asked