The Complete Works. O. Henry

Me, I go instructed for the other chap — Spurious Somebody — the one that fought and pulled his freight, to fight ’em on some other day.”

      “Anyway,” summed up Broncho, “Bob’s about the gamest man I ever see along the Rio Bravo. Great Sam Houston! If she gets any hotter she’ll sizzle!” Broncho whacked at a scorpion with his four-pound Stetson felt, and the three watchers relapsed into comfortless silence.

      How well Bob Buckley had kept his secret, since these men, for two years his side comrades in countless border raids and dangers, thus spake of him, not knowing that he was the most arrant physical coward in all that Rio Bravo country! Neither his friends nor his enemies had suspected him of aught else than the finest courage. It was purely a physical cowardice, and only by an extreme, grim effort of will had he forced his craven body to do the bravest deeds. Scourging himself always, as a monk whips his besetting sin, Buckley threw himself with apparent recklessness into every danger, with the hope of some day ridding himself of the despised affliction. But each successive test brought no relief, and the ranger’s face, by nature adapted to cheerfulness and good-humour, became set to the guise of gloomy melancholy. Thus, while the frontier admired his deeds, and his prowess was celebrated in print and by word of mouth in many campfires in the valley of the Bravo, his heart was sick within him. Only himself knew of the horrible tightening of the chest, the dry mouth, the weakening of the spine, the agony of the strung nerves — the never-failing symptoms of his shameful malady.

      One mere boy in his company was wont to enter a fray with a leg perched flippantly about the horn of his saddle, a cigarette hanging from his lips, which emitted smoke and original slogans of clever invention. Buckley would have given a year’s pay to attain that devil-may-care method. Once the debonair youth said to him: “Buck, you go into a scrap like it was a funeral. Not,” he added, with a complimentary wave of his tin cup, “but what it generally is.”

      Buckley’s conscience was of the New England order with Western adjustments, and he continued to get his rebellious body into as many difficulties as possible; wherefore, on that sultry afternoon he chose to drive his own protesting limbs to investigation of that sudden alarm that had startled the peace and dignity of the State.

      Two squares down the street stood the Top Notch Saloon. Here Buckley came upon signs of recent upheaval. A few curious spectators pressed about its front entrance, grinding beneath their heels the fragments of a plate-glass window. Inside, Buckley found Bud Dawson utterly ignoring a bullet wound in his shoulder, while he feelingly wept at having to explain why he failed to drop the “blamed masquerooter,” who shot him. At the entrance of the ranger Bud turned appealingly to him for confirmation of the devastation he might have dealt.

      “You know, Buck, I’d ‘a’ plum got him, first rattle, if I’d thought a minute. Come in a-masque-rootin’, playin’ female till he got the drop, and turned loose. I never reached for a gun, thinkin’ it was sure Chihuahua Betty, or Mrs. Atwater, or anyhow one of the Mayfield girls comin’ a-gunnin’, which they might, liable as not. I never thought of that blamed Garcia until—”

      “Garcia!” snapped Buckley. “How did he get over here?”

      Bud’s bartender took the ranger by the arm and led him to the side door. There stood a patient grey burro cropping the grass along the gutter, with a load of kindling wood tied across its back. On the ground lay a black shawl and a voluminous brown dress.

      “Masquerootin’ in them things,” called Bud, still resisting attempted ministrations to his wounds. “Thought he was a lady till he gave a yell and winged me.”

      “He went down this side street,” said the bartender. “He was alone, and he’ll hide out till night when his gang comes over. You ought to find him in that Mexican lay-out below the depot. He’s got a girl down there — Pancha Sales.”

      “How was he armed?” asked Buckley.

      “Two pearl-handled sixes, and a knife.”

      “Keep this for me, Billy,” said the ranger, handing over his Winchester. Quixotic, perhaps, but it was Bob Buckley’s way. Another man — and a braver one — might have raised a posse to accompany him. It was Buckley’s rule to discard all preliminary advantage.

      The Mexican had left behind him a wake of closed doors and an empty street, but now people were beginning to emerge from their places of refuge with assumed unconsciousness of anything having happened. Many citizens who knew the ranger pointed out to him with alacrity the course of Garcia’s retreat.

      As Buckley swung along upon the trail he felt the beginning of the suffocating constriction about his throat, the cold sweat under the brim of his hat, the old, shameful, dreaded sinking of his heart as it went down, down, down in his bosom.

      *

      The morning train of the Mexican Central had that day been three hours late, thus failing to connect with the I. & G.N. on the other side of the river. Passengers for Los Estados Unidos grumblingly sought entertainment in the little swaggering mongrel town of two nations, for, until the morrow, no other train would come to rescue them. Grumblingly, because two days later would begin the great fair and races in San Antone. Consider that at that time San Antone was the hub of the wheel of Fortune, and the names of its spokes were Cattle, Wool, Faro, Running Horses, and Ozone. In those times cattlemen played at crack-loo on the sidewalks with double-eagles, and gentlemen backed their conception of the fortuitous card with stacks limited in height only by the interference of gravity. Wherefore, thither journeyed the sowers and the reapers — they who stampeded the dollars, and they who rounded them up. Especially did the caterers to the amusement of the people haste to San Antone. Two greatest shows on earth were already there, and dozens of smallest ones were on the way.

      On a side track near the mean little ‘dobe depot stood a private car, left there by the Mexican train that morning and doomed by an ineffectual schedule to ignobly await, amid squalid surroundings, connection with the next day’s regular.

      The car had been once a common day-coach, but those who had sat in it and gringed to the conductor’s hatband slips would never have recognised it in its transformation. Paint and gilding and certain domestic touches had liberated it from any suspicion of public servitude. The whitest of lace curtains judiciously screened its windows. From its fore end drooped in the torrid air the flag of Mexico. From its rear projected the Stars and Stripes and a busy stovepipe, the latter reinforcing in its suggestion of culinary comforts the general suggestion of privacy and ease. The beholder’s eye, regarding its gorgeous sides, found interest to culminate in a single name in gold and blue letters extending almost its entire length — a single name, the audacious privilege of royalty and genius. Doubly, then, was this arrogant nomenclature here justified; for the name was that of “Alvarita, Queen of the Serpent Tribe.” This, her car, was back from a triumphant tour of the principal Mexican cities, and now headed for San Antonio, where, according to promissory advertisement, she would exhibit her “Marvellous Dominion and Fearless Control over Deadly and Venomous Serpents, Handling them with Ease as they Coil and Hiss to the Terror of Thousands of Tongue-tied Tremblers!”

      One hundred in the shade kept the vicinity somewhat depeopled. This quarter of the town was a ragged edge; its denizens the bubbling froth of five nations; its architecture tent, jacal, and ‘dobe; its distractions the hurdy-gurdy and the informal contribution to the sudden stranger’s store of experience. Beyond this dishonourable fringe upon the old town’s jowl rose a dense mass of trees, surmounting and filling a little hollow. Through this bickered a small stream that perished down the sheer and disconcerting side of the great canon of the Rio Bravo del Norte.

      In this sordid spot was condemned to remain for certain hours the impotent transport of the Queen of the Serpent Tribe.

      The front door of the car was open. Its forward end was curtained off into a small reception-room. Here the admiring and propitiatory reporters were wont to sit and transpose the music of Senorita Alvarita’s talk into the more florid key of the press. A picture of Abraham Lincoln hung against a wall; one of a cluster of schoolgirls grouped upon stone steps was in another place; a third was Easter lilies in a blood-red