OF HUMAN BONDAGE (An Autobiographical Novel) - Complete Edition. Уильям Сомерсет Моэм

waved his arm round the dirty garret, with its unmade bed, the clothes lying on the floor, a row of empty beer bottles against the wall, piles of unbound, ragged books in every corner—"for some provincial university where I shall try and get a chair of philology. And I shall play tennis and go to tea-parties." He interrupted himself and gave Philip, very neatly dressed, with a clean collar on and his hair well-brushed, a quizzical look. "And, my God! I shall have to wash."

      Philip reddened, feeling his own spruceness an intolerable reproach; for of late he had begun to pay some attention to his toilet, and he had come out from England with a pretty selection of ties.

      The summer came upon the country like a conqueror. Each day was beautiful. The sky had an arrogant blue which goaded the nerves like a spur. The green of the trees in the Anlage was violent and crude; and the houses, when the sun caught them, had a dazzling white which stimulated till it hurt. Sometimes on his way back from Wharton Philip would sit in the shade on one of the benches in the Anlage, enjoying the coolness and watching the patterns of light which the sun, shining through the leaves, made on the ground. His soul danced with delight as gaily as the sunbeams. He revelled in those moments of idleness stolen from his work. Sometimes he sauntered through the streets of the old town. He looked with awe at the students of the corps, their cheeks gashed and red, who swaggered about in their coloured caps. In the afternoons he wandered about the hills with the girls in the Frau Professor's house, and sometimes they went up the river and had tea in a leafy beer-garden. In the evenings they walked round and round the Stadtgarten, listening to the band.

      Philip soon learned the various interests of the household. Fraulein Thekla, the professor's elder daughter, was engaged to a man in England who had spent twelve months in the house to learn German, and their marriage was to take place at the end of the year. But the young man wrote that his father, an india-rubber merchant who lived in Slough, did not approve of the union, and Fraulein Thekla was often in tears. Sometimes she and her mother might be seen, with stern eyes and determined mouths, looking over the letters of the reluctant lover. Thekla painted in water colour, and occasionally she and Philip, with another of the girls to keep them company, would go out and paint little pictures. The pretty Fraulein Hedwig had amorous troubles too. She was the daughter of a merchant in Berlin and a dashing hussar had fallen in love with her, a von if you please: but his parents opposed a marriage with a person of her condition, and she had been sent to Heidelberg to forget him. She could never, never do this, and corresponded with him continually, and he was making every effort to induce an exasperating father to change his mind. She told all this to Philip with pretty sighs and becoming blushes, and showed him the photograph of the gay lieutenant. Philip liked her best of all the girls at the Frau Professor's, and on their walks always tried to get by her side. He blushed a great deal when the others chaffed him for his obvious preference. He made the first declaration in his life to Fraulein Hedwig, but unfortunately it was an accident, and it happened in this manner. In the evenings when they did not go out, the young women sang little songs in the green velvet drawing-room, while Fraulein Anna, who always made herself useful, industriously accompanied. Fraulein Hedwig's favourite song was called Ich liebe dich, I love you; and one evening after she had sung this, when Philip was standing with her on the balcony, looking at the stars, it occurred to him to make some remark about it. He began:

      "Ich liebe dich."

      His German was halting, and he looked about for the word he wanted. The pause was infinitesimal, but before he could go on Fraulein Hedwig said:

      "Ach, Herr Carey, Sie mussen mir nicht du sagen—you mustn't talk to me in the second person singular."

      Philip felt himself grow hot all over, for he would never have dared to do anything so familiar, and he could think of nothing on earth to say. It would be ungallant to explain that he was not making an observation, but merely mentioning the title of a song.

      "Entschuldigen Sie," he said. "I beg your pardon."

      "It does not matter," she whispered.

      She smiled pleasantly, quietly took his hand and pressed it, then turned back into the drawing-room.

      Next day he was so embarrassed that he could not speak to her, and in his shyness did all that was possible to avoid her. When he was asked to go for the usual walk he refused because, he said, he had work to do. But Fraulein Hedwig seized an opportunity to speak to him alone.

      "Why are you behaving in this way?" she said kindly. "You know, I'm not angry with you for what you said last night. You can't help it if you love me. I'm flattered. But although I'm not exactly engaged to Hermann I can never love anyone else, and I look upon myself as his bride."

      Philip blushed again, but he put on quite the expression of a rejected lover.

      "I hope you'll be very happy," he said.

      XXIV

       Table of Contents

       Professor Erlin gave Philip a lesson every day. He made out a list of books which Philip was to read till he was ready for the final achievement of Faust, and meanwhile, ingeniously enough, started him on a German translation of one of the plays by Shakespeare which Philip had studied at school. It was the period in Germany of Goethe's highest fame. Notwithstanding his rather condescending attitude towards patriotism he had been adopted as the national poet, and seemed since the war of seventy to be one of the most significant glories of national unity. The enthusiastic seemed in the wildness of the Walpurgisnacht to hear the rattle of artillery at Gravelotte. But one mark of a writer's greatness is that different minds can find in him different inspirations; and Professor Erlin, who hated the Prussians, gave his enthusiastic admiration to Goethe because his works, Olympian and sedate, offered the only refuge for a sane mind against the onslaughts of the present generation. There was a dramatist whose name of late had been much heard at Heidelberg, and the winter before one of his plays had been given at the theatre amid the cheers of adherents and the hisses of decent people. Philip heard discussions about it at the Frau Professor's long table, and at these Professor Erlin lost his wonted calm: he beat the table with his fist, and drowned all opposition with the roar of his fine deep voice. It was nonsense and obscene nonsense. He forced himself to sit the play out, but he did not know whether he was more bored or nauseated. If that was what the theatre was coming to, then it was high time the police stepped in and closed the playhouses. He was no prude and could laugh as well as anyone at the witty immorality of a farce at the Palais Royal, but here was nothing but filth. With an emphatic gesture he held his nose and whistled through his teeth. It was the ruin of the family, the uprooting of morals, the destruction of Germany.

      "Aber, Adolf," said the Frau Professor from the other end of the table.

       "Calm yourself."

      He shook his fist at her. He was the mildest of creatures and ventured upon no action of his life without consulting her.

      "No, Helene, I tell you this," he shouted. "I would sooner my daughters were lying dead at my feet than see them listening to the garbage of that shameless fellow."

      The play was The Doll's House and the author was Henrik Ibsen.

      Professor Erlin classed him with Richard Wagner, but of him he spoke not with anger but with good-humoured laughter. He was a charlatan but a successful charlatan, and in that was always something for the comic spirit to rejoice in.

      "Verruckter Kerl! A madman!" he said.

      He had seen Lohengrin and that passed muster. It was dull but no worse. But Siegfried! When he mentioned it Professor Erlin leaned his head on his hand and bellowed with laughter. Not a melody in it from beginning to end! He could imagine Richard Wagner sitting in his box and laughing till his sides ached at the sight of all the people who were taking it seriously. It was the greatest hoax of the nineteenth century. He lifted his glass of beer to his lips, threw back his head, and drank till the glass was empty. Then wiping his mouth with the back of his hand, he said:

      "I tell you young people that before the nineteenth century is out Wagner will be as dead as mutton. Wagner! I would give all his works