Wives and Daughters. Elizabeth Cleghorn Gaskell

not I?"

      "Certainly," said Mrs. Hamley, as soon as she understood what Molly meant. "Tell me just what you think of them, my dear; it will amuse me to compare your impressions with what they really are."

      "Oh! but I did not mean to guess at their characters. I could not do it; and it would be impertinent, if I could. I can only speak about their faces as I see them in the picture."

      "Well! tell me what you think of them!"

      "The eldest—the reading boy—is very beautiful; but I can't quite make out his face yet, because his head is down, and I can't see the eyes. That is the Mr. Osborne Hamley who writes poetry."

      "Yes. He is not quite so handsome now; but he was a beautiful boy. Roger was never to be compared with him."

      "No; he is not handsome. And yet I like his face. I can see his eyes. They are grave and solemn-looking; but all the rest of his face is rather merry than otherwise. It looks too steady and sober, too good a face, to go tempting his brother to leave his lesson."

      "Ah! but it was not a lesson. I remember the painter, Mr. Green, once saw Osborne reading some poetry, while Roger was trying to persuade him to come out and have a ride in the hay-cart—that was the 'motive' of the picture, to speak artistically. Roger is not much of a reader; at least, he doesn't care for poetry, and books of romance, or sentiment. He is so fond of natural history; and that takes him, like the squire, a great deal out of doors; and when he is in, he is always reading scientific books that bear upon his pursuits. He is a good, steady fellow, though, and gives us great satisfaction, but he is not likely to have such a brilliant career as Osborne."

      Molly tried to find out in the picture the characteristics of the two boys, as they were now explained to her by their mother; and in questions and answers about the various drawings hung round the room the time passed away until the dressing-bell rang for the six o'clock dinner.

      Molly was rather dismayed by the offers of the maid whom Mrs. Hamley had sent to assist her. "I am afraid they expect me to be very smart," she kept thinking to herself. "If they do, they'll be disappointed; that's all. But I wish my plaid silk gown had been ready."

      She looked at herself in the glass with some anxiety, for the first time in her life. She saw a slight, lean figure, promising to be tall; a complexion browner than cream-coloured, although in a year or two it might have that tint; plentiful curly black hair, tied up in a bunch behind with a rose-coloured ribbon; long, almond-shaped, soft gray eyes, shaded both above and below by curling black eyelashes.

      "I don't think I am pretty," thought Molly, as she turned away from the glass; "and yet I'm not sure." She would have been sure, if, instead of inspecting herself with such solemnity, she had smiled her own sweet merry smile, and called out the gleam of her teeth, and the charm of her dimples.

      She found her way downstairs into the drawing-room in good time; she could look about her, and learn how to feel at home in her new quarters. The room was forty-feet long or so, fitted up with yellow satin at some distant period; high spindle-legged chairs and pembroke-tables abounded. The carpet was of the same date as the curtains, and was thread-bare in many places; and in others was covered with drugget. Stands of plants, great jars of flowers, old Indian china and cabinets gave the room the pleasant aspect it certainly had. And to add to it, there were five high, long windows on one side of the room, all opening to the prettiest bit of flower-garden in the grounds—or what was considered as such—brilliant-coloured, geometrically-shaped beds, converging to a sun-dial in the midst. The Squire came in abruptly, and in his morning dress; he stood at the door, as if surprised at the white-robed stranger in possession of his hearth. Then, suddenly remembering himself, but not before Molly had begun to feel very hot, he said—

      "Why, God bless my soul, I'd quite forgotten you; you're Miss Gibson, Gibson's daughter, aren't you? Come to pay us a visit? I'm sure I'm very glad to see you, my dear."

      By this time, they had met in the middle of the room, and he was shaking Molly's hand with vehement friendliness, intended to make up for his not knowing her at first.

      "I must go and dress, though," said he, looking at his soiled gaiters. "Madam likes it. It's one of her fine London ways, and she's broken me into it at last. Very good plan, though, and quite right to make oneself fit for ladies' society. Does your father dress for dinner, Miss Gibson?" He did not stay to wait for her answer, but hastened away to perform his toilette.

      They dined at a small table in a great large room. There were so few articles of furniture in it, and the apartment itself was so vast, that Molly longed for the snugness of the home dining-room; nay, it is to be feared that, before the stately dinner at Hamley Hall came to an end, she even regretted the crowded chairs and tables, the hurry of eating, the quick unformal manner in which everybody seemed to finish their meal as fast as possible, and to return to the work they had left. She tried to think that at six o'clock all the business of the day was ended, and that people might linger if they chose. She measured the distance from the sideboard to the table with her eye, and made allowances for the men who had to carry things backwards and forwards; but, all the same, this dinner appeared to her a wearisome business, prolonged because the Squire liked it, for Mrs. Hamley seemed tired out. She ate even less than Molly, and sent for fan and smelling-bottle to amuse herself with, until at length the table-cloth was cleared away, and the dessert was put upon a mahogany table, polished like a looking-glass.

      The Squire had hitherto been too busy to talk, except about the immediate concerns of the table, and one or two of the greatest breaks to the usual monotony of his days; a monotony in which he delighted, but which sometimes became oppressive to his wife. Now, however, peeling his orange, he turned to Molly—

      "To-morrow you'll have to do this for me, Miss Gibson."

      "Shall I? I'll do it to-day, if you like, sir."

      "No; to-day I shall treat you as a visitor, with all proper ceremony. To-morrow I shall send you errands, and call you by your Christian name."

      "I shall like that," said Molly.

      "I was wanting to call you something less formal than Miss Gibson," said Mrs. Hamley.

      "My name is Molly. It is an old-fashioned name, and I was christened Mary. But papa likes Molly."

      "That's right. Keep to the good old fashions, my dear."

      "Well, I must say I think Mary is prettier than Molly, and quite as old a name, too," said Mrs. Hamley.

      "I think it was," said Molly, lowering her voice, and dropping her eyes, "because mamma was Mary, and I was called Molly while she lived."

      "Ah, poor thing," said the squire, not perceiving his wife's signs to change the subject, "I remember how sorry every one was when she died; no one thought she was delicate, she had such a fresh colour, till all at once she popped off, as one may say."

      "It must have been a terrible blow to your father," said Mrs. Hamley, seeing that Molly did not know what to answer.

      "Ay, ay. It came so sudden, so soon after they were married."

      "I thought it was nearly four years," said Molly.

      "And four years is soon—is a short time to a couple who look to spending their lifetime together. Every one thought Gibson would have married again."

      "Hush," said Mrs. Hamley, seeing in Molly's eyes and change of colour how completely this was a new idea to her. But the squire was not so easily stopped.

      "Well—I'd perhaps better not have said it, but it's the truth; they did. He's not likely to marry now, so one may say it out. Why, your father is past forty, isn't he?"

      "Forty-three. I don't believe he ever thought of marrying again," said Molly, recurring to the idea, as one does to that of danger which has passed by, without one's being aware of it.

      "No! I don't believe he did, my dear. He looks to me just like a man who would be constant to the memory of his wife. You must not mind what the squire says."

      "Ah! you'd better go away, if you're going