Katherine Mansfield - Premium Collection: 160+ Short Stories & Poems. Katherine Mansfield

moment the train started it was all over. I felt her drag me back to her—calling. I can hear her now as I write. And she’s alone and she doesn’t know. A man would have to be a devil to tell her and I’m not a devil, Mouse. She mustn’t know. Oh, Mouse, somewhere, somewhere in you don’t you agree? It’s all so unspeakably awful that I don’t know if I want to go or not. Do I? Or is Mother just dragging me? I don’t know. My head is too tired. Mouse, Mouse—what will you do? But I can’t think of that, either. I dare not. I’d break down. And I must not break down. All I’ve got to do is—just to tell you this and go. I couldn’t have gone off without telling you. You’d have been frightened. And you must not be frightened. You won’t—will you? I can’t bear—but no more of that. And don’t write. I should not have the courage to answer your letters and the sight of your spidery handwriting——

      Forgive me. Don’t love me any more. Yes. Love me. Love me. Dick.”

      What do you think of that? Wasn’t that a rare find? My relief at his not having shot himself was mixed with a wonderful sense of elation. I was even—more than even with my “that’s very curious and interesting” Englishman. . . .

      She wept so strangely. With her eyes shut, with her face quite calm except for the quivering eyelids. The tears pearled down her cheeks and she let them fall.

      But feeling my glance upon her she opened her eyes and saw me holding the letter.

      “You’ve read it?”

      Her voice was quite calm, but it was not her voice any more. It was like the voice you might imagine coming out of a tiny, cold sea-shell swept high and dry at last by the salt tide. . . .

      I nodded, quite overcome, you understand, and laid the letter down.

      “It’s incredible! incredible!” I whispered.

      At that she got up from the floor, walked over to the wash-stand, dipped her handkerchief into the jug and sponged her eyes, saying: “Oh, no. It’s not incredible at all.” And still pressing the wet ball to her eyes she came back to me, to her chair with the lace tabs, and sank into it.

      “I knew all along, of course,” said the cold, salty little voice. “From the very moment that we started. I felt it all through me, but I still went on hoping—” and here she took the handkerchief down and gave me a final glimmer—“as one so stupidly does, you know.”

      “As one does.”

      Silence.

      “But what will you do? You’ll go back? You’ll see him?”

      That made her sit right up and stare across at me.

      “What an extraordinary idea!” she said, more coldly than ever. “Of course I shall not dream of seeing him. As for going back—that is quite out of the question. I can’t go back.”

      “But . . .”

      “It’s impossible. For one thing all my friends think I am married.”

      I put out my hand—“Ah, my poor little friend.”

      But she shrank away. (False move.)

      Of course there was one question that had been at the back of my mind all this time. I hated it.

      “Have you any money?”

      “Yes, I have twenty pounds—here,” and she put her hand on her breast. I bowed. It was great deal more than I had expected.

      “And what are your plans?”

      Yes, I know. My question was the most clumsy, the most idiotic one I could have put. She had been so tame, so confiding, letting me, at any rate spiritually speaking, hold her tiny quivering body in one hand and stroke her furry head—and now, I’d thrown her away. Oh, I could have kicked myself.

      She stood up. “I have no plans. But—it’s very late. You must go now, please.”

      How could I get her back? I wanted her back. I swear I was not acting then.

      “Do feel that I am your friend,” I cried. “You will let me come to-morrow, early? You will let me look after you a little—take care of you a little? You’ll use me just as you think fit?”

      I succeeded. She came out of her hole . . . timid . . . but she came out.

      “Yes, you’re very kind. Yes. Do come to-morrow. I shall be glad. It makes things rather difficult because—” and again I clasped her boyish hand—“je ne parle pas français.”

      Not until I was half-way down the boulevard did it come over me—the full force of it.

      Why, they were suffering . . . those two . . . really suffering. I have seen two people suffer as I don’t suppose I ever shall again. . . .

      Of course you know what to expect. You anticipate, fully, what I am going to write. It wouldn’t be me, otherwise.

      I never went near the place again.

      Yes, I still owe that considerable amount for lunches and dinners, but that’s beside the mark. It’s vulgar to mention it in the same breath with the fact that I never saw Mouse again.

      Naturally, I intended to. Started out—got to the door—wrote and tore up letters—did all those things. But I simply could not make the final effort.

      Even now I don’t fully understand why. Of course I knew that I couldn’t have kept it up. That had a great deal to do with it. But you would have thought, putting it at its lowest, curiosity couldn’t have kept my fox-terrier nose away . . .

      Je ne parle pas français. That was her swan song for me.

      But how she makes me break my rule. Oh, you’ve seen for yourself, but I could give you countless examples.

      . . . Evenings, when I sit in some gloomy café, and an automatic piano starts playing a “mouse” tune (there are dozens of tunes that evoke just her) I begin to dream things like . . .

      A little house on the edge of the sea, somewhere far, far away. A girl outside in a frock rather like Red Indian women wear, hailing a light, barefoot boy who runs up from the beach.

      “What have you got?”

      “A fish.” I smile and give it to her.

      . . . The same girl, the same boy, different costumes—sitting at an open window, eating fruit and leaning out and laughing.

      “All the wild strawberries are for you, Mouse. I won’t touch one.”

      . . . A wet night. They are going home together under an umbrella. They stop on the door to press their wet cheeks together.

      And so on and so on until some dirty old gallant comes up to my table and sits opposite and begins to grimace and yap. Until I hear myself saying: “But I’ve got the little girl for you, mon vieux. So little . . . so tiny.” I kiss the tips of my fingers and lay them upon my heart. “I give you my word of honour as a gentleman, a writer, serious, young, and extremely interested in modern English literature.”

      I must go. I must go. I reach down my coat and hat. Madame knows me. “You haven’t dined yet?” she smiles.

      “No, not yet, Madame.”

THE WIND BLOWS

       Table of Contents

      SUDDENLY—dreadfully—she wakes up. What has happened? Something dreadful has happened. No—nothing has happened. It is only the wind shaking the house, rattling the windows, banging a piece of iron on the roof and making her bed tremble. Leaves flutter past the window, up and away; down in the avenue a whole newspaper wags in the air like a lost kite and falls, spiked on a pine tree. It is cold. Summer is over—it is autumn—everything is ugly. The carts rattle by, swinging from side to side; two Chinamen lollop along under their wooden yokes with the straining