Название | NEW WORLDS FOR OLD |
---|---|
Автор произведения | H. G. Wells |
Жанр | Документальная литература |
Серия | |
Издательство | Документальная литература |
Год выпуска | 0 |
isbn | 9788027235872 |
Why! read the tombstones and monuments in any old English church, those, I mean, that date from earlier than 1800, and you will see the history of every family, of even the prosperous county families, laced with the deaths of infants and children. Nearly half of them died. Think, too, how stern was the upbringing. And always before these days it seemed natural to make all but the children of the very wealthy and very refined, fear and work from their earliest years. There comes to us too, from these days, beautiful furniture, fine literature, paintings; but there comes too, much evidence of harsh whippings, dark imprisonments and hardly a children’s book, hardly the broken vestige of a toy. Bad as things are, they are better—rest assured—and yet they are still urgently bad. The greater evil of the past is no reason for contentment with the present. But it is an earnest for hoping that our efforts, and that Good Will of which they are a part and outcome, may still go on bearing fruit in perpetually dwindling misery.
§ 4.
It seems to me that the whole spirit and quality of both the evil and the good of our time, and of the attitude not simply of the Socialist but of every sane reformer towards these questions, was summarized in a walk I had a little while ago with a friend along the Thames Embankment, from Blackfriars Bridge to Westminster. We had dined together and we went there because we thought that with a fitful moon and clouds adrift, on a night when the air was a crystal air that gladdened and brightened, that crescent of great buildings and steely, soft-hurrying water must needs be altogether beautiful. And indeed it was beautiful; the mysteries and mounting masses of the buildings to the right of us, the blurs of this coloured light or that, blue-white, green-white, amber or warmer orange, the rich black archings of Waterloo Bridge, the rippled lights upon the silent-flowing river, the lattice of girders and the shifting trains of Charing Cross Bridge—their funnels pouring a sort of hot-edged moonlight by way of smoke—and then the sweeping line of lamps, the accelerated run and diminuendo of the Embankment lamps as one came into sight of Westminster. The big hotels were very fine, huge swelling shapes of dun dark-grey and brown, huge shapes seamed and bursting and fenestrated with illumination, tattered at a thousand windows with light and the indistinct, glowing suggestions of feasting and pleasure. And dim and faint above it all and very remote was the moon’s dead wan face veiled and then displayed.
But we were dashed by an unanticipated refrain to this succession of magnificent things, and we did not cry, as we had meant to cry, how good it was to be alive! We found something else, something we had forgotten.
Along the Embankment, you see, there are iron seats at regular intervals, seats you cannot lie upon because iron arm-rests prevent that, and each seat, one saw by the lamplight, was filled with crouching and drooping figures. Not a vacant place remained, not one vacant place. These were the homeless, and they had come to sleep here. Now one noted a poor old woman with a shameful battered straw hat awry over her drowsing face, now a young clerk staring before him at despair; now a filthy tramp, and now a bearded, frock-coated, collarless respectability; I remember particularly one ghastly long white neck and white face that lopped backward, choked in some nightmare, awakened, clutched with a bony hand at the bony throat, and sat up and stared angrily as we passed. The wind had a keen edge that night even for us who had dined and were well clad. One crumpled figure coughed and went on coughing—damnably.
“It’s fine,” said I, trying to keep hold of the effects to which this line of poor wretches was but the selvage; “it’s fine! But I can’t stand this.”
“It changes all that we expected,” admitted my friend, after a silence.
“Must we go on—past them all?”
“Yes. I think we ought to do that. It’s a lesson, perhaps—for trying to get too much beauty out of life as it is—and forgetting. Don’t shirk it!”
“Great God!” cried I. “But must life always be like this? I could die—indeed, I would willingly jump into this cold and muddy river now, if by so doing I could stick a stiff dead hand through all these things—into the future; a dead commanding hand insisting with a silent irresistible gesture that this waste and failure of life should cease, and cease for ever.”
“But it does cease! Each year its proportion is a little less.”
I walked in silence, and my companion talked by my side.
“We go on. Here is a good thing done, and there is a good thing done. The Good Will in man——”
“Not fast enough. It goes so slowly—and in a little while we too must die——”
“It can be done,” said my companion.
“It could be avoided,” said I.
“It shall be in the days to come. There is food enough for all, shelter for all, wealth enough for all. Men need only know it and will it. And yet we have this!”
“And so much like this!” said I….
So we talked and were tormented.
And I remember how later we found ourselves on Westminster Bridge, looking back upon the long sweep of wrinkled black water that reflected lights and palaces and the flitting glow of steamboats, and by that time we had talked ourselves past our despair. We perceived that what was splendid remained splendid, that what was mysterious remained insoluble for all our pain and impatience. But it was clear to us the thing for us two to go upon was not the good of the present nor the evil, but the effort and the dream of the finer order, the fuller life, the banishment of suffering, to come.
“We want all the beauty that is here,” said my friend, “and more also. And none of these distresses. We are here—we know not whence nor why—to want that and to struggle to get it, you and I and ten thousand others, thinly hidden from us by these luminous darknesses. We work, we pass—whither I know not, but out of our knowing. But we work—we are spurred to work. That yonder—those people are the spur—for us who cannot answer to any finer appeal. Each in our measure must do. And our reward? Our reward is our faith. Here is my creed to-night. I believe—out of me and the Good Will in me and my kind there comes a regenerate world—cleansed of suffering and sorrow. That is our purpose here—to forward that. It gives us work for all our lives. Why should we ask to know more? Our errors—our sins—to-night they seem to matter very little. If we stumble and roll in the mud, if we blunder against each other and hurt one another——”
“We have to go on,” said my friend, after a pause.
We stood for a time in silence.
One’s own personal problems came and went like a ripple on the water. Even that whisky dealer’s advertisement upon the southern bank became through some fantastic transformation a promise, an enigmatical promise flashed up the river reach in letters of fire. London was indeed very beautiful that night. Without hope she would have seemed not only as beautiful but as terrible as a black panther crouching on her prey. Our hope redeemed her. Beyond her dark and meretricious splendours, beyond her throned presence jewelled with links and points and cressets of fire, crowned with stars, robed in the night, hiding cruelties, I caught a moment’s vision of the coming City of Mankind, of a city more wonderful than all my dreaming, full of life, full of youth, full of the spirit of creation….
II. — THE FUNDAMENTAL IDEA OF SOCIALISM
The fundamental idea upon which Socialism rests is the same fundamental idea as that upon which all real scientific work is carried on. It is the denial that chance impulse and individual will and happening constitute the only possible methods by which things may be done in the world. It is an assertion that things are in their nature orderly, that things may be computed, may be calculated upon and foreseen.