The Greatest Works of Charlotte Perkins Gilman. Charlotte Perkins Gilman

liver oil and lots of tonics and things, to say nothing of ale and wine and rare meat.

      Dear John! He loves me very dearly, and hates to have me sick. I tried to have a real earnest reasonable talk with him the other day,

      and tell him how I wish he would let me go and make a visit to Cousin Henry and Julia.

      But he said I wasn't able to go, nor able to stand it after I got there; and I did not make out a very good case for myself, for I was crying before I had finished .

      It is getting to be a great effort for me to think straight. Just this nervous weakness I suppose.

      And dear John gathered me up in his arms, and just carried me upstairs and laid me on the bed, and sat by me and read to me till it tired my head.

      He said I was his darling and his comfort and all he had, and that I must take care of myself for his sake, and keep well.

      He says no one but myself can help me out of it, that I must use my will and self-control and not let any silly fancies run away with me.

      There's one comfort, the baby is well and happy, and does not have to occupy this nursery with the horrid wall-paper.

      If we had not used it, that blessed child would have! What a fortunate escape! Why, I wouldn't have a child of mine, an impressionable little thing, live in such a room for worlds.

      I never thought of it before, but it is lucky that John kept me here after all, I can stand it so much easier than a baby, you see.

      Of course I never mention it to them any more -- I am too wise, -- but I keep watch of it all the same.

      There are things in that paper that nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous.

      And it is like a woman stooping down and creeping about behind that pattern. I don't like it a bit. I wonder -- I begin to think -- I wish John would take me away from here!

      ----------

      It is so hard to talk with John about my case, because he is so wise, and because he loves me so.

      But I tried it last night.

      It was moonlight. The moon shines in all around just as the sun does.

      I hate to see it sometimes, it creeps so slowly, and always comes in by one window or another.

      John was asleep and I hated to waken him, so I kept still and watched the moonlight on that undulating wall-paper till I felt creepy.

      The faint figure behind seemed to shake the pattern, just as if she wanted to get out.

      I got up softly and went to feel and see if the paper did move, and when I came back John was awake.

      "What is it, little girl?" he said. "Don't go walking about like that -- you'll get cold."

      I thought it was a good time to talk, so I told him that I really was not gaining here, and that I wished he would take me away.

      "Why darling!" said he, "our lease will be up in three weeks, and I can't see how to leave before.

      "The repairs are not done at home, and I cannot possibly leave town just now. Of course if you were in any danger, I could and would, but you really are better, dear, whether you can see it or not. I am a doctor, dear, and I know. You are gaining flesh and color, your appetite is better, I feel really much easier about you."

      "I don't weigh a bit more," said I, "nor as much; and my appetite may be better in the evening when you are here, but it is worse in the morning when you are away!"

      "Bless her little heart!" said he with a big hug, "she shall be as sick as she pleases! But now let's improve the shining hours by going to sleep, and talk about it in the morning!"

      "And you won't go away?" I asked gloomily.

      "Why, how can I, dear? It is only three weeks more and then we will take a nice little trip of a few days while Jennie is getting the house ready. Really dear you are better!"

      "Better in body perhaps -- "I began, and stopped short, for he sat up straight and looked at me with such a stern, reproachful look that I could not say another word.

      "My darling," said he, "I beg of you, for

      my sake and for our child's sake, as well as for your own, that you will never for one instant let that idea enter your mind! There is nothing so dangerous, so fascinating, to a temperament like yours. It is a false and foolish fancy. Can you not trust me as a physician when I tell you so?"

      So of course I said no more on that score, and we went to sleep before long. He thought I was asleep first, but I wasn't, and lay there for hours trying to decide whether that front pattern and the back pattern really did move together or separately.

      ----------

      On a pattern like this, by daylight, there is a lack of sequence, a defiance of law, that is a constant irritant to a normal mind.

      The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.

      You think you have mastered it, but just as you get well underway in following, it turns a back somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream.

      The outside pattern is a florid arabesque, reminding one of a fungus. If you can imagine a toadstool in joints, an interminable string of toadstools, budding and sprouting in endless convolutions -- why, that is something like it.

      That is, sometimes!

      There is one marked peculiarity about this paper, a thing nobody seems to notice but myself, and that is that it changes as the light changes.

      When the sun shoots in through the east window -- I always watch for that first long, straight ray -- it changes so quickly that I never can quite believe it.

      That is why I watch it always.

      By moonlight -- the moon shines in all night when there is a moon -- I wouldn't know it was the same paper.

      At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be.

      I didn't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman.

      By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still. It is so puzzling. It keeps me quiet by the hour.

      I lie down ever so much now. John says it is good for me, and to sleep all I can.

      Indeed he started the habit by making me lie down for an hour after each meal.

      It is a very bad habit I am convinced, for you see I don't sleep.

      And that cultivates deceit, for I don't tell them I'm awake -- O no!

      The fact is I am getting a little afraid of John.

      He seems very queer sometimes, and even Jennie has an inexplicable look.

      It strikes me occasionally, just as a scientific hypothesis, -- that perhaps it is the paper!

      I have watched John when he did not know I was looking, and come into the room suddenly on the most innocent excuses, and I've caught him several times looking at the paper! And Jennie too. I caught Jennie with her hand on it once.

      She didn't know I was in the room, and when I asked her in a quiet, a very quiet voice, with the most restrained manner possible, what she was doing with the paper -- she turned around as if she had been caught stealing, and looked quite angry -- asked me why I should frighten her so!

      Then she said that the paper stained everything it touched, that she had found yellow smooches on all my clothes and John's, and she wished we would be more careful!

      Did not that sound innocent?