The Haunting of Hill House (Horror Classic). Shirley Jackson

her mind; she laughed, and then stopped the car because he was coming towards her—safely, from the side.

      ‘You won’t like it,’ he said. ‘You’ll be sorry I ever opened that gate.’

      ‘Out of the way, please,’ she said. ‘You’ve held me up long enough.’

      ‘You think they could get anyone else to open this gate? You think anyone else’d stay around here that long, except me and my wife? You think we can’t have things just about the way we want them, long as we stay around here and fix up the house and open the gates for all you city people think you know everything?’

      ‘Please get away from my car.’ She dared not admit to herself that he frightened her, for fear that he might perceive it; his nearness, leaning against the side of the car, was ugly, and his enormous resentment puzzled her; she had certainly made him open the gate for her, but did he think of the house and gardens inside as his own? A name from Dr Montague’s letter came into her mind, and she asked curiously, ‘Are you Dudley, the caretaker?’

      ‘Yes, I’m Dudley, the caretaker.’ He mimicked her. ‘Who else you think would be around here?’

      The honest old family retainer, she thought, proud and loyal and thoroughly unpleasant. ‘You and your wife take care of the house all alone?’

      ‘Who else?’ It was his boast, his curse, his refrain.

      She moved restlessly, afraid to draw away from him too obviously, and yet wanting, with small motions of starting the car, to make him stand aside. ‘I’m sure you’ll be able to make us very comfortable, you and your wife,’ she said, putting a tone of finality into her voice. ‘Meanwhile, I’m very anxious to get to the house as soon as possible.’

      He snickered disagreeably. ‘Me, now,’ he said, ‘me, I don’t hang around here after dark.’

      Grinning, satisfied with himself, he stood away from the car, and Eleanor was grateful, although awkward starting the car under his eye; perhaps he will keep popping out at me all along the drive, she thought, a sneering Cheshire Cat, yelling each time that I should be happy to find anyone willing to hang around this place, until dark, anyway. To show that she was not at all affected by the thought of the face of Dudley the caretaker between the trees she began to whistle, a little annoyed to find that the same tune still ran through her head. ‘Present mirth hath present laughter . . .’ And she told herself crossly that she must really make an effort to think of something else; she was sure that the rest of the words must be most unsuitable, to hide so stubbornly from her memory, and probably wholly disreputable to be caught singing on her arrival at Hill House.

      Over the trees, occasionally, between them and the hills, she caught glimpses of what must be the roofs, perhaps a tower, of Hill House. They made houses so oddly back when Hill House was built, she thought; they put towers and turrets and buttresses and wooden lace on them, even sometimes Gothic spires and gargoyles; nothing was ever left undecorated. Perhaps Hill House has a tower, or a secret chamber, or even a passageway going off into the hills and probably used by smugglers—although what could smugglers find to smuggle around these lonely hills? Perhaps I will encounter a devilishly handsome smuggler and . . .

      She turned her car on to the last stretch of straight drive leading her directly, face to face, to Hill House and, moving without thought, pressed her foot on the brake to stall the car and sat, staring.

      The house was vile. She shivered and thought, the words coming freely into her mind, Hill House is vile, it is diseased; get away from here at once.

      Chapter Two

      I

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      No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed.

      I should have turned back at the gate, Eleanor thought. The house had caught her with an atavistic turn in the pit of the stomach, and she looked along the lines of its roofs, fruitlessly endeavouring to locate the badness, whatever dwelt there; her hands turned nervously cold so that she fumbled, trying to take out a cigarette, and beyond everything else she was afraid, listening to the sick voice inside her which whispered, Get away from here, get away.

      But this is what I came so far to find, she told herself; I can’t go back. Besides, he would laugh at me if I tried to get back out through that gate.

      Trying not to look up at the house—and she could not even have told its colour, or its style, or its size, except that it was enormous and dark, looking down over her—she started the car again, and drove up the last bit of driveway directly to the steps, which led in a forthright, no-escape manner on to the verandah and aimed at the front door. The drive turned off on either side, to encircle the house, and probably later she could take her car around and find a building of some kind to put it in; now she felt uneasily that she did not care to cut off her means of departure too completely. She turned the car just enough to move it off to one side, out of the way of later arrivals—it would be a pity, she thought grimly, for anyone to get a first look at this house with anything so comforting as a human automobile parked in front of it—and got out, taking her suitcase and her coat. Well, she thought inadequately, here I am.

      It was an act of moral strength to lift her foot and set it on the bottom step, and she thought that her deep unwillingness to touch Hill House for the first time came directly from the vivid feeling that it was waiting for her, evil, but patient. Journeys end in lovers meeting, she thought, remembering her song at last, and laughed, standing on the steps of Hill House, journeys end in lovers meeting, and she put her feet down firmly and went up to the verandah and the door. Hill House came around her in a rush; she was enshadowed, and the sound of her feet on the wood of the verandah was an outrage in the utter silence, as though it had been a very long time since feet stamped across the boards of Hill House. She brought her hand up to the heavy iron knocker that had a child’s face, determined to make more noise and yet more, so that Hill House might be very sure she was there, and then the door opened without warning and she was looking at a woman who, if like ever merited like, could only be the wife of the man at the gate.

      ‘Mrs Dudley?’ she said, catching her breath. ‘I’m Eleanor Vance. I’m expected.’

      Silently the woman stood aside. Her apron was clean, her hair was neat, and yet she gave an indefinable air of dirtiness, quite in keeping with her husband, and the suspicious sullenness of her face was a match for the malicious petulance of his. No, Eleanor told herself; it’s partly because everything seems so dark around here, and partly because I expected that man’s wife to be ugly. If I hadn’t seen Hill House, would I be so unfair to these people? They only take care of it, after all.

      The hall in which they stood was overfull of dark wood and weighty carving, dim under the heaviness of the staircase, which lay back from the farther end. Above there seemed to be another hallway, going the width of the house; she could see a wide landing and then, across the staircase well, doors closed along the upper hall. On either side of her now were great double doors, carved with fruit and grain and living things; all the doors