Roast Beef, Medium: The Business Adventures of Emma McChesney. Edna Ferber

that I'm anxious to know where the blemish is. The Lord don't make 'em perfect, you know. I'm going to get out those letters, and then, if it's just the same to you, we'll take a walk. These nickel shows are getting on my nerves. It seems to me that if I have to look at one more Western picture about a fool girl with her hair in a braid riding a show horse in the wilds of Clapham Junction and being rescued from a band of almost-Indians by the handsome, but despised Eastern tenderfoot, or if I see one more of those historical pictures, with the women wearing costumes that are a pass between early Egyptian and late State Street, I know I'll get hysterics and have to be carried shrieking, up the aisle. Let's walk down Main Street and look in the store windows, and up as far as the park and back.”

      “Great!” assented he. “Is there a park?

      “I don't know,” replied Emma McChesney, “but there is. And for your own good I'm going to tell you a few things. There's more to this traveling game than just knocking down on expenses, talking to every pretty woman you meet, and learning to ask for fresh white-bread heels at the Palmer House in Chicago. I'll meet you in the lobby at eight.”

      Emma McChesney talked steadily, and evenly, and generously, from eight until eight-thirty. She talked from the great storehouse of practical knowledge which she had accumulated in her ten years on the road. She told the handsome young cub many things for which he should have been undyingly thankful. But when they reached the park—the cool, dim, moon-silvered park, its benches dotted with glimpses of white showing close beside a blur of black, Emma McChesney stopped talking. Not only did she stop talking, but she ceased to think of the boy seated beside her on the bench.

      In the band-stand, under the arc-light, in the center of the pretty little square, some neighborhood children were playing a noisy game, with many shrill cries, and much shouting and laughter. Suddenly, from one of the houses across the way, a woman's voice was heard, even above the clamor of the children.

      “Fred-dee!” called the voice. “Maybelle! Come, now.”

      And a boy's voice answered, as boys' voices have since Cain was a child playing in the Garden of Eden, and as boys' voices will as long as boys are:

      “Aw, ma, I ain't a bit sleepy. We just begun a new game, an' I'm leader. Can't we just stay out a couple of minutes more?”

      “Well, five minutes,” agreed the voice. “But don't let me call you again.”

      Emma McChesney leaned back on the rustic bench and clasped her strong, white hands behind her head, and stared straight ahead into the soft darkness. And if it had been light you could have seen that the bitter lines showing faintly about her mouth were outweighed by the sweet and gracious light which was glowing in her eyes.

      “Fred-dee!” came the voice of command again. “May-belle! This minute, now!”

      One by one the flying little figures under the arc-light melted away in the direction of the commanding voice and home and bed. And Emma McChesney forgot all about fresh young kids and featherloom petticoats and discounts and bills of lading and sample-cases and grouchy buyers. After all, it had been her protecting maternal instinct which had been aroused by the boy at supper, although she had not known it then. She did not know it now, for that matter. She was busy remembering just such evenings in her own life—summer evenings, filled with the high, shrill laughter of children at play. She too, had stood in the doorway, making a funnel of her hands, so that her clear call through the twilight might be heard above the cries of the boys and girls. She had known how loath the little feet had been to leave their play, and how they had lagged up the porch stairs, and into the house. Years, whose memory she had tried to keep behind her, now suddenly loomed before her in the dim quiet of the little flower-scented park.

      A voice broke the silence, and sent her dream-thoughts scattering to the winds.

      “Honestly, kid,” said the voice, “I could be crazy about you, if you'd let me.”

      The forgotten figure beside her woke into sudden life. A strong arm encircled her shoulders. A strong hand seized her own, which were clasped behind her head. Two warm, eager lips were pressed upon her lips, checking the little cry of surprise and wrath that rose in her throat.

      Emma McChesney wrenched herself free with a violent jerk, and pushed him from her. She did not storm. She did not even rise. She sat very quietly, breathing fast. When she turned at last to look at the boy beside her it seemed that her white profile cut the darkness. The man shrank a little, and would have stammered something, but Emma McChesney checked him.

      {Illustration: “'That was a married kiss—a two-year-old married kiss at least.'”}

      “You nasty, good-for-nothing, handsome young devil, you!” she said. “So you're married.”

      He sat up with a jerk. “How did you—what makes you think so?”

      “That was a married kiss—a two-year-old married kiss, at least. No boy would get as excited as that about kissing an old stager like me. The chances are you're out of practise. I knew that if it wasn't teeth or impediment it must be morals. And it is.”

      She moved over on the bench until she was close beside him. “Now, listen to me, boy.” She leaned forward, impressively. “Are you listening?”

      “Yes,” answered the handsome young devil, sullenly.

      “What I've got to say to you isn't so much for your sake, as for your wife's. I was married when I was eighteen, and stayed married eight years. I've had my divorce ten years, and my boy is seventeen years old. Figure it out. How old is Ann?”

      “I don't believe it,” he flashed back. “You're not a day over twenty-six—anyway, you don't look it. I—”

      “Thanks,” drawled Emma. “That's because you've never seen me in negligee. A woman's as old as she looks with her hair on the dresser and bed only a few minutes away. Do you know why I was decent to you in the first place? Because I was foolish enough to think that you reminded me of my own kid. Every fond mama is gump enough to think that every Greek god she sees looks like her own boy, even if her own happens to squint and have two teeth missing—which mine hasn't, thank the Lord! He's the greatest young—Well, now, look here, young 'un. I'm going to return good for evil. Traveling men and geniuses should never marry. But as long as you've done it, you might as well start right. If you move from this spot till I get through with you, I'll yell police and murder. Are you ready?”

      “I'm dead sorry, on the square, I am—”

      “Ten minutes late,” interrupted Emma McChesney. “I'm dishing up a sermon, hot, for one, and you've got to choke it down. Whenever I hear a traveling man howling about his lonesome evenings, and what a dog's life it is, and no way for a man to live, I always wonder what kind of a summer picnic he thinks it is for his wife. She's really a widow seven months in the year, without any of a widow's privileges. Did you ever stop to think what she's doing evenings? No, you didn't. Well, I'll tell you. She's sitting home, night after night, probably embroidering monograms on your shirt sleeves by way of diversion. And on Saturday night, which is the night when every married woman has the inalienable right to be taken out by her husband, she can listen to the woman in the flat upstairs getting ready to go to the theater. The fact that there's a ceiling between 'em doesn't prevent her from knowing just where they're going, and why he has worked himself into a rage over his white lawn tie, and whether they're taking a taxi or the car and who they're going to meet afterward at supper. Just by listening to them coming downstairs she can tell how much Mrs. Third Flat's silk stockings cost, and if she's wearing her new La Valliere or not. Women have that instinct, you know. Or maybe you don't. There's so much you've missed.”

      “Say, look here—” broke from the man beside her. But Emma McChesney laid her cool fingers on his lips.

      “Nothing from the side-lines, please,” she said. “After they've gone she can go to bed, or she can sit up, pretending to read, but really wondering if that squeaky sound coming from the direction of the kitchen is a loose screw in the storm door, or if it's some one trying to break into the flat. And she'd rather sit there, scared green,