Half Portions. Edna Ferber

voice lowered confidentially, "I thought I'd take mother to New York for ten days or so. See the shows, and run around and eat at the dens of wickedness. She likes it for a change."

      Pinky sat up, tense. "For a change? Dad, I want to talk to you about that. Mother needs—"

      Mrs. Brewster's light footstep sounded in the hall. She wore an all-enveloping gingham apron. "How did you like your surprise, father?" She came over to him and kissed the top of his head. "I'm getting dinner so that Gussie can go on with the attic. Everything's ready if you want to come in. I didn't want to dish up until you were at the table, so's everything would be hot." She threw a laughing glance at Pinky.

      But when they were seated, there appeared a platter of cold, thinly sliced ham for Pinky, and a crisp salad, and a featherweight cheese soufflé, and iced tea, and a dessert coolly capped with whipped cream.

      "But, mother, you shouldn't have—" feebly.

      "There are always a lot of things in the house. You know that. I just wanted to tease you."

      Father Brewster lingered for an unwonted hour after the midday meal. But two o'clock found him back at the cold-storage plant. Pinky watched him go, a speculative look in her eyes.

      She visited the attic that afternoon at four, when it was again neat, clean, orderly, smelling of soap and sunshine. Standing there in the centre of the big room, freshly napped, smartly coifed, blue-serged, trim, the very concentrated essence of modernity, she eyed with stern deliberation the funeral wheat wreath in its walnut frame; the trunks; the chests; the boxes all shelved and neatly inscribed with their "H's Fshg Tckl" and "Blk Nt Drs."

      "Barbaric!" she said aloud, though she stood there alone. "Medieval! Mad! It has got to be stopped. Slavery!" After which she went downstairs and picked golden glow for the living-room vases and scarlet salvia for the bowl in the dining room.

      Still, as one saw Mrs. Brewster's tired droop at supper that night, there is no denying that there seemed some justification for Pinky's volcanic remarks.

      Hosea Brewster announced, after supper, that he and Fred were going to have a session with the furnace; she needed going over in September before they began firing up for the winter.

      "I'll go down with you," said Pinky.

      "No, you stay up here with mother. You'll get all ashes and coal dust."

      But Pinky was firm. "Mother's half dead. She's going straight up to bed, after that darned old attic. I'll come up to tuck you in, mummy."

      And though she did not descend to the cellar until the overhauling process was nearly completed she did come down in time for the last of the scene. She perched at the foot of the stairs and watched the two men, overalled, sooty, tobacco-wreathed, and happy. When, finally, Hosea Brewster knocked the ashes out of his stubby black pipe, dusted his sooty hands together briskly, and began to peel his overalls, Pinky came forward.

      She put her hand on his arm. "Dad, I want to talk to you."

      "Careful there. Better not touch me. I'm all dirt. G'night, Fred."

      "Listen, dad. Mother isn't well."

      He stopped then, with one overall leg off and the other on, and looked at her. "Huh? What d'you mean—isn't well? Mother." His mouth was open. His eyes looked suddenly strained.

      "This house—it's killing her. She could hardly keep her eyes open at supper. It's too much for her. She ought to be enjoying herself—like other women. She's a slave to the attic and all those huge rooms. And you're another."

      "Me?" feebly.

      "Yes. A slave to this furnace. You said yourself to Fred, just now, that it was all worn out, and needed new pipes or something—I don't know what. And that coal was so high it would be cheaper using dollar bills for fuel. Oh, I know you were just being funny. But it was partly true. Wasn't it? Wasn't it?"

      "Yeh, but listen here, Paula." He never called her Paula unless he was terribly disturbed, "About mother—you said—"

      "You and she ought to go away this winter—not just for a trip, but to stay. You"—she drew a long breath and made the plunge—"you ought to give up the house."

      "Give up—"

      "Permanently. Mother and you are buried alive here. You ought to come to New York to live. Both of you will love it when you are there for a few days. I don't mean to come to a hotel. I mean to take a little apartment, a furnished apartment at first, to see how you like it—two rooms and kitchenette, like a playhouse."

      Hosey Brewster looked down at his own big bulk, then around the great furnace room. "Oh, but listen—"

      "No, I want you to listen first. Mother's worn out, I tell you. It isn't as if she were the old-fashioned kind; she isn't. She loves the theatres, and pretty hats, and shoes with buckles, and lobster, and concerts."

      He broke in again: "Sure; she likes 'em for a change. But for a steady diet—Besides, I've got a business to 'tend to. My gosh! I've got a business to—"

      "You know perfectly well that Wetzler practically runs the whole thing—or could, if you'd let him." Youth is cruel like that, when it wants its way.

      He did not even deny it. He seemed suddenly old. Pinky's heart smote her a little. "It's just that you've got so used to this great barracks you don't know how unhappy it's making you. Why, mother said to-day that she hated it. I asked about the attic—the cleaning and all—and she said she hated it."

      "Did she say that, Paula?"

      "Yes."

      He dusted his hands together, slowly, spiritlessly. His eyes looked pained and dull. "She did, h'm? You say she did?" He was talking to himself, and thinking, thinking.

      Pinky, sensing victory, left him. She ran lightly up the cellar stairs, through the first-floor rooms, and up to the second floor. Her mother's bedroom door was open.

      A little mauve lamp shed its glow upon the tired woman in one of the plump, gray-enamel beds. "No, I'm not sleeping. Come here, dear. What in the world have you been doing in the cellar all this time?"

      "Talking to dad." She came over and perched herself on the side of the bed. She looked down at her mother. Then she bent and kissed her. Mrs. Brewster looked incredibly girlish with the lamp's rosy glow on her face and her hair, warmly brown and profuse, rippling out over the pillow. Scarcely a thread of gray in it. "You know, mother, I think dad isn't well. He ought to go away."

      As if by magic the youth and glow faded out of the face on the pillow. As she sat up, clutching her nightgown to her breast, she looked suddenly pinched and old. "What do you mean, Pinky! Father—but he isn't sick. He—"

      "Not sick. I don't mean sick exactly. But sort of worn out. That furnace. He's sick and tired of the thing; that's what he said to Fred. He needs a change. He ought to retire and enjoy life. He could. This house is killing both of you. Why in the world don't you close it up, or sell it, and come to New York?"

      "But we do. We did. Last winter—"

      "I don't mean just for a little trip. I mean to live. Take a little two-room apartment in one of the new buildings—near my studio—and relax. Enjoy yourselves. Meet new men and women. Live! You're in a rut—both of you. Besides, dad needs it. That rheumatism of his, with these Wisconsin winters—"

      "But California—we could go to California for—"

      "That's only a stop-gap. Get your little place in New York all settled, and then run away whenever you like, without feeling that this great hulk of a house is waiting for you. Father hates it; I know it."

      "Did he ever say so?"

      "Well, practically. He thinks you're fond of it. He—"

      Slow steps ascending the stairs—heavy, painful steps. The two women listened in silence. Every footfall seemed to emphasize Pinky's words. The older woman turned her face toward the sound, her lips parted,