30 Mystery & Investigation masterpieces. Эдгар Аллан По

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Название 30 Mystery & Investigation masterpieces
Автор произведения Эдгар Аллан По
Жанр Языкознание
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Издательство Языкознание
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isbn 9782380373837



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Why should they lie on that lawn (look at it) so far from any tree? They were not snapped off; they were chopped off. The murderer occupied his enemy with some tricks with the sabre, showing how he could cut a branch in mid-air, or what-not. Then, while his enemy bent down to see the result, a silent slash, and the head fell."

      "Well," said the doctor slowly, "that seems plausible enough. But my next two questions will stump anyone."

      The priest still stood looking critically out of the window and waited.

      "You know how all the garden was sealed up like an air-tight chamber," went on the doctor. "Well, how did the strange man get into the garden?"

      Without turning round, the little priest answered: "There never was any strange man in the garden."

      There was a silence, and then a sudden cackle of almost childish laughter relieved the strain. The absurdity of Brown's remark moved Ivan to open taunts.

      "Oh!" he cried; "then we didn't lug a great fat corpse on to a sofa last night? He hadn't got into the garden, I suppose?"

      "Got into the garden?" repeated Brown reflectively. "No, not entirely."

      "Hang it all," cried Simon, "a man gets into a garden, or he doesn't."

      "Not necessarily," said the priest, with a faint smile. "What is the nest question, doctor?"

      "I fancy you're ill," exclaimed Dr. Simon sharply; "but I'll ask the next question if you like. How did Brayne get out of the garden?"

      "He didn't get out of the garden," said the priest, still looking out of the window.

      "Didn't get out of the garden?" exploded Simon.

      "Not completely," said Father Brown.

      Simon shook his fists in a frenzy of French logic. "A man gets out of a garden, or he doesn't," he cried.

      "Not always," said Father Brown.

      Dr. Simon sprang to his feet impatiently. "I have no time to spare on such senseless talk," he cried angrily. "If you can't understand a man being on one side of a wall or the other, I won't trouble you further."

      "Doctor," said the cleric very gently, "we have always got on very pleasantly together. If only for the sake of old friendship, stop and tell me your fifth question."

      The impatient Simon sank into a chair by the door and said briefly: "The head and shoulders were cut about in a queer way. It seemed to be done after death."

      "Yes," said the motionless priest, "it was done so as to make you assume exactly the one simple falsehood that you did assume. It was done to make you take for granted that the head belonged to the body."

      The borderland of the brain, where all the monsters are made, moved horribly in the Gaelic O'Brien. He felt the chaotic presence of all the horse-men and fish-women that man's unnatural fancy has begotten. A voice older than his first fathers seemed saying in his ear: "Keep out of the monstrous garden where grows the tree with double fruit. Avoid the evil garden where died the man with two heads." Yet, while these shameful symbolic shapes passed across the ancient mirror of his Irish soul, his Frenchified intellect was quite alert, and was watching the odd priest as closely and incredulously as all the rest.

      Father Brown had turned round at last, and stood against the window, with his face in dense shadow; but even in that shadow they could see it was pale as ashes. Nevertheless, he spoke quite sensibly, as if there were no Gaelic souls on earth.

      "Gentlemen," he said, "you did not find the strange body of Becker in the garden. You did not find any strange body in the garden. In face of Dr. Simon's rationalism, I still affirm that Becker was only partly present. Look here!" (pointing to the black bulk of the mysterious corpse) "you never saw that man in your lives. Did you ever see this man?"

      He rapidly rolled away the bald, yellow head of the unknown, and put in its place the white-maned head beside it. And there, complete, unified, unmistakable, lay Julius K. Brayne.

      "The murderer," went on Brown quietly, "hacked off his enemy's head and flung the sword far over the wall. But he was too clever to fling the sword only. He flung the head over the wall also. Then he had only to clap on another head to the corpse, and (as he insisted on a private inquest) you all imagined a totally new man."

      "Clap on another head!" said O'Brien staring. "What other head? Heads don't grow on garden bushes, do they?"

      "No," said Father Brown huskily, and looking at his boots; "there is only one place where they grow. They grow in the basket of the guillotine, beside which the chief of police, Aristide Valentin, was standing not an hour before the murder. Oh, my friends, hear me a minute more before you tear me in pieces. Valentin is an honest man, if being mad for an arguable cause is honesty. But did you never see in that cold, grey eye of his that he is mad! He would do anything, anything, to break what he calls the superstition of the Cross. He has fought for it and starved for it, and now he has murdered for it. Brayne's crazy millions had hitherto been scattered among so many sects that they did little to alter the balance of things. But Valentin heard a whisper that Brayne, like so many scatter-brained sceptics, was drifting to us; and that was quite a different thing. Brayne would pour supplies into the impoverished and pugnacious Church of France; he would support six Nationalist newspapers like The Guillotine. The battle was already balanced on a point, and the fanatic took flame at the risk. He resolved to destroy the millionaire, and he did it as one would expect the greatest of detectives to commit his only crime. He abstracted the severed head of Becker on some criminological excuse, and took it home in his official box. He had that last argument with Brayne, that Lord Galloway did not hear the end of; that failing, he led him out into the sealed garden, talked about swordsmanship, used twigs and a sabre for illustration, and—"

      Ivan of the Scar sprang up. "You lunatic," he yelled; "you'll go to my master now, if I take you by—"

      "Why, I was going there," said Brown heavily; "I must ask him to confess, and all that."

      Driving the unhappy Brown before them like a hostage or sacrifice, they rushed together into the sudden stillness of Valentin's study.

      The great detective sat at his desk apparently too occupied to hear their turbulent entrance. They paused a moment, and then something in the look of that upright and elegant back made the doctor run forward suddenly. A touch and a glance showed him that there was a small box of pills at Valentin's elbow, and that Valentin was dead in his chair; and on the blind face of the suicide was more than the pride of Cato.

      The Queer Feet

      If you meet a member of that select club, "The Twelve True Fishermen," entering the Vernon Hotel for the annual club dinner, you will observe, as he takes off his overcoat, that his evening coat is green and not black. If (supposing that you have the star-defying audacity to address such a being) you ask him why, he will probably answer that he does it to avoid being mistaken for a waiter. You will then retire crushed. But you will leave behind you a mystery as yet unsolved and a tale worth telling.

      If (to pursue the same vein of improbable conjecture) you were to meet a mild, hard-working little priest, named Father Brown, and were to ask him what he thought was the most singular luck of his life, he would probably reply that upon the whole his best stroke was at the Vernon Hotel, where he had averted a crime and, perhaps, saved a soul, merely by listening to a few footsteps in a passage. He is perhaps a little proud of this wild and wonderful guess of his, and it is possible that he might refer to it. But since it is immeasurably unlikely that you will ever rise high enough in the social world to find "The Twelve True Fishermen," or that you will ever sink low enough among slums and criminals to find Father Brown, I fear you will never hear the story at all unless you hear it from me.

      The Vernon Hotel at which The Twelve True Fishermen held their annual dinners was an institution such as can only exist in an oligarchical society which has almost gone mad on good manners. It was that topsy-turvy product—an "exclusive" commercial enterprise. That is, it was a thing which paid not by attracting people, but actually by turning people away. In the heart of a plutocracy tradesmen