30 Mystery & Investigation masterpieces. Эдгар Аллан По

tell you the sense of monstrosity and miracle I had when he thus silently burst the barrier between land and water. It was as if he had walked straight off a cliff and still marched steadily in mid-air. It was as if a house had flown up into the sky or a man's head had fallen off. He was only wetting his boots; but he seemed to be a demon disregarding a law of Nature. If he had hesitated an instant at the water's edge it would have been nothing. As it was, he seemed to look so much at me alone as not to notice the ocean. Philip was some yards away with his back to me, bending over his net. The stranger came on till he stood within two yards of me, the water washing half-way up to his knees. Then he said, with a clearly modulated and rather mincing articulation: 'Would it discommode you to contribute elsewhere a coin with a somewhat different superscription?'

      "With one exception there was nothing definably abnormal about him. His tinted glasses were not really opaque, but of a blue kind common enough, nor were the eyes behind them shifty, but regarded me steadily. His dark beard was not really long or wild—, but he looked rather hairy, because the beard began very high up in his face, just under the cheek-bones. His complexion was neither sallow nor livid, but on the contrary rather clear and youthful; yet this gave a pink-and-white wax look which somehow (I don't know why) rather increased the horror. The only oddity one could fix was that his nose, which was otherwise of a good shape, was just slightly turned sideways at the tip; as if, when it was soft, it had been tapped on one side with a toy hammer. The thing was hardly a deformity; yet I cannot tell you what a living nightmare it was to me. As he stood there in the sunset-stained water he affected me as some hellish sea-monster just risen roaring out of a sea like blood. I don't know why a touch on the nose should affect my imagination so much. I think it seemed as if he could move his nose like a finger. And as if he had just that moment moved it.

      "'Any little assistance,' he continued with the same queer, priggish accent, 'that may obviate the necessity of my communicating with the family.'

      "Then it rushed over me that I was being blackmailed for the theft of the bronze piece; and all my merely superstitious fears and doubts were swallowed up in one overpowering, practical question. How could he have found out? I had stolen the thing suddenly and on impulse; I was certainly alone; for I always made sure of being unobserved when I slipped out to see Philip in this way. I had not, to all appearance, been followed in the street; and if I had, they could not 'X-ray' the coin in my closed hand. The man standing on the sand-hills could no more have seen what I gave Philip than shoot a fly in one eye, like the man in the fairy-tale.

      "'Philip,' I cried helplessly, 'ask this man what he wants.'

      "When Philip lifted his head at last from mending his net he looked rather red, as if sulky or ashamed; but it may have been only the exertion of stooping and the red evening light; I may have only had another of the morbid fancies that seemed to be dancing about me. He merely said gruffly to the man: 'You clear out of this.' And, motioning me to follow, set off wading shoreward without paying further attention to him. He stepped on to a stone breakwater that ran out from among the roots of the sand-hills, and so struck homeward, perhaps thinking our incubus would find it less easy to walk on such rough stones, green and slippery with seaweed, than we, who were young and used to it. But my persecutor walked as daintily as he talked; and he still followed me, picking his way and picking his phrases. I heard his delicate, detestable voice appealing to me over my shoulder, until at last, when we had crested the sand-hills, Philip's patience (which was by no means so conspicuous on most occasions) seemed to snap. He turned suddenly, saying, 'Go back. I can't talk to you now.' And as the man hovered and opened his mouth, Philip struck him a buffet on it that sent him flying from the top of the tallest sand-hill to the bottom. I saw him crawling out below, covered with sand.

      "This stroke comforted me somehow, though it might well increase my peril; but Philip showed none of his usual elation at his own prowess. Though as affectionate as ever, he still seemed cast down; and before I could ask him anything fully, he parted with me at his own gate, with two remarks that struck me as strange. He said that, all things considered, I ought to put the coin back in the Collection; but that he himself would keep it 'for the present'. And then he added quite suddenly and irrelevantly: 'You know Giles is back from Australia?'"

      The door of the tavern opened and the gigantic shadow of the investigator Flambeau fell across the table. Father Brown presented him to the lady in his own slight, persuasive style of speech, mentioning his knowledge and sympathy in such cases; and almost without knowing, the girl was soon reiterating her story to two listeners. But Flambeau, as he bowed and sat down, handed the priest a small slip of paper. Brown accepted it with some surprise and read on it: "Cab to Wagga Wagga, 379, Mafeking Avenue, Putney." The girl was going on with her story.

      "I went up the steep street to my own house with my head in a whirl; it had not begun to clear when I came to the doorstep, on which I found a milk-can—and the man with the twisted nose. The milk-can told me the servants were all out; for, of course, Arthur, browsing about in his brown dressing-gown in a brown study, would not hear or answer a bell. Thus there was no one to help me in the house, except my brother, whose help must be my ruin. In desperation I thrust two shillings into the horrid thing's hand, and told him to call again in a few days, when I had thought it out. He went off sulking, but more sheepishly than I had expected—perhaps he had been shaken by his fall—and I watched the star of sand splashed on his back receding down the road with a horrid vindictive pleasure. He turned a corner some six houses down.

      "Then I let myself in, made myself some tea, and tried to think it out. I sat at the drawing-room window looking on to the garden, which still glowed with the last full evening light. But I was too distracted and dreamy to look at the lawns and flower-pots and flower-beds with any concentration. So I took the shock the more sharply because I'd seen it so slowly.

      "The man or monster I'd sent away was standing quite still in the middle of the garden. Oh, we've all read a lot about pale-faced phantoms in the dark; but this was more dreadful than anything of that kind could ever be. Because, though he cast a long evening shadow, he still stood in warm sunlight. And because his face was not pale, but had that waxen bloom still upon it that belongs to a barber's dummy. He stood quite still, with his face towards me; and I can't tell you how horrid he looked among the tulips and all those tall, gaudy, almost hothouse-looking flowers. It looked as if we'd stuck up a waxwork instead of a statue in the centre of our garden.

      "Yet almost the instant he saw me move in the window he turned and ran out of the garden by the back gate, which stood open and by which he had undoubtedly entered. This renewed timidity on his part was so different from the impudence with which he had walked into the sea, that I felt vaguely comforted. I fancied, perhaps, that he feared confronting Arthur more than I knew. Anyhow, I settled down at last, and had a quiet dinner alone (for it was against the rules to disturb Arthur when he was rearranging the museum), and, my thoughts, a little released, fled to Philip and lost themselves, I suppose. Anyhow, I was looking blankly, but rather pleasantly than otherwise, at another window, uncurtained, but by this time black as a slate with the final night-fall. It seemed to me that something like a snail was on the outside of the window-pane. But when I stared harder, it was more like a man's thumb pressed on the pane; it had that curled look that a thumb has. With my fear and courage re-awakened together, I rushed at the window and then recoiled with a strangled scream that any man but Arthur must have heard.

      "For it was not a thumb, any more than it was a snail. It was the tip of a crooked nose, crushed against the glass; it looked white with the pressure; and the staring face and eyes behind it were at first invisible and afterwards grey like a ghost. I slammed the shutters together somehow, rushed up to my room and locked myself in. But, even as I passed, I could swear I saw a second black window with something on it that was like a snail.

      "It might be best to go to Arthur after all. If the thing was crawling close all around the house like a cat, it might have purposes worse even than blackmail. My brother might cast me out and curse me for ever, but he was a gentleman, and would defend me on the spot. After ten minutes' curious thinking, I went down, knocked on the door and then went in: to see the last and worst sight.

      "My brother's chair was empty, and he was obviously out. But the man with the crooked nose was sitting waiting for his return, with his hat still insolently on his head, and actually reading one of my brother's