Название | Bellarion the Fortunate |
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Автор произведения | Rafael Sabatini |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066400231 |
‘You assume a deal of authority, young sir. Who and what are you to be so deeply in the confidence of her highness?’
Bellarion was prepared for the question. ‘I am an amanuensis of the palace, whose duties happen to have brought me closely into touch with the Princess.’
It was a bold lie, but one which he could support at least and at need by proofs of scholarliness.
Barbaresco nodded slowly.
‘And your precise interest in her highness?’
Bellarion’s smile was a little deprecating.
‘Now, what should you suppose it?’
‘I am not supposing. I am asking.’
‘Shall we say . . . the desire to serve her?’ and Bellarion’s smile became at once vague and eloquent. This, taken in conjunction with his reticence, might seem to imply a romantic attachment. Barbaresco, however, translated it otherwise.
‘You have ambitions! So. That is as it should be. Interest is ever the best spur to endeavour.’
And he, too, now smiled; a smile so oily and cynical that Bellarion set him down at once for a man without ideals, and mistrusted him from that moment. But he was strategist enough to conceal it, even to reflect something of that same cynicism in his own expression, so that Barbaresco, believing him a kindred spirit, should expand the more freely. And meanwhile he drew a bow at a venture.
‘That which her highness looks to me to obtain is some explanation of your . . . inaction.’
He chose the most non-committal word; but it roused the Lord Barbaresco almost to anger.
‘Inaction!’ He choked, and his plethoric countenance deepened to purple. To prove the injustice of the charge, he urged his past activities of which he thus rendered an account. Luring him thence, by skilful question, assertion, and contradiction, along the apparent path of argument upon matters of which he must assume the young man already fully informed, gradually Bellarion drew from him a full disclosure of what was afoot. He learnt also a good deal of history of which hitherto he had been in ignorance, and he increased considerably his not very elevating acquaintance with the ways of men.
It was an evil enough thing which the Princess Valeria had set herself to combat with the assistance of some dispossessed Guelphic gentlemen of Montferrat, the chief of whom was this Lord Barbaresco; and it magnified her in the eyes of Bellarion that she should evince the high courage necessary for the combat.
The extensive and powerful State of Montferrat was ruled at this time by the Marquis Theodore as regent during the minority of his nephew Gian Giacomo, son of that great Ottone who had been slain in the Neapolitan wars against the House of Brunswick.
These rulers of Montferrat, from Guglielmo, the great crusader, onwards, had ever been a warlike race, and Montferrat itself a school of arms. Nor had their proud belligerent nature been diluted by the blood of the Paleologi when on the death without male issue of Giovanni the Just a hundred years before, these dominions had passed to Theodore I, the younger son of Giovanni’s sister Violante, who was married to the Emperor of the East, Andronicus Comnenus Paleologus.
The present Regent Theodore, however, combined with the soldierly character proper to his house certain qualities of craft and intrigue rarely found in knightly natures. The fact is, the Marquis Theodore had been ill-schooled. He had been reared at the splendid court of his cousin the Duke of Milan, that Gian Galeazzo whom Francesco da Carrara had dubbed ‘the Great Viper,’ in allusion as much to the man’s nature as to the colubrine emblem of his house. Theodore had observed and no doubt admired the subtle methods by which Gian Galeazzo went to work against those whom he would destroy. If he lacked the godlike power of rendering them mad, at least he possessed the devilish craft of rendering them by their own acts detestable, so that in the end it was their own kin or their own subjects who pulled them down.
Witness the manner in which he had so poisoned the mind of Alberto of Este as to goad him into the brutal murder of almost all his relatives. It was his aim thus to render him odious to his Ferrarese subjects that by his extinction Ferrara might ultimately come under the crown of Milan. Witness how he forged love letters, which he pretended had passed between the wife and the secretary of his dear friend Francesco Gonzaga, Lord of Mantua, whereby he infuriated Gonzaga into murdering that innocent lady—who was Galeazzo’s own cousin and sister-in-law—and tearing the secretary limb from limb upon the rack, so that Mantua rose against this human wolf who governed there. Witness all those other Lombard princes whom by fraud and misrepresentation, ever in the guise of a solicitous and loving friend, he lured into crimes which utterly discredited them with their subjects. This was an easier and less costly method of conquest than the equipping of great armies, and also it was more effective, because an invader who imposes himself by force can never hope to be so secure or esteemed as one whom the people have invited to become their ruler.
All this the Marquis Theodore had observed and marked, and he had seen Gian Galeazzo constantly widening his dominions by these means, ever increasing in power and consequence until in the end he certainly would have made of all Northern Italy a kingdom for his footstool had not the plague pursued him into the Castle of Melegnano, where he had shut himself up to avoid it, and there slain him in the year of grace 1402.
Trained in that school, the Marquis Theodore had observed and understood many things that would have remained hidden from an intelligence less acute.
He understood, for instance, that to rise by the pleasure of the people is the only way of reaching stable eminence, and that to accomplish this, noble qualities must be exhibited. For whilst men singly may be swayed by vicious appeals, collectively they will respond only to appeals of virtue.
Upon this elementary truth, according to Barbaresco, the Marquis Theodore was founding the dark policy which, from a merely temporary regent during the minority of his nephew, should render him the absolute sovereign of Montferrat. By the lavish display of public and private virtues, by affability towards great and humble, by endowments of beneficences, by the careful tempering of justice with mercy where this was publicly desired, he was rendering himself beloved and respected throughout the state. And step by step with this he was secretly labouring to procure contempt for his nephew, to whom in the ordinary course of events he would presently be compelled to relinquish the reins of government.
Nature, unfortunately, had rendered the boy weak. It was a weakness which training could mend as easily as increase. But to increase it were directed all the efforts which Theodore took care should be applied. Corsario the tutor, a Milanese, was a venal scoundrel, unhealthily ambitious. He kept the boy ignorant of all those arts that mature and grace the intellect, and confined instruction to matters calculated to corrupt his mind, his nature, and his morals. Castruccio, Lord of Fenestrella, the boy’s first gentleman-in-waiting, was a vicious and depraved Savoyard, who had gamed away his patrimony almost before he had entered upon the enjoyment of it. It was easy to perceive the purpose for which the Regent had made him the boy’s constant and intimate companion.
Here Bellarion, with that assumption of knowledge which had served to draw Barbaresco into explanations, ventured to interpose a doubt. ‘In that matter, I am persuaded that the Regent overreaches himself. The people know that he permits Castruccio to remain; and when they settle accounts with Castruccio they will also present a reckoning to the Regent.’
Barbaresco laughed the argument to scorn.
‘Either you do not realise Theodore’s cunning, or you are insufficiently observant. Have not representations been made already to the Regent that Castruccio is no fit companion for the future Lord of Montferrat, or indeed for any boy? It merely enables Messer Theodore to parade his own paternal virtues, his gentleness of character, the boy’s wilfulness, and the fact that he is, after all, no more than Regent of Montferrat. He would dismiss, he protests, Messer Castruccio, but the Prince is so devoted and attached to him that he would never be forgiven. And, after all, is that not true?’
‘Aye, I suppose it is,’ Bellarion confessed.
Barbaresco