The Child of Pleasure. Gabriele D'Annunzio

BOOK I

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CHAPTER I

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      Andrea Sperelli dined regularly every Wednesday with his cousin the Marchesa d'Ateleta.

      The salons of the Marchesa in the Palazzo Roccagiovine were much frequented. She attracted specially by her sparkling wit and gaiety and her inextinguishable good humour. Her charming and expressive face recalled certain feminine profiles of the younger Moreau and in the vignettes of Gravelot. There was something Pompadouresque in her manner, her tastes, her style of dress, which she no doubt heightened purposely, tempted by her really striking resemblance to the favourite of Louis xv.

      One Tuesday evening, in a box at the Valle Theatre, she said laughingly to her cousin, 'Be sure, you come to-morrow, Andrea. Among the guests there will be an interesting, not to say fatal, personage. Forewarned is forearmed—Beware of her spells—you are in a very weak frame of mind just now.'

      He laughed. 'If you don't mind, I prefer to come unarmed,' he replied, 'or rather in the guise of a victim. It is a character I have assumed for many an evening lately, but alas, without result so far.'

      'Well, the sacrifice will soon be consummated, cugino mio.'

      'The victim is ready!'

      The next evening, he arrived at the palace a few minutes earlier than usual, with a wonderful gardenia in his button-hole and a vague uneasiness in his mind. His coupé had to stop in front of the entrance, the portico being occupied by another carriage, from which a lady was alighting. The liveries, the horses, the ceremonial which accompanied her arrival all proclaimed a great position. The Count caught a glimpse of a tall and graceful figure, a scintillation of diamonds in dark hair and a slender foot on the step. As he went upstairs he had a back view of the lady.

      She ascended in front of him with a slow and rhythmic movement; her cloak, lined with fur as white as swan's-down, was unclasped at the throat, and slipping back, revealed her shoulders, pale as polished ivory, the shoulder-blades disappearing into the lace of the corsage with an indescribably soft and fleeting curve as of wings. The neck rose slender and round, and the hair, twisted into a great knot on the crown of her head, was held in place by jewelled pins.

      The harmonious gait of this unknown lady gave Andrea such sincere pleasure that he stopped a moment on the first landing to watch her. Her long train swept rustling over the stairs; behind her came a servant, not immediately in the wake of his mistress on the red carpet, but at the side along the wall with irreproachable gravity. The absurd contrast between the magnificent creature and the automaton following her brought a smile to Andrea's lips.

      In the anteroom while the servant was relieving her of her cloak, the lady cast a rapid glance at the young man who entered.

      The servant announced—'Her Excellency the Duchess of Scerni!' and immediately afterwards—'Count Sperelli-Fieschi d'Ugenta!' It pleased Andrea that his name should be coupled so closely with that of the lady in question.

      In the drawing-room were already assembled the Marchese and Marchesa d'Ateleta, the Baron and Baroness d'Isola and Don Filippo del Monte. The fire burned cheerily on the hearth, and several low seats were invitingly disposed within range of its warmth, while large leaf plants spread their red-veined foliage over the low backs.

      The Marchesa, advanced to meet the two new arrivals with her delightful ready laugh.

      'Ah,' she said, 'a happy chance has forestalled me and made it unnecessary for me to tell you one another's names. Cousin Sperelli, make obeisance before the divine Elena.'

      Andrea bowed profoundly. The Duchess held out her hand with a frank and graceful gesture.

      'I am very glad to know you, Count,' she said, looking him full in the face. 'I heard so much about you last summer at Lucerne from one of your friends—Giulio Musellaro. I must confess I was rather curious—Besides, Musellaro lent me your exquisite "Story of the Hermaphrodite" and made me a present of your etching "Sleep"—a proof copy—a real gem. You have a most ardent admirer in me—please remember that.'

      She spoke with little pauses in between. Her voice was so warm and insinuating in tone that it almost had the effect of a caress, and her glance had that unconsciously voluptuous and disturbing expression which instantly kindles the desire of every man on whom it rests.

      'Cavaliere Sakumi!' announced the servant, as the eighth and last guest made his appearance.

      He was one of the secretaries to the Japanese Legation, very small and yellow, with prominent cheek-bones and long, slanting, bloodshot eyes over which the lids blinked incessantly. His body was disproportionately large for his spindle legs, and he turned his toes in as he walked. The skirts of his coat were too wide, there was a multitude of wrinkles in his trousers, his necktie bore visible evidence of an unpractised hand. It was as if a daimio had been taken out of one of those cuirasses of iron and lacquer, so like the shell of some monstrous crustacean, and thrust into the clothes of a European waiter. And yet, with all his ungainliness and apparent stupidity there was a glint of malice in his slits of eyes and a sort of ironical cunning about the corners of his mouth.

      Arrived in the middle of the room, he bowed low. His gibus slipped from his hand and rolled over the floor.

      At this, the Baroness d'Isola, a tiny blonde with a cloud of fluffy curls all over her forehead, vivacious and grimacing as a young monkey, called to him in her piping voice:

      'Come over here, Sakumi—here, beside me.'

      The Japanese cavalier advanced with a succession of bows and smiles.

      'Shall we see the Princess Issé this evening?' asked Donna Francesca d'Ateleta, who had a mania for gathering in her drawing-rooms all the most grotesque specimens of the exotic colonies of Rome, out of pure love of variety and the picturesque.

      The Asiatic replied in a barbarous jargon, a scarcely intelligible compound of English, French, and Italian.

      For a moment everybody was speaking at once—a chorus through which now and then the fresh laughter of the Marchesa rang like silver bells.

      'I am sure I have seen you before—I cannot remember when and I cannot remember where, but I am certain I have seen you,' Andrea Sperelli was saying to the duchess as he stood before her. 'When I saw you going upstairs in front of me, a vague recollection rose up in my mind, something that took shape from the rhythm of your movements as a picture grows out of a melody. I did not succeed in making the recollection clear, but when you turned round, I felt that your profile answered incontestably to that picture. It could not have been a divination, therefore it must have been some obscure phenomenon of memory. I must have seen you somewhere before—who knows—perhaps in a dream—perhaps in another world, a previous existence—'

      As he pronounced this last decidedly hackneyed, not to say silly remark, Andrea laughed frankly as if to forestall the lady's smile, whether of incredulity or irony. But Elena remained perfectly serious. Was she listening, or was she thinking of something else? Did she accept that kind of speech, or was she, by her gravity, amusing herself at his expense? Did she intend assisting him in the scheme of seduction he had begun with so much care, or was she going to shut herself up in indifference and silence? In short, was she or was she not the sort of woman to succumb to his attack? Perplexed, disconcerted, Andrea examined the mystery from all sides. Most men, especially those who adopt bold methods of warfare, are well acquainted with this perplexity which certain women excite by their silence.

      A servant threw open the great doors leading to the dining-room.

      The Marchesa took the arm of Don Filippo del Monte and led the way.

      'Come,'