30 Suspense and Thriller Masterpieces. Гилберт Кит Честертон

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Название 30 Suspense and Thriller Masterpieces
Автор произведения Гилберт Кит Честертон
Жанр Языкознание
Серия
Издательство Языкознание
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isbn 9782380373356



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candles on my dressing-table I observed that the stack of silver which I had taken out of my pockets when I washed before supper was top-heavy. It had two big coins at the top and sixpences and shillings beneath. Now it is one of my oddities that ever since I was a small boy I have arranged my loose coins symmetrically, with the smallest uppermost. That made me observant and led me to notice a second point. The English classics on the top of the chest of drawers were not in the order I had left them. Izaak Walton had got to the left of Sir Thomas Browne, and the poet Burns was wedged disconsolately between two volumes of Hazlitt. Moreover a receipted bill which I had stuck in the Pilgrim's Progress to mark my place had been moved. Someone had been going through my belongings.

      A moment's reflection convinced me that it couldn't have been Mrs Jimson. She had no servant and did the housework herself, but my things had been untouched when I left the room before supper, for she had come to tidy up before I had gone downstairs. Someone had been here while we were at supper, and had examined elaborately everything I possessed. Happily I had little luggage, and no papers save the new books and a bill or two in the name of Cornelius Brand. The inquisitor, whoever he was, had found nothing … The incident gave me a good deal of comfort. It had been hard to believe that any mystery could exist in this public place, where people lived brazenly in the open, and wore their hearts on their sleeves and proclaimed their opinions from the rooftops. Yet mystery there must be, or an inoffensive stranger with a kit-bag would not have received these strange attentions. I made a practice after that of sleeping with my watch below my pillow, for inside the case was Mary Lamington's label. Now began a period of pleasant idle receptiveness. Once a week it was my custom to go up to London for the day to receive letters and instructions, if any should come. I had moved from my chambers in Park Lane, which I leased under my proper name, to a small flat in Westminster taken in the name of Cornelius Brand. The letters addressed to Park Lane were forwarded to Sir Walter, who sent them round under cover to my new address. For the rest I used to spend my mornings reading in the garden, and I discovered for the first time what a pleasure was to be got from old books. They recalled and amplified that vision I had seen from the Cotswold ridge, the revelation of the priceless heritage which is England. I imbibed a mighty quantity of history, but especially I liked the writers, like Walton, who got at the very heart of the English countryside. Soon, too, I found the Pilgrim's Progress not a duty but a delight. I discovered new jewels daily in the honest old story, and my letters to Peter began to be as full of it as Peter's own epistles. I loved, also, the songs of the Elizabethans, for they reminded me of the girl who had sung to me in the June night.

      In the afternoons I took my exercise in long tramps along the good dusty English roads. The country fell away from Biggleswick into a plain of wood and pasture-land, with low hills on the horizon. The Place was sown with villages, each with its green and pond and ancient church. Most, too, had inns, and there I had many a draught of cool nutty ale, for the inn at Biggleswick was a reformed place which sold nothing but washy cider. Often, tramping home in the dusk, I was so much in love with the land that I could have sung with the pure joy of it. And in the evening, after a bath, there would be supper, when a rather fagged Jimson struggled between sleep and hunger, and the lady, with an artistic mutch on her untidy head, talked ruthlessly of culture.

      Bit by bit I edged my way into local society. The Jimsons were a great help, for they were popular and had a nodding acquaintance with most of the inhabitants. They regarded me as a meritorious aspirant towards a higher life, and I was paraded before their friends with the suggestion of a vivid, if Philistine, past. If I had any gift for writing, I would make a book about the inhabitants of Biggleswick. About half were respectable citizens who came there for country air and low rates, but even these had a touch of queerness and had picked up the jargon of the place. The younger men were mostly Government clerks or writers or artists. There were a few widows with flocks of daughters, and on the outskirts were several bigger houses—mostly houses which had been there before the garden city was planted. One of them was brand-new, a staring villa with sham-antique timbering, stuck on the top of a hill among raw gardens. It belonged to a man called Moxon Ivery, who was a kind of academic pacificist and a great god in the place. Another, a quiet Georgian manor house, was owned by a London publisher, an ardent Liberal whose particular branch of business compelled him to keep in touch with the new movements. I used to see him hurrying to the station swinging a little black bag and returning at night with the fish for dinner.

      I soon got to know a surprising lot of people, and they were the rummiest birds you can imagine. For example, there were the Weekeses, three girls who lived with their mother in a house so artistic that you broke your head whichever way you turned in it. The son of the family was a conscientious objector who had refused to do any sort of work whatever, and had got quodded for his pains. They were immensely proud of him and used to relate his sufferings in Dartmoor with a gusto which I thought rather heartless. Art was their great subject, and I am afraid they found me pretty heavy going. It was their fashion never to admire anything that was obviously beautiful, like a sunset or a pretty woman, but to find surprising loveliness in things which I thought hideous. Also they talked a language that was beyond me. This kind of conversation used to happen. —MISS WEEKES: 'Don't you admire Ursula Jimson?' SELF: 'Rather!' MISS W.: 'She is so John-esque in her lines.' SELF: 'Exactly!' MISS W.: 'And Tancred, too—he is so full of nuances.' SELF: 'Rather!' MISS W.: 'He suggests one of Degousse's countrymen.' SELF: 'Exactly!'

      They hadn't much use for books, except some Russian ones, and I acquired merit in their eyes for having read Leprous Souls. If you talked to them about that divine countryside, you found they didn't give a rap for it and had never been a mile beyond the village. But they admired greatly the sombre effect of a train going into Marylebone station on a rainy day.

      But it was the men who interested me most. Aronson, the novelist, proved on acquaintance the worst kind of blighter. He considered himself a genius whom it was the duty of the country to support, and he sponged on his wretched relatives and anyone who would lend him money. He was always babbling about his sins, and pretty squalid they were. I should like to have flung him among a few good old-fashioned full-blooded sinners of my acquaintance; they would have scared him considerably. He told me that he sought 'reality' and 'life' and 'truth', but it was hard to see how he could know much about them, for he spent half the day in bed smoking cheap cigarettes, and the rest sunning himself in the admiration of half-witted girls. The creature was tuberculous in mind and body, and the only novel of his I read, pretty well turned my stomach. Mr Aronson's strong point was jokes about the war. If he heard of any acquaintance who had joined up or was even doing war work his merriment knew no bounds. My fingers used to itch to box the little wretch's ears.

      Letchford was a different pair of shoes. He was some kind of a man, to begin with, and had an excellent brain and the worst manners conceivable. He contradicted everything you said, and looked out for an argument as other people look for their dinner. He was a double-engined, high-speed pacificist, because he was the kind of cantankerous fellow who must always be in a minority. If Britain had stood out of the war he would have been a raving militarist, but since she was in it he had got to find reasons why she was wrong. And jolly good reasons they were, too. I couldn't have met his arguments if I had wanted to, so I sat docilely at his feet. The world was all crooked for Letchford, and God had created him with two left hands. But the fellow had merits. He had a couple of jolly children whom he adored, and he would walk miles with me on a Sunday, and spout poetry about the beauty and greatness of England. He was forty-five; if he had been thirty and in my battalion I could have made a soldier out of him.

      There were dozens more whose names I have forgotten, but they had one common characteristic. They were puffed up with spiritual pride, and I used to amuse myself with finding their originals in the Pilgrim's Progress. When I tried to judge them by the standard of old Peter, they fell woefully short. They shut out the war from their lives, some out of funk, some out of pure levity of mind, and some because they were really convinced that the thing was all wrong. I think I grew rather popular in my role of the seeker after truth, the honest colonial who was against the war by instinct and was looking for instruction in the matter. They regarded me as a convert from an alien world of action which they secretly dreaded, though they affected to despise it. Anyhow they talked to me very freely, and before long I had all the pacifist arguments by heart. I made out that there were three schools. One objected to war altogether, and this had few adherents except