The Collection Anne of Green Gables. Люси Мод Монтгомери

you have a nightgown?" she questioned.

      Anne nodded.

      "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy—at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation."

      "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire."

      When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own.

      She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.

      "Good night," she said, a little awkwardly, but not unkindly.

      Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.

      "How can you call it a GOOD night when you know it must be the very worst night I've ever had?" she said reproachfully.

      Then she dived down into invisibility again.

      Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking—a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions.

      "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum."

      "Yes, I suppose so," said Matthew reluctantly.

      "You SUPPOSE so! Don't you know it?"

      "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here."

      "Matthew Cuthbert, you don't mean to say you think we ought to keep her!"

      Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head.

      "Well, now, no, I suppose not—not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose—we could hardly be expected to keep her."

      "I should say not. What good would she be to us?"

      "We might be some good to her," said Matthew suddenly and unexpectedly.

      "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her."

      "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station."

      "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from."

      "I could hire a French boy to help me," said Matthew, "and she'd be company for you."

      "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her."

      "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away. "I'm going to bed."

      To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep.

Chapter 4 Morning at Green Gables

      It was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky.

      For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy!

      But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash—it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up.

      Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here.

      A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind.

      Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible.

      Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea.

      Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed.

      She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer.

      "It's time you were dressed," she said curtly.

      Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be.

      Anne stood up and drew a long breath.

      "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside.

      "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never—small and wormy."

      "Oh, I don't mean just the tree; of course it's lovely—yes, it's RADIANTLY lovely—it blooms as if it meant it—but I meant everything, the garden and the orchard and the brook and the woods, the whole big