Robert Elsmere. Mrs. Humphry Ward

occasion, they showed her daughters to her under slightly new aspects. To see Catherine, who never took any thought for her appearance, forced to submit to a white dress, a line of pearls round the shapely throat, a flower in the brown hair, put there by Rose's imperious fingers; to sit in a corner well out of draughts, watching the effect of Rose's half-fledged beauty, and drinking in the compliments of the neighbourhood on Rose's playing or Agnes's conversation, or Catherine's practical ability—these were Mrs. Leyburn's passions, and a tea party always gratified them to the full.

      'Mamma asks as if really she wanted an answer,' remarked Agnes drily. 'Dear mother, can't you by now make up a tea party at the Thornburghs out of your head?'

      'The Seatons?' inquired Mrs. Leyburn.

      'Mrs. Seaton and Miss Barks,' replied Rose. 'The rector won't come. And I needn't say that, having moved heaven and earth to get Mrs. Seaton, Mrs. Thornburgh is now miserable because she has got her. Her ambition is gratified, but she knows that she has spoilt the party. Well, then, Mr. Mayhew, of course, his son, and his flute.'

      'You to play his accompaniments?' put in Agnes slily. Rose's lip curled.

      'Not if Miss Barks knows it,' she said emphatically, 'nor if I know it. The Bakers, of course, ourselves, and the unknown.'

      'Dr. Baker is always pleasant,' said Mrs. Leyburn, leaning back and drawing her white shawl languidly round her. 'He told me the other day, Catherine, that if it weren't for you he should have to retire. He regards you as his junior partner. "Marvellous nursing gift your eldest daughter has, Mrs. Leyburn," he said to me the other day. A most agreeable man.'

      'I wonder if I shall be able to get any candid opinions out of Mr. Elsmere the day after to-morrow?' said Rose, musing. 'It is difficult to avoid having an opinion of some sort about Mrs. Seaton.'

      'Oxford dons don't gossip and are never candid,' remarked Agnes severely.

      'Then Oxford dons must be very dull,' cried Rose. 'However,' and her countenance brightened, 'if he stays here four weeks we can teach him.'

      Catherine, meanwhile, sat watching the two girls with a soft elder sister's indulgence. Was it in connection with their bright attractive looks that the thought flitted through her head, 'I wonder what the young man will be like?'

      'Oh, by the way,' said Rose presently, 'I had nearly forgotten Mrs. Thornburgh's two messages. I informed her, Agnes, that you had given up water-colour and meant to try oils, and she told me to implore you not to, because "water-colour is so much more lady-like than oils." And as for you, Catherine, she sent you a most special message. I was to tell you that she just loved the way you had taken to plaiting your hair lately—that it was exactly like the picture of Jeanie Deans she has in the drawing-room, and that she would never forgive you if you didn't plait it so to-morrow night.'

      Catherine flushed faintly as she got up from the table.

      'Mrs. Thornburgh has eagle-eyes,' she said, moving away to give her arm to her mother, who looked fondly at her, making some remark in praise of Mrs. Thornburgh's taste.

      'Rose!' cried Agnes indignantly, when the other two had disappeared, 'you and Mrs. Thornburgh have not the sense you were born with. What on earth did you say that to Catherine for?'

      Rose stared; then her face fell a little.

      'I suppose it was foolish,' she admitted. Then she leant her head on one hand and drew meditative patterns on the table-cloth with the other. 'You know, Agnes,' she said presently, looking up, 'there are drawbacks to having a St. Elizabeth for a sister.'

      Agnes discreetly made no reply, and Rose was left alone. She sat dreaming a few minutes, the corners of the red mouth drooping. Then she sprang up with a long sigh. 'A little life!' she said half-aloud, 'a little wickedness!' and she shook her curly head defiantly.

      A few minutes later, in the little drawing-room on the other side of the hall, Catherine and Rose stood together by the open window. For the first time in a lingering spring, the air was soft and balmy; a tender grayness lay over the valley; it was not night, though above the clear outlines of the fell the stars were just twinkling in the pale blue. Far away under the crag on the farther side of High Fell a light was shining. As Catherine's eyes caught it there was a quick response in the fine Madonna-like face.

      'Any news for me from the Backhouses this afternoon?' she asked Rose.

      'No, I heard of none. How is she?'

      'Dying,' said Catherine simply, and stood a moment looking out. Rose did not interrupt her. She knew that the house from which the light was shining sheltered a tragedy; she guessed with the vagueness of nineteen that it was a tragedy of passion and sin; but Catherine had not been communicative on the subject, and Rose had for some time past set up a dumb resistance to her sister's most characteristic ways of life and thought, which prevented her now from asking questions. She wished nervously to give Catherine's extraordinary moral strength no greater advantage over her than she could help.

      Presently, however, Catherine threw her arm round her with a tender protectingness.

      'What did you do with yourself all the afternoon, Röschen?'

      'I practised for two hours,' said the girl shortly, 'and two hours this morning. My Spohr is nearly perfect.'

      'And you didn't look into the school?' asked Catherine, hesitating; 'I know Miss Merry expected you.'

      'No, I didn't. When one can play the violin and can't teach, any more than a cockatoo, what's the good of wasting one's time in teaching?'

      Catherine did not reply. A minute after Mrs. Leyburn called her, and she went to sit on a stool at her mother's feet, her hands resting on the elder woman's lap, the whole attitude of the tall active figure one of beautiful and childlike abandonment. Mrs. Leyburn wanted to confide in her about a new cap, and Catherine took up the subject with a zest which kept her mother happy till bedtime.

      'Why couldn't she take as much interest in my Spohr?' thought Rose.

      Late that night, long after she had performed all a maid's offices for her mother, Catherine Leyburn was busy in her own room arranging a large cupboard containing medicines and ordinary medical necessaries, a storehouse whence all the simpler emergencies of their end of the valley were supplied. She had put on a white flannel dressing-gown and moved noiselessly about in it, the very embodiment of order, of purity, of quiet energy. The little white-curtained room was bareness and neatness itself. There were a few book-shelves along the walls, holding the books which her father had given her. Over the bed were two enlarged portraits of her parents, and a line of queer little faded monstrosities, representing Rose and Agnes in different stages of childhood. On the table beside the bed was a pile of well-worn books—Keble, Jeremy Taylor, the Bible—connected in the mind of the mistress of the room with the intensest moments of the spiritual life. There was a strip of carpet by the bed, a plain chair or two, a large press; otherwise no furniture that was not absolutely necessary, and no ornaments. And yet, for all its emptiness, the little room in its order and spotlessness had the look and spell of a sanctuary.

      When her task was finished Catherine came forward to the infinitesimal dressing-table, and stood a moment before the common cottage looking-glass upon it. The candle behind her showed her the outlines of her head and face in shadow against the white ceiling. Her soft brown hair was plaited high above the broad white brow, giving to it an added stateliness, while it left unmasked the pure lines of the neck. Mrs. Thornburgh and her mother were quite right. Simple as the new arrangement was, it could hardly have been more effective.

      But the looking-glass got no smile in return for its information. Catherine Leyburn was young; she was alone; she was being very plainly told that, taken as a whole, she was, or might be at any moment, a beautiful woman. And all her answer was a frown and a quick movement away from the glass. Putting up her hands she began to undo the plaits with haste, almost with impatience; she smoothed the whole mass then set free into the severest order, plaited it closely together, and then, putting out her light, threw herself on her knees beside the window, which was partly open to the starlight