The Matador of the Five Towns and Other Stories. Arnold Bennett

common sense and of good breeding, each did her best to behave afterwards as though nothing had happened.

      Olive Two did not convince Olive One of her innocence, because she did not bring forward the supreme proof of it. She was too proud—in her brooding and her mystery—to do so. The supreme proof was that at this time she herself was secretly engaged to be married to Edward Coe, who had conquered her heart with unimaginable swiftness a few weeks before she was about to sit for a musical examination at Manchester. "Let us say nothing till after my exam," she had suggested to her betrothed. "There will be an enormous fuss, and it will put me off, and I shall fail, and I don't want to fail, and you don't want me to fail." He agreed rapturously. Of course she did fail, nevertheless. But being obstinate she said she would go in again, and they continued to make a secret of the engagement. They found the secret delicious. Then followed the devastating episode of Vaillac. Shortly afterwards Olive One and Vaillac were married, and then Olive Two was alone in the nice house. The examination was forgotten, and she hated the house. She wanted to be married; Coe also. But nothing had been said. Difficult to announce her engagement just then! The world would say that she had married out of imitation, and her sister would think that she had married out of pique. Besides, there would be the fuss, which Olive Two hated. Already the fuss of her sister's marriage, and the effort at the wedding of pretending that nothing had happened between them, had fatigued the nerves of Olive Two.

      Then Edward Coe had had the brilliant and seductive idea of marrying in secret. To slip away, and then to return, saying, "We are married. That's all!" … Why not? No fuss! No ceremonial! The accomplished fact, which simplifies everything!

      It was, therefore, a secret honeymoon that Edward Coe was on; delightful—but surreptitious, furtive! His mental condition may be best described by stating that, though he was conscious of rectitude, he somehow could not look a policeman in the face. After all, plain people do not usually run off on secret honeymoons. Had he acted wisely? Perhaps this question, presenting itself now and then, was the chief cause of his improper gloom.

II

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      However, the spectacle of Brighton on a fine Saturday afternoon in October had its effect on Edward Coe—the effect which it has on everybody. Little by little it inspired him with the joy of life, and straightened his back, and put a sparkle into his eyes. And he was filled with the consciousness of the fact that it is a fine thing to be well-dressed and to have loose gold in your pocket, and to eat, drink, and smoke well; and to be among crowds of people who are well-dressed and have loose gold in their pockets, and eat and drink and smoke well; and to know that a magnificent woman will be waiting for you at a certain place at a certain hour, and that upon catching sight of you her dark orbs will take on an enchanting expression reserved for you alone, and that she is utterly yours. In a word, he looked on the bright side of things again. It could not ultimately matter a bilberry whether his marriage was public or private.

      He lit a cigarette gaily. He could not guess that untoward destiny was waiting for him close by the newspaper kiosque.

      A little girl was leaning against the palisade there, and gazing somewhat restlessly about her. A quite little girl, aged, perhaps, eleven, dressed in blue serge, with a short frock and long legs, and a sailor hat (H.M.S. Formidable), and long hair down her back, and a mild, twinkling, trustful glance. Somewhat untidy, but nevertheless the image of grace.

      She saw him first. Otherwise he might have fled. But he was right upon her before he saw her. Indeed, he heard her before he saw her.

      "Good afternoon, Mr. Coe."

      "Mimi!"

      The Vaillacs were in Brighton! He had chosen practically the other end of the world for his honeymoon, and lo! by some awful clumsiness of fate the Vaillacs were at the same end! The very people from whom he wished to conceal his honeymoon until it was over would know all about it at the very start! Relations between the two Olives would be still more strained and difficult! In brief, from optimism he swung violently back to darkest pessimism. What could be worse than to be caught red-handed in a surreptitious honeymoon?

      She noticed his confusion, and he knew that she noticed it. She was a little girl. But she was also a little woman, a little Frenchwoman, who spoke English perfectly—and yet with a difference! They had flirted together, she and Mr. Coe. She had a new mother now, but for years she had been without a mother, and she would receive callers at her father's house (if he happened to be out) with a delicious imitation of a practised hostess.

      He raised his hat and shook hands and tried to play the game.

      "What are you doing here, Mimi?" he asked.

      "What are you doing here?" she parried, laughing. And then, perceiving his increased trouble, and that she was failing in tact, she went on rapidly, with a screwing up of the childish shoulders and something between a laugh and a grin: "It's my back. It seems it's not strong. And so we've taken an ever so jolly little house for the autumn, because of the air, you know. Didn't you know?"

      No, he did not know. That was the worst of strained relations. You were not informed of events in advance.

      "Where?" he asked.

      "Oh!" she said, pointing. "That way. On the road to Rottingdean. Near the big girls' school. We came in on that lovely electric railway—along the beach. Have you been on it, Mr. Coe?"

      Terrible! Rottingdean was precisely the scene of his honeymoon. The hazard of fate was truly appalling. He and his wife might have walked one day straight into the arms of her sister! He went hot and cold.

      "And where are the others?" he asked nervously.

      "Mamma"—she coloured as she used this word, so strange on her lips—"mamma's at home. Father may come to-night. And Ada has brought us here so that Jean can have his hair cut. He didn't want to come without me."

      "Ada?"

      "Ada's a new servant. She's just gone in there again to see how long the barber will be." Mimi indicated a barber's shop opposite. "And I'm waiting here," she added.

      "Mimi," he said, in a confidential tone, "can you keep a secret?"

      She grew solemn. "Yes." She smiled seriously. "What?"

      "About meeting me. Don't tell anybody you've met me to-day. See?"

      "Not Jean?"

      "No, not Jean. But later on you can tell—when I give you the tip. I don't want anybody to know just now."

      It was a shame. He knew it was a shame. He deliberately flattered her by appealing to her as to a grown woman. He deliberately put a cajoling tone into his voice. He would not have done it if Mimi had not been Mimi—if she had been an ordinary sort of English girl. But she was Mimi. And the temptation was very strong. She promised, gravely. He knew that he could rely on her.

      Hurrying away lest Jean and the servant might emerge from the barber's, he remembered with compunction that he had omitted to show any curiosity about Mimi's back.

III

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      The magnificent woman was to be waiting for him in the lounge of the Royal York Hotel at a quarter to four. She was coming in to Brighton by the Rottingdean omnibus, which function, unless the driver changes his mind, occurs once in every two or three hours. He, being under the necessity of telephoning to London on urgent business, had hired a bicycle and ridden in. Despite the accident to this prehistoric machine, he arrived at the Royal York half a minute before the Rottingdean omnibus passed through the Old Steine and set down the magnificent woman his wife. The sight of her stepping off the omnibus really did thrill him. They entered the hotel together, and, accustomed though the Royal York is to the reception of magnificent