A Concise Companion to Visual Culture. Группа авторов

From Sanctioned Theft to Authentic Replicas Installation, Reception, and Impact Objects and Agency: Speaking Through Archives, Oral Testimony, and Social Media References Further Reading Note Chapter 14: Vernaculars Introduction: New Networked Genres Always‐On Computing and the Always‐On Image What the Internet Is “For”: Too Much from the Bomb to Supercuts Managing Connection by Other Means: Selfies and Animated GIFs References C: Mediation Chapter 15: The Document 1 2 3 Acknowledgments References Notes Chapter 16: Form Acknowledgments References Chapter 17: Play Playing, Seeing, Doing The Lens of Playfulness The Ideology of Play References Further Reading Chapter 18: Memes Before “LOLcats” Performative Representation Memes Cohere and Spread through Illocutionary Force A Meme’s Existence Results in Allegorical Operations of Doubling Things out of Information, Information out of Things The United Fruit Company, the US Government, and the New Left Acknowledgments References D: Agencies Chapter 19: Subjects To Capture To Act and Enact To Look To Be Caught To Cover To Belong To Hold References Chapter 20: Making Making Introductions Making as Activity and Action Making as Material Transformation Making as Conceptual Transformation Making as Causing Effect Making Identity Making Distinctions Making Do Making as Authorship Making Politics Making Visual Culture Acknowledgments References Notes Chapter 21: Institutions Exhibiting Power: Display Culture, Museums, and Diplomacy The Arrival of a New Member in the Community Masterpieces of the World’s Great Museums Institutional Maneuvers: The NGC and External Affairs Masterpieces of European Painting Dark Matter References Archival Sources Notes Chapter 22: Species Slime Mold: Agencies of Meaning Making Artificial Intelligence: Agencies of Imagining Microbes/Ghosts: Agencies of Vision and Knowledge Dependency, Contamination, Failure (or a Species Account of Agency) References E: Politics Chapter 23: The Social