Museum Transformations. Группа авторов

2012, The Daphne Cockwell Gallery of...FIGURE 0.4 Visual Sovereignty Dance performed by Git Hayetsk at Masq’alors! Inte...

      2 Chapter 1FIGURE 1.1 The Memorial to the Murdered Jews of Europe in Berlin, facing the Tie...FIGURE 1.2 Room of Dimensions, Memorial to the Murdered Jews of Europe. Eyewitne...FIGURE 1.3 Room of Names, Memorial to the Murdered Jews of Europe. The room is e...FIGURE 1.4 Room of Families, Memorial to the Murdered Jews of Europe. Different ...

      3 Chapter 2FIGURE 2.1 Khalsa Heritage Complex, Anandpur Sahib. Architect Moshe Safdie. View...FIGURE 2.2 Interior of Khalsa Heritage Complex, showing galleries dedicated to t...FIGURE 2.3 Central Sikh Museum, Amritsar. Visitors view paintings showing eighte...FIGURE 2.4 The Tibet Museum, McLeodganj, upper Dharamsala. Gallery view with pan...FIGURE 2.5 The Tibet Museum, McLeodganj (upper Dharamsala). Gallery case showing...FIGURE 2.6 Street leading to the Tibet Museum and Dalai Lama’s Monastery, McLeod...

      4 Chapter 3FIGURE 3.1 The “Contested Frontiers” exhibit, National Museum of Australia, Canb...FIGURE 3.2 The 1823–1825 Wiradjuri War display, National Museum of Australia. Ph...FIGURE 3.3 Theresa Napurrula Ross, in front of a photo of her father, tells the ...

      5 Chapter 4FIGURE 4.1 Where Are the Children? Healing the Legacy of the Residential Schools...FIGURE 4.2 The entrance to the installation of Where Are the Children? Healing t...FIGURE 4.3 Entering Where Are the Children? Healing the Legacy of the Residentia...FIGURE 4.4 “We Were So Far Away …”: The Inuit Experience of Residential Schools ...FIGURE 4.5 An Elder in Arviat, Nunavut, encounters the exhibition “We Were So Fa...

      6 Chapter 5FIGURE 5.1 (a) National Museum of Struggle, Nicosia, Cyprus (b) Archbishop’s Pal...FIGURE 5.2 Photographs of the dead fighters line the wall.FIGURE 5.3 Photographs of British interrogators/torturers are displayed together...FIGURE 5.4 The prison space has been transformed into a shrine and the preserved...

      7 Chapter 6FIGURE 6.1 The Tropenmuseum souterrain entrance, created in 1978, replaced the m...FIGURE 6.2 The round wall introductory panel to the “Oceania” section of Eastwar...FIGURE 6.3 The Colonial Theater as seen on arrival by lift. The last governor ge...FIGURE 6.4 Yinka Shonibare, Planets in My Head, Literature (2011), installed at ...

      8 Chapter 7FIGURE 7.1 Display on the color bar as reflected in urban form and architecture,...FIGURE 7.2 Main interface of the interactive display on the city of Boma, Royal ...FIGURE 7.3 Title page of the interactive display on the city of Boma, showing th...FIGURE 7.4 “Society” menu of the interactive display on the city of Boma. Highli...FIGURE 7.5 “Violence” menu of the interactive display on the city of Boma. Highl...

      9 Chapter 8FIGURE 8.1 The Museum of Memory and Human Rights, Santiago de Chile, seen from A...FIGURE 8.2 Detail of Jorge Tacla, Al mismo tiempo, en el mismo lugar (Same time,...FIGURE 8.3 The Museum of Memory, Rosario, Argentina. In the foreground an instal...FIGURE 8.4 Former clandestine concentration camp at Police Headquarters, Plaza C...

      10 Chapter 9FIGURE 9.1 Detail from the Monument to the Women of South Africa, Pretoria, by W...FIGURE 9.2 Ground plan of a cell at the Women’s Jail, Johannesburg. Metal, 2005.FIGURE 9.3 Installations across the atrium at the Women’s Jail, Johannesburg, 20...FIGURE 9.4 Nikiwe Deborah Matshoba’s wedding dress in one of the isolation cells...

      11 Chapter 10FIGURE 10.1 Erromangan women dressed in barkcloth and other ornaments ready to p...FIGURE 10.2 Women in south Erromango studying photographs of barkcloth held by t...

      12 Chapter 11FIGURE 11.1 Shield, Trobriand Islands. Late 19th century. Paint, wood, ochre, ca...FIGURE 11.2 Sam Luguna and Liz Bonshek in the workroom at the British Museum eth...FIGURE 11.3 Ralph Regenvanu, The Melanesia Project, 2006. Oil on canvas, 50 × 10...

      13 Chapter 12FIGURE 12.1 The Blackfoot shirts on display at the Glenbow Museum.FIGURE 12.2 Andy Blackwater (left), Frank Weasel Head (right), and Alison Brown ...FIGURE 12.3 (Left to right) Carl Singer, Michael Delaney, and Joey Blood, studen...FIGURE 12.4 Marvin Smith and Jeannie Davis at a teacher training session at the ...

      14 Chapter 13FIGURE 13.1 Yucca workshop, A:shiwi A:wan Museum and Heritage Center.FIGURE 13.2 Zuni waffle gardens. Photo: Curtis Quam.

      15 Chapter 14FIGURE 14.1 Jacob Odawo and Archdeacon W. E. Owen, who is holding the tong (spea...FIGURE 14.2 Pupils at Rakombe Primary School view the exhibition in one of their...FIGURE 14.3 Two of Chief Owuor’s surviving wives, Dorina Owuor (left) and Turfos...FIGURE 14.4 Two framed portraits in the home of a surviving wife of Chief Owuor....

      16 Chapter 15FIGURE 15.1 Screenshot of the sierraleoneheritage.org digital resource, showing ...FIGURE 15.2 Frames from the sowei video documentation, produced by Ballanta Acad...FIGURE 15.3 A mural promoting the sierraleoneheritage.org resource painted on a ...FIGURE 15.4 The visual repatriation of history at Rotata. Elders reminisce and s...FIGURE 15.5 An important part of the Reanimating Cultural Heritage project was t...

      17 Chapter 16FIGURE 16.1 Three generations of Warumungu women watching and editing videos for...FIGURE 16.2 Home page of the DDAC website shows users crossing tracks as they na...FIGURE 16.3 In physical museum spaces Aboriginal community members often use mas...FIGURE 16.4 Members of the Inuvialuit Living History Project team examine engrav...FIGURE 16.5 Homepage of the Inuvialuit Pitqusit Inuuniarutait/Inuvialuit Living ...

      18 Chapter 18FIGURE 18.1 Towards the Other: watching films on the lecterns/little houses. Pho...FIGURE 18.2 Towards the Other: watching Nothing Is Missing.

      19 Chapter 19FIGURE 19.1 A Hotel Yeoville visitor prepping for his photo in the Photo Booth.FIGURE 19.2 Hotel Yeoville visitors who used the Photo Booth would print two set...FIGURE 19.3 A Hotel Yeoville participant adds his story to the Google Maps API i...FIGURE 19.4 A Hotel Yeoville visitor making a short YouTube video in the Video B...FIGURE 19.5 The exhibition as street: The exhibition layout results in a number ...FIGURE 19.6 Hotel Yeoville main thoroughfare installation view.

      20 Chapter 20FIGURE 20.1 WACK! Art and the Feminist Revolution, homepage, 2007 (accessed July...FIGURE 20.2 elles@centrepompidou, homepage, 2009 (accessed November 20, 2011).FIGURE 20.3 Shifting the Gaze: Painting and Feminism, homepage, 2010 (accessed J...

      21 Chapter 21FIGURE 21.1 (a) Kwakwaka’wakw area, bay 1, Museum of Anthropology Multiversity G...FIGURE 21.2 Nuxalk raven rattles on display in the Museum of Anthropology: (a) f...

      22 Chapter 22FIGURE 22.1 National Museum of the American Indian, Washington DC, with opening ...FIGURE 22.2 Mr. and Mrs. Ike, Confederated Tribes of the Warm Springs Reservatio...FIGURE 22.3 Installation of guns and Bibles from the “Our Peoples” section of th...

      23 Chapter 23FIGURE 23.1 The Victoria Memorial Museum, Kolkata.FIGURE 23.2 Exhibition view: Vivan Sundaram, The History Project, 1998, site-spe...FIGURE 23.3 Vivan Sundaram, “Traces of the Queen,” The History Project, 1998, si...FIGURE 23.4 View of railway car: Vivan Sundaram, The History Project, 1998, site...

      24 Chapter 24FIGURE 24.1 The Canadian Museum for Human Rights in Winnipeg, Manitoba, designed...FIGURE 24.2 The “Canadian Residential Schools” module in the First Peoples Hall ...FIGURE 24.3 “Canadian Residential Schools” module (detail), First Peoples Hall, ...FIGURE 24.4 Artist’s rendering of the “Aboriginal Peoples of Canada” section of ...

      Guide

      1  Cover

      2 Table of Contents

      3  Begin Reading

      Pages

      1  iii

      2  iv

      3  ix

      4  x

      5