Museum Transformations. Группа авторов

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Название Museum Transformations
Автор произведения Группа авторов
Жанр Изобразительное искусство, фотография
Серия
Издательство Изобразительное искусство, фотография
Год выпуска 0
isbn 9781119796596



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accompanied by theoretical discussions and controversies that touched on basic questions of German collective identity: What role does remembrance of the Holocaust play in the collective memory of a reunited Germany? How can a country deal with an atrocious past such as Auschwitz? How should the victims be remembered? Who should be included? Should a national memorial be built apart from the original places where the killings took place? Will history and active memory be “disposed” once the memorial has been built? Is the debate itself actually a more lively memorial than a huge stony sculpture can ever be? This chapter will not describe all facets of these debates which have been documented elsewhere (Cullen 1999; Heimrod, Schlusche, and Seferens 1999; Jeismann 1999; Reichel 1999; Young 2000; Niven 2002; Stavingski 2002; Kirsch 2003; Thünemann 2003; Carrier 2005; Leggewie and Meyer 2005). Instead, after providing a brief summary of how the divided country dealt with the Nazi past over the decades, I will focus on the making of the underground center exhibition and its reception. While many studies have focused on the controversies surrounding the memorial and its opening, as well as its impressive artistic design, they have not paid enough attention to the subterranean exhibition. Not much has been published about the complicated process of its making which was also accompanied by high sensitivities and contention, in part carried over from the decade-long debate about the memorial itself. Divergent interests and demands regarding the design and content of the information center often seemed irresolvable. It is a fascinating story about how controversies and fights can be overcome and can end in an astonishing result: a highly regarded and exceptional site of Holocaust remembrance in the heart of Berlin. The information center at the Holocaust Memorial has become one of the most visited exhibitions in the German capital. Only recently have scholars come to recognize its importance and begun to analyze it more seriously (Dekel 2008; 2011; Sion 2008; Baumann 2011; Klein 2012). This chapter deals with important steps and developments during the process of making the exhibition.

      After the end of World War II, with its tremendous crimes and the atrocities of the Holocaust committed by the Germans, Germany was defeated and divided. In 1949 two states the German Democratic Republic (GDR) in the east, and the Federal Republic of Germany (FRG) in the west were founded. Both states tried to gain legitimacy from what they considered to be the lessons of the past. Their dealing with the Nazi past was embedded in the politics and ideologies of the Cold War. While East Germany became a communist state and shrugged off responsibility by construing itself as the successor of the resistance against the Nazis, West Germany built up a democratic society with the help of the Allies and tried to reintegrate itself into the Western world. Part of these integration efforts was to accept responsibility for the Nazi crimes, to pay restitution, and to work on the reconciliation with Jews and the state of Israel.

      With the trial of Adolf Eichmann in Jerusalem (1961), and the worldwide publicity it attracted, Germany was forced to face the country’s past as perpetrator again and, during the following years, the Auschwitz trials in Frankfurt also helped to keep the subject in the public consciousness. The student movement of the 1960s publicly challenged the older generation and raised difficult questions. This eventually changed the political culture of West Germany, where undemocratic and authoritarian attitudes had survived. Many members of the younger generation responded with anger and protest while still remaining under the influence of an older generation that had often successfully hidden their participation in National Socialist policies and crimes. Consequently, their protests were often carried out without much knowledge of historical detail and with little interest in the fate of individuals. A real “processing” of the Nazi past had not yet taken place.

      Mainly because of the American TV series Holocaust (1978), which brought to light individual stories of victims, younger people in Germany became aware of the fact that millions of individuals – Jewish families, children, men, and women – had been persecuted and murdered by their parents’ generation. This TV series helped give a face to what had until then been known only vaguely, mostly in terms of anonymous numbers and symbolized by pictures of dead bodies so horrible that one did not know how to deal with them. Beginning in the 1980s, a new generation of Germans formed citizens’ groups and initiatives. Grassroots historians appeared and students researched what had happened to Jews in their own home towns and neighborhoods. Often together with victims and survivor groups, they eventually succeeded in getting more public and governmental support to preserve historical sites, put up plaques on buildings, change street names, and to build memorials. Their efforts were accompanied by growing research on the Holocaust and by the famous controversy among historians, the Historikerstreit (Maier [1988] 1997; Evans 1989). A new generation of teachers and politicians also became more aware of the necessity to develop special curricula for the teaching of the Holocaust. These changes in West Germany were embedded in a larger context of perspectives on the Holocaust, and their presentation in the United States, Israel, and the countries of western Europe (Köhr and Lässig 2007; Lässig and Pohl 2007).

      In the former GDR, the situation was different. There was no long process of Vergangenheitsbewältigung (coming to terms with the past); instead, the government initially pursued radical “de-Nazification” measures. After that, it appeared as though all Nazis had either moved to the West or turned into communists. In reality, the official antifascist ideology made it easy for former Nazis and their descendants to project their feelings of guilt onto West German society. In contrast to the commemoration culture that had developed over decades in West German society, East Germany had a centralized state policy of public commemoration that did not change much until the fall of the regime. In the GDR, Holocaust commemoration was linked to the ideological image of the communist resistance fighters; therefore the sites of former concentration camps like Buchenwald and Sachsenhausen were regularly used for ceremonies and rituals to strengthen state ideology. But the fate of the murdered Jews was hardly remembered. In addition, the perspective of teaching the Holocaust only within the theoretical framework of class struggle did not leave room for understanding the special nature of the racist Nazi ideology that had targeted the Jews first and foremost. The antifascist and anticapitalist ideology encompassed anti-Semitic stereotypes, and fostered hostile feelings toward the state of Israel. This changed only during the very last years of the GDR, when the government under Erich Honecker opened up to the Jewish community and to Israel, mainly with the aim of gaining support from the United States for its ruined economy.