Sometimes I Lie. Alice Feeney

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Название Sometimes I Lie
Автор произведения Alice Feeney
Жанр Контркультура
Серия
Издательство Контркультура
Год выпуска 0
isbn 9780008225360



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       Then: Christmas Eve, 2016

       Before: Christmas Eve, 1992

       Then: Christmas Eve, 2016

       Now: New Year’s Eve, 2016

       Now: New Year’s Eve, 2016

       Then: Christmas Day, 2016

       Then: Christmas Day, 2016 – Early Evening

       Before: Thursday, 7th January 1993

       Now: Monday, 2nd January 2017

       Then: Christmas Day, 2016 – Early Evening

       Now: Tuesday, 3rd January, 2017

       Then: Christmas Day 2016 – Evening

       Now: Tuesday, 3rd January 2017

       Before: Sunday, 14th February 1993

       Then: Christmas Day, 2016 – Night

       Now: Tuesday, 3rd January 2017

       After: Six Weeks Later 15th February 2017

       After: Wednesday, 15th February 2017 – 04.00

       Later: Spring 2017

       Extract of His and Hers

       Acknowledgements

       Reading Group Questions

      For my Daniel. And for her.

      My name is Amber Reynolds. There are three things you should know about me:

       1. I’m in a coma.

       2. My husband doesn’t love me any more.

       3. Sometimes I lie.

       Boxing Day, December 2016

      I’ve always delighted in the free fall between sleep and wakefulness. Those precious few semi-conscious seconds before you open your eyes, when you catch yourself believing that your dreams might just be your reality. A moment of intense pleasure or pain, before your senses reboot and inform you who and where and what you are. For now, for just a second longer, I’m enjoying the self-medicated delusion that permits me to imagine that I could be anyone, I could be anywhere, I could be loved.

      I sense the light behind my eyelids and my attention is drawn to the platinum band on my finger. It feels heavier than it used to, as though it is weighing me down. A sheet is pulled over my body, it smells unfamiliar and I consider the possibility that I’m in a hotel. Any memory of what I dreamt evaporates. I try to hold on, try to be someone and stay somewhere I am not, but I can’t. I am only ever me and I am here, where I already know I do not wish to be. My limbs ache and, I’m so tired I don’t want to open my eyes – until I remember that I can’t.

      Panic spreads through me like a blast of icy-cold air. I can’t recall where this is or how I got here, but I know who I am: My name is Amber Reynolds; I am thirty-five years old; I’m married to Paul. I repeat these three things in my head, holding on to them tightly, as though they might save me, but I’m mindful that some part of the story is lost, the last few pages ripped out. When the memories are as complete as I can manage, I bury them until they are quiet enough inside my head to allow me to think, to feel, to try to make sense of it all. One memory refuses to comply, fighting its way to the surface, but I don’t want to believe it.

      The sound of a machine breaks into my consciousness, stealing my last few fragments of hope and leaving me with nothing except the unwanted knowledge that I am in a hospital. The sterilised stench of the place makes me want to gag. I hate hospitals. They are the home of death and regrets that missed their slots, not somewhere I would ever choose to visit, let alone stay.

      There were people here before, strangers, I remember that now. They used a word I chose not to hear. I recall lots of fuss, raised voices and fear, not just my own. I struggle to unearth more, but my mind fails me. Something very bad has happened, but I cannot remember what or when.

       Why isn’t he here?

      It can be dangerous to ask a question when you already know the answer.

       He does not love me.

      I bookmark that thought.

      I hear a door open. Footsteps, then the silence returns but it’s spoiled, no longer pure. I can smell stale cigarette smoke, the sound of pen scratching paper to my right. Someone coughs to my left and I realise there are two of them. Strangers in the dark. I feel colder than before and so terribly small. I have never known a terror like the one that takes hold of me now.

      I wish someone would say something. ‘Who is she?’ asks a woman’s voice.

      ‘No idea. Poor love, what a mess,’ replies another woman.

      I wish they’d said nothing at all. I start to scream:

       My name is Amber Reynolds! I’m a radio presenter! Why don’t you know who I am?

      I shout the same sentences over and over, but they ignore me because, on the outside, I am silent. On the outside, I am nobody and I have no name.

      I want to see the me they have seen. I want to sit up, reach out and touch them. I want to feel something again. Anything. Anyone. I want to ask a thousand questions. I think I want to know the answers. They used the word from before too, the one I don’t want to hear.

      The women leave, closing the door behind them, but the word stays behind, so that we are alone together and I am no longer able to ignore it. I can’t open my eyes. I can’t move. I can’t speak. The word bubbles to the surface, popping on impact and I know it to be true…

      Coma.

       One week earlier – Monday, 19th December 2016

      I tiptoe downstairs in the early morning darkness, careful not to wake him. Everything is where it ought to be and yet I’m sure something is missing. I pull on my heavy winter coat to combat the cold and walk through to the kitchen to begin my routine. I start with the back door and repeatedly turn the handle until I’m sure it is locked:

      Up, down. Up, down. Up, down.

      Next, I stand in front of the large range oven with my arms bent at the elbows, as though I am about to conduct the impressive orchestra of gas hobs. My fingers form the familiar shape; the index and middle finger finding the thumb on each hand. I whisper quietly to myself, while visually checking that all of the knobs and dials are switched off. I do a complete sweep three times, my fingernails clicking together to create a Morse code that only I can decipher. Once satisfied that everything is safe and secure, I go to leave the kitchen, lingering briefly in the doorway, wondering if today is a day when I might need to turn back and begin the whole routine again. It isn’t.

      I creep across creaking floorboards into the hall, pick up my bag and check the contents. Phone. Purse. Keys. I close it, open it, then check again. Phone. Purse. Keys. I check a third time on my way to the front door. I stop for a moment and am shocked to see the woman inside the mirror staring back at me.