The Sussex Murder. Ian Sansom

is cloying and giddy,’ she continued. ‘She is dramatic and frowsy. She has this dreadful false laugh, and these ridiculous eyebrows, and eyes that just … winkle you out.’

      ‘I’m getting the sense—’

      ‘She is a mean, snobbish, vile, raddled, primped, crisped and bleached sort of a beast, Sefton.’

      ‘I—’

      ‘With this ludicrous heaving embonpoint. Constantly projecting.’

      ‘She—’

      ‘She belongs in a straitjacket, frankly.’

      ‘That’s a bit strong, Miriam,’ I said.

      ‘A bit strong, Sefton? She is fake, man. Completely fake! She recently sang the virgin in Gounod’s Faust, for goodness sake.’

      ‘But—’

      ‘She is oval and—’

      ‘I get the impression that you’re really not keen,’ I said.

      ‘Whether or not I am keen, Sefton, is entirely beside the point. Theirs is a friendship that is frivolous, fraudulent, purposeless and dangerous.’ A more accurate description of Miriam’s own relationships with men it would be difficult to imagine. ‘She has a dangerous hold on him, Sefton. Like Wallis Simpson. And you know what they say about her and her Shanghai tricks.’

      ‘Speaking of friendships,’ I said, not wishing to encourage Miriam to speculate any further upon Mrs Simpson’s much rumoured amatory skills and virtuosities out loud in an East End pie and mash shop.

      ‘Yes?’ said Miriam, leaning forward in her chair. ‘Might I cadge a cigarette, Sefton?’ Cadge she did. ‘Would you mind?’ I dutifully lit her cigarette, she tossed back her head, took a deep gulp and relaxed. ‘Go on,’ she said, gesturing with her cigarette.

      At this point, an almost total silence had descended upon the café, as more of the customers recognised Miriam’s defining and indeed dominating presence among us.

      ‘Miriam,’ I said, lowering my voice, ‘I’m afraid I’m going to have to resign.’

      She did not respond.

      ‘Did you hear me, Miriam?’

      She blew smoke from her nostrils – a trick that she performed when alarmed, cornered, frustrated or otherwise excited. Out of the corner of my eye I could see a man making pies: chopping up eels, making mash, concocting parsley sauce.

      ‘I’m leaving,’ I said.

      She laughed. It was not a pleasant laugh.

      ‘Leave?’ she said, fixing me with a stare. ‘You can’t leave, Sefton.’

      Miriam couldn’t leave: Morley was her father. But I could.

      ‘I wonder if you might give this to your father,’ I said quietly, handing her my resignation letter.

      ‘This?’ said Miriam with distaste, fingering my note written on the Skulnik receipt.

      ‘It’s my resignation,’ I said.

      ‘Hmm,’ said Miriam. She held the letter in her hand, regarded it from a distance, without reading it, and then, with clear regard for the audience in the café that was now watching her every move, took her cigarette and used it to set fire to the little piece of paper, which flared, blackened, and which she placed carefully in the ashtray on the table. ‘Oh dear,’ she said. ‘Sorry.’ She fixed her gaze upon me.

      The café owner at that moment approached our table.

      ‘Everything all right here?’ he asked.

      ‘Everything’s fine, thank you,’ said Miriam, flashing him a smile. ‘That will be all, thank you.’

      The owner walked away, but looked back at me over his shoulder as he went, raising his eyebrows and widening his eyes, as if to say, ‘I thought you were onto a winner there, but good luck with that, mate.’ It was not an uncommon response to Miriam’s provoking and unpredictable presence.

      ‘You know I can just write another resignation letter, Miriam?’ I said.

      ‘You could, Sefton. But you won’t.’

      ‘Why not?’

      ‘Because whatever reason you may have had for offering your resignation, having now heard that Father is in danger, you won’t even consider resigning.’

      ‘Will I not? Why not?’

      ‘Because,’ she said, pausing for effect, ‘you are a good man, Sefton.’

      ‘I am far from that, Miriam,’ I said.

      ‘Well … If you say so. But if not because you’re good, then because we need you, Sefton.’ She placed her hand over mine, bit her lip, and looked away, as though overcoming silent tears. ‘I need you.’ This was another of her techniques: the pause, the hand, the lip, the look. I’d seen it all before. ‘To be honest, I had rather hoped to be spending the autumn in Florence – there’s no crush on the Cascine at this time of year and the faded light is quite magical.’

      ‘I’m sure it is,’ I said.

      ‘I promise you, Sefton,’ she continued, ‘that this will be your final outing. If you could just help me prevent this dreadful woman from getting her claws into Father, we’ll do Sussex, and then you can pop off and do whatever it is you want to do with Mr Mann and his dreadful schemes or whatever. And I can go off to Florence or somewhere. There we are. How’s that?’ She put out her hand for me to shake and seal the deal.

      ‘I’ll think about it, Miriam,’ I said.

      ‘Well, don’t think about it for too long, darling.’ With which she left, though not before I had to call her back in order to pay the bill, since I had no money.

      ‘You can pay me back when we go to Sussex together,’ she said, as she left the café.

      ‘Rock and a hard place, mate,’ said the café owner, as the door banged behind Miriam.

      ‘Indeed,’ I said.

      I walked outside.

      It was almost one o’clock. At precisely one o’clock the East End Sunday markets are supposed to close. At one o’clock, the market inspectors arrive and the traders and stallholders must pack up and leave; there is no more buying and selling to be done. And so at around ten to one there is a frenzy of final deals. This is the moment when ‘pedigree’ dogs change hands for pennies, when kittens are bagged up in job lots and when birds are offered, three for a tanner. Amid this chaos of buying, selling and bartering, on the other side of the road, I spotted a figure hurrying towards me.

      It was the Limehouse chap.

      Already exhausted from the conversation with Willy and Miriam, for a moment I almost thought it might be easier just to give up and abandon myself to my fate.

      Then I decided to run.

      And it was at that very moment that a large dog – a slavering boxer – a truly formidable-looking creature, quite enormous in size, broke free from its owner and came bounding towards me. Instinctively I stepped back, up against the window of the pie and mash shop. Without making a sound the dog reared up on its hind legs and placed its front paws squarely on my shoulders. Standing erect, the beast was as tall as me: we were face to muzzle.

      I was trapped.

      Which was when the Limehouse chap made his fatal mistake. Pushing through the crowd, he reached me just as the dog had settled its paws on my shoulders – and proceeded to grab the creature by its collar so that he could get at me.

      The dog, believing that he was about to lose his new plaything, turned towards the Limehouse chap, gave a savage bark and butted