The Sussex Murder. Ian Sansom

      ‘A Bedlington. A Bedlington Terrier.’

      ‘A dog?’

      ‘Yes, of course a dog.’

      ‘Oh, Miriam.’

      ‘What do you mean, “Oh, Miriam”?’

      ‘A dog, Miriam.’

      ‘I like dogs, Sefton.’

      ‘You didn’t get it at Club Row?’

      ‘I certainly did,’ said Miriam, offended. ‘There was a chap as I was leaving the market who was packing up for home and he had this little thing all on his own and—’

      ‘From Club Row? You’ll be lucky if he lasts a week,’ I said.

      ‘Sefton!’ She covered the dog’s ears. ‘Don’t talk like that around Pablo.’

      ‘Pablo?’

      ‘Picasso, yes.’

      ‘You’ve named your dog after the artist.’

      ‘Yes. Why shouldn’t I?’

      A dog that looked less like Picasso it would be hard to imagine: he was a dog that looked like a Picasso. Everything about him was wonky, or wrong: rather than a dog, he resembled a lamb, except he was a lamb with a bluish, velvety sort of coat, a high arched back, a narrow but bulbous head, a tail that tapered to a point, and ears that hung down to what looked like two little white pom-poms. He had a mild, bewildered expression on his face and was without a doubt one of the most peculiar-looking creatures I’d ever seen. Miriam obviously adored him.

      ‘Take these,’ she said, thrusting a brown paper bag into my hands. ‘The chap threw in a bag of arrowroot biscuits.’

      ‘Marvellous,’ I said.

      ‘Now. Pablo has left a little present in the bedroom.’

      ‘Oh no.’ So this was the source of the smell.

      ‘And I just wondered if you’d be a darling and tidy it up, while I run down to the car? There’re some old newspapers in there that should do the job.’

      ‘Miriam!’

      ‘Thank you, darling! See you in a min!’

      Pablo’s gift duly disposed of, I made my way down to the Lagonda, which was parked at the back of the building.

      Miriam had donned her leather driving gloves.

      ‘Are we not waiting for your father?’ I asked.

      ‘Oh no, no, no,’ said Miriam. ‘Sorry, I should have said. We’re meeting him down in Brighton.’

      ‘Right.’

      ‘Come on, Sefton. In you pop. No time to lose!’

      With Miriam driving, I was left in the passenger seat with the Bedlington, who instantly – quite understandably – became unsettled as Miriam started up the engine and gunned down towards Camden Town. I held on tight to the poor pooch and did my best to calm him: in return, he relieved himself over my trousers.

      Damp and headachy, heading out of London, I listened as Miriam recapped for me some of the things her father wanted us to see in Sussex, including Arundel Castle – ‘The archetypal English castle, Sefton, according to Father. Norman and Early English, Gothic and Gothic Revival, Victorian and Modern, absolutely unmatched’ – and many other high points, including Beddingham, Seaford, Alfriston and Litlington, all places I’d never heard of and had absolutely no desire to visit.

      ‘Do you know Elgar?’ asked Miriam, somewhere around Crawley.

      I admitted that I did know Elgar, forgetting, as so often, that for Miriam knowing someone of renown meant actually knowing them, rather than knowing of them.

      ‘Marvellous, isn’t he? Father and I have spent many happy hours with Elgar at Brinkwells in Fittleworth. He has marvellous views to Chanctonbury Ring. When did you visit?’

      I had not visited. I had no desire to visit.

      It had been a long day.

      And I had no idea when we eventually reached Brighton that it was going to be an even longer night.

       The Bedlington

       A Late Night Sort of Town

       CHAPTER 9

      DUE TO CIRCUMSTANCES partly within my control (poor map-reading) and partly without (slow-moving vehicles; cattle being driven along the road on the way to an abattoir; a family apparently moving house using a large cart, upon which they had balanced a dog in a kennel, some rabbits in a hutch, a canary in a cage, a goldfish in a bowl, some hens in a chicken house, a garden shed, bags of logs and several sacks of coal), we arrived rather late in Brighton. Fortunately for us, Brighton was and is, and with any luck will always be, the kind of town that stays up to welcome late-arriving visitors. Cruising into town on a chilly autumn evening around 10 p.m. – by which time most, if not all English towns and villages have long since shut up shop, pulled the curtains tight and retired safely to bed till morning – on the streets of Brighton there were still dog-walkers, cyclists, courting couples and children out playing. According to Morley in The County Guides: Sussex, ‘Eastbourne stands aloof, Hastings is of the people, but Brighton alone has a continental character.’ The place certainly had a character continental that evening, as if it were an English town holidaying late in the season somewhere in the south of France. And as it turned out, the evening became more and more continental as it wore on.

      Molly Harper, Morley’s American adventuress, was giving a recital at the Theatre Royal, or, rather, had been giving a recital at the Theatre Royal. The performance was almost over by the time we arrived, which was a cause for great celebration on Miriam’s part.

      ‘Thank goodness for that, Sefton,’ she said. ‘I have absolutely no desire to hear the American Oval sing. It’s bad enough having to hear her talk. Come on, let’s find a quick drink, and then we shall go and rescue Father from her carmine clutches.’

      We parked conveniently outside the theatre and persuaded – or, rather, Miriam persuaded – an usher to serve us in the bar, where we happily sat alone drinking gin cocktails until the audience departed, whereupon we made our way backstage and soon found Molly’s dressing room by following the tinkling sound of laughter.

      ‘Enter!’ came the cry, as Miriam knocked briskly on the door.

      The first thing I noticed on entering was the large presentation basket of fruit – Fortnum’s, naturally – and numerous exquisite bouquets of flowers, which were most certainly not in season and therefore most certainly wildly expensive. Set among this extraordinary colourful display, like a life-size mascot Pierrot, was Molly Harper herself.

      It has to be said that Miriam’s description of Molly was not entirely inaccurate: she did indeed have eyes that looked like they might winkle you out; she did indeed have rather ludicrous eyebrows, suggesting a look of constant surprise verging on astonishment; and she did, in