The Essential Julian Hawthorne Collection. Julian Hawthorne

behind them. Away to the right, though seemingly nearer than from the road below, rose the white steeple of the meeting-house, and, peeping out around it, the roofs and gable-ends of the village houses.

      "There could not be a more lovely place to be happy in!" said Sophie, sighing from excess of pleasure.

      "Any place is as lovely as another when you're in love, I suppose," remarked her sister; "that is, if being in love is as nice as poets say it is."

      Sophie looked around with a smile, implying that the best description a poet ever wrote could give but a faint impression of the reality.

      "But," pursued Cornelia, "don't you find it very stupid when he's away? The happier you are with him, the unhappier you'd be without him, I should think."

      "Oh, no, dear!" returned Sophie. "I'm happy mostly, because I know he cares for me more than for any one else in the world, and because I know he's one of the best and truest of men. I can feel that, you know, just as much when he's at Abbie's, as when he's here. The happiness of love isn't all in seeing and hearing, and--all that tangible part."

      "Don't it make any difference, then, if you never Bee one another from the day you're engaged until you're married?"

      Sophie began to blush, as she generally did when called upon to speak of her love. "Of course, it's delicious to be together," said she, "and it would be very sad if we could not meet. But it would be more sad to think that our love depended on meeting."

      "Well, it may be so to you," returned Cornelia, picking lichens from the rock and crushing them between her rounded fingers; "but my idea is that the whole object of being engaged and married is to be together all the time. I don't see what on earth we are made visible and tangible for, unless to be seen and touched by the persons we love."

      Sophie looked distressed, and a little embarrassed.

      "You can't think our bodies are the most important part of us, Neelie, dear? It's our souls that love and are loved, you know. How could we love in heaven if it were not so?"

      "Oh, I don't know any thing about that. It's love in this world I'm speaking of. I believe it has as much to do with flesh and blood, as an instrument has with the music that it makes. What would become of the music if it wasn't for the instrument?"

      "That's a beautiful illustration, my dear," observed Sophie, after a thoughtful pause, "but I think it can be used better the other way. The music of love, like other music, is an existence by itself, exclusive of the flesh-and-blood instruments, which weren't given us to create music, but to interpret it to our earthly senses. Our souls are the players; but in the next world we shall be able to perceive the harmony without need of any medium. We can remember music, too, and enjoy it, long after we have heard it--that is why we don't need to be always together. And yet it's always sweet to meet, to hear a new tune; and the number of tunes is infinite; so love needs all eternity to make itself complete."

      When Sophie hit upon an idea which seemed to her spiritually beautiful and harmonious, she was apt to be carried away--sometimes, perhaps, into deep water. Yet thus, occasionally, did she catch glimpses of higher truths than a broader and safer wisdom could have attained. Cornelia took one of the glowing leaves out of her basket, and looked at it. Perhaps she saw, in the perfect earthly self-sufficiency of its splendor, something akin to herself.

      "I suppose I don't half appreciate your theory, Sophie, though it's certainly pretty enough. But you're more soul than body, to begin with, I believe. For my part, I almost think, sometimes, I could get along without any soul at all, and never feel the least inconvenience. Perhaps everybody hasn't a soul--only a few favored ones."

      "What is it gives you such thoughts, Neelie?" said her sister, in a tone which, had it not been charged with so ranch depth of feeling, would have been plaintive. Her gray, profound eyes, from a slight slanting upward of the brows above them, took on an expression in harmony with her tone. "I never knew you to have such, until lately."

      "I suppose, until lately, I didn't have any thoughts at all." There was a pause. Sophie looked away over the beautiful valley, but it could not drive the shadow of anxious and loving sorrow from her face. Cornelia busied herself selecting leaves from her basket, and arranging them in a bouquet. Like them, she was more vividly and variously beautiful since the frost.

      "Do you think men's ideas of love, and such things, are as high as women's?" asked she presently.

      "Why shouldn't they be?" answered Sophie, coming back from her reverie with a sigh. "I'm sure Bressant's are: if they weren't--"

      She sank again into thought, and another long silence followed. This time Cornelia's hands were still, but she watched Sophie closely.

      "Well--suppose they weren't--suppose he were to turn out not quite so high-minded, and all that, as you think him: you would stop loving him, wouldn't you?"

      "Why do you suggest it!" cried Sophie, almost with a sob. She bent down, resting her face upon her arms, and against the rock. "That question has come to me once before. How can I know? If he were to degenerate now--now, after I have told him that I love him--it must be because he no longer loved me; and I should have no right to love him, then."

      Cornelia looked down, for there was a certain light in her eyes which had no right to be there. When she thought it was subdued, she raised them again.

      "Shouldn't you hate him always afterward? Shouldn't you want to kill him?" demanded she, in a low voice.

      "I should want to kill only the memory of his unworthiness," replied Sophie, her voice rising and clearing, while she regarded her sister with a full, bright glance. "As to hating him--I cannot hate any one I have loved, Neelie." She raised herself up as she spoke, and sat erect.

      "Well, you're a strange girl!" said Cornelia, who was a little confused. "I don't see how you can ever be either happy or unhappy. Nothing human seems to have any hold upon you."

      "I'm very human," returned Sophie, shaking her head. "There are some things, I think, would soon drive me out of the world, if God wore to send them to me."

      The idea of death, when brought home to Cornelia, never failed to affect her. If she had been planning the destruction of an enemy, she would have wept bitterly at the sight of that enemy's dead body; nay, even at a vivid account of his death. Sophie's words brought tears to her eyes at once, and a quaver into her voice.

      "Don't--please don't talk that way, dear; it isn't so easy to die as you think, I'm sure. The idea of dying because anybody was wicked! It's only because you've been ill, and have got into the habit of expecting to die, that you have such ideas--isn't it? don't you think so? You'll stop feeling so as soon as you're well again--won't you?"

      "Perhaps," said Sophie, with, it may be, a particle of satire in her smile.

      They now got up from the rock and began to descend toward the Parsonage. Sophie stepped with a quick but careful precision, never slipping or missing her footing. Cornelia made short rushes, and daring jumps, often coining near to fall. Her mind was a Babel of new thoughts; or rather one idea spoke with many tongues, and made much disturbance.

      The greatest crimes are often perpetrated by those who, in their own phrase, follow the lead of the moment, and let things take their course. Things never take their own course, in a certain sense; what we do, and say, and think, creates circumstances and shapes results. There seems always to be a choice of paths. We profess--and believe--that we are neutral; that we surrender ourselves to the chance of the current. But let an evil hope--a dangerous wish--once enter our minds: something we venture only half to hint to ourselves in the non-committal whispers of a craven, unacknowledged longing-working secretly within us, it will act upon our course as a rudder, which, hidden beneath the water, steers the vessel inevitably toward a certain goal. Perhaps, when the current has become too swift, and the rudder, clamped in one fatal position, cannot be turned, we may realize, and recoil; but now, indeed, we follow the lead of the moment;