The Essential Julian Hawthorne Collection. Julian Hawthorne

and vanity had large, unsatisfied appetites. To have been patronized and made fun of would have done her little or no harm; but in gratifying these appetites she might do a good deal of harm to herself.

      When the young gentlemen were in town, or in the smoking-room, the young ladies were of course thrown upon their own resources, and generally drifted together in little groups, to talk in low tones or in loud, to laugh or to whisper. Cornelia, who soon got upon terms of companionship with one or two members of these conclaves, could hardly do otherwise than occasionally join the meetings. At first she found little or nothing of interest to herself in what they talked about.

      The discussion of dress, to be sure, was something, and she found she had much to learn even there. Then there was a great deal to be said about sociables, and theatres, and sets, and fellows; and there was also more or less conversation, carried on in a low tone that occasionally descended to a whisper, which, beyond that it seemed to have reference to marriage and kindred matters, was for the most part Greek to Cornelia. A kind of metaphor was used which the country-bred minister's daughter could not elucidate, nor could she comprehend how young ladies, unmarried as she herself was, could know so much about things which marriage alone is supposed to reveal.

      Once or twice she had requested an explanation of some of these obscure points, but her request had been met, first by a dead silence, then by a laugh, and an inquiry whether she had no young married friends, and also whether she had ever read the works of Paul Fval, Dumas, and Balzac--all of which gave her little enlightenment, but taught her to keep her mouth shut, and open her eyes and ears wider.

      One day when "Aunt Margaret" had invited her to a _tte--tte_ in the boudoir, it occurred to Cornelia, in the wisdom of her heart, to take advantage of the opportunity to introduce the subject. She was a widow: was very good-natured; would be sure not to laugh at her, and could hardly help knowing as much as the young ladies knew.

      "Oh!" exclaimed Mrs. Vanderplanck, as Cornelia entered, "such a relief--such a _refreshment_ to look at that sweet face of yours! There! I must have my _kiss_, you know. Yes, I was just thinking of you, my love--so longing to have a quiet _chat_ with you--your dear father!--such a _grand_ man he is! _such genius_! Oh! _I_ was his devoted. Tell me all about him, and that sweet _home_ of yours, and _dear_ little Sophie, too. Oh! I was so shocked, so terrified, to hear of her illness; and--let me see!--oh, yes, and that new pupil your papa has--Mr. Bressant--_how_ is he? _does_ he behave well? _is_ he pleasant? _do_ you see much of him? _does_ he keep himself quiet?--such a--"

      "Why! how did you know about him?" interrupted Cornelia, into Mrs. Vanderplanck's ever-ready ear-trumpet. "Is he a relation of yours, or any thing?"

      Aunt Margaret stopped short, and pressed her thin, wide lips together. She had never imagined but that Professor Valeyon had told his daughters through whose immediate instrumentality it was that Bressant made his appearance at the Parsonage; but finding, from Cornelia's questions, that this was not so, she bethought herself that it might be well for her young guest to remain in ignorance, at least for the present. It was not too late, and, after a scarcely-perceptible pause, she made answer:

      "It was in your dear papa's _answer_ to my invitation, my love. Oh! so shocked I was dear little Sophie couldn't come--lay awake _all_ that night with a headache--yes, _indeed_!--when he _wrote_ to me, you know--such a dear, noble letter it _was_, too! Oh! I read it over a dozen--_twenty_ times at least!--he mentioned this new pupil of his--seemed interested in him--of course I _can't_ help being interested in whatever interests any of you dear ones, you know--he mentioned his strange name and all--it _is_ a strange name, isn't it, love?"

      "It isn't his real name," interposed Cornelia; "nobody except papa knows who he is. It's just like one of those ancient names, you know--the Christian name and the surname in one."

      "Oh, yes, I see--so odd, isn't it?--such a _mystery_, and all that--yes--so that's how I came to speak of him, I suppose. One gets _ideas_ of a person that way sometimes, don't you know, though they may never have actually _seen_ them at all? Oh! when I was a _young_ thing, I was just full of those--_ideals, I_ used to call them--oh, you know all about it, I _dare_ say!"

      "He met with a very serious accident just before I came away," said Cornelia to the ear-trumpet; "he stopped Dolly--our horse--she was running away with papa in the wagon. He saved papa beautifully, but he was dreadfully hurt--his collar-bone was broken, and he was kicked, and almost killed. He's at our house now, and papa's taking care of him."

      At this information Aunt Margaret became very white, or rather bloodless, in the face. She allowed the ear-trumpet to hang by its silver chain from her neck, and, reaching out her hand to a recess in the writing-table at which she sat, she drew forth a small ebony box, set in silver, and carved all over with little figures in bass-relief. Opening it, she took out a few grains of some dark substance which the box contained, and slipped them eagerly into her large mouth, Cornelia watched her out of the corner of her eyes, and, being a physician's daughter, she drew her own conclusions.

      "Ho, ho! that's where your sick-headaches, and yellow complexion, and nervousness, and weak eyes, come from, is it? You'd better look out! that's morphine, or opium, or some such thing, I know; and papa says that old ladies like you, who use such drugs, are liable to get insane after a while, and I shouldn't be a bit surprised if you were to become insane, Aunt Margaret!"

      This agreeable prophecy, being confined solely to Cornelia's thoughts, was naturally inaudible to Mrs. Vanderplanck. She murmured something about her doctor having prescribed medicine to be taken at that hour, and then, the medicine appearing to have an immediate and salutary effect, she found her color and her voice again, and took up the conversation.

      "Shocking! oh, shocking! _so_ sad for the poor young man--no father--no--no mother there to care for him. He _it_ an orphan, is he not?--no relatives, I suppose--no one who _belongs_ to him, poor boy! Dear, dear!--but he's _not_ fatally injured, is he?--not fatally?"

      "Oh, no," replied Cornelia, whose opinion of Aunt Margaret's character was much improved by this evidently sincere sympathy in the suffering of some one she had never seen--"oh, no; papa says he'll be all well in three months."

      "And he's staying at your house, and under your dear father's care?"

      "Yes, he is now. Before his accident he was boarding at Abbie's, down in the village. She would have been very kind to him, of course, but I suppose he'd rather be at our house, because papa can always be at hand."

      While Cornelia was delivering this into the black ear-trumpet, she turned her eyes away from Aunt Margaret's face, being in truth somewhat embarrassed at talking so much about the man who had her heart. Consequently she did not observe the expression which crossed her companion's face at her mention of the modest name of the boarding-house keeper. Her features seemed to contract and sharpen, and there was positively a glitter in her watery eyes, seemingly mingled of consternation, astonishment, and hatred. In another moment the expression had passed away, or was softened into one of nervous alarm and anxiety; and even this, when she spoke, was wellnigh effaced.

      "Certainly--yes, _certainly_! your dear father--_what_ a wise man he is! he _has_ such a profound knowledge of medicine and surgery--all those things--so prudent, so careful! Still, a woman is a treasure, you know--a good, sensible, efficient woman is a _host_--oh, yes, in a sick-room. This boarding-house keeper, now--she's just such a person, I _dare_ say--elderly, sober, experienced--a married woman, probably, with a large family, no doubt? Abbie, Abbie! what _did_ you say her last name was, my love?"

      Cornelia was so much amused at the idea of Abbie's being a married woman with a large family that she did not observe how Aunt Margaret, awaiting her answer, was all in a tremble. If she had not been laughing, she could scarcely have helped seeing how the ear-trumpet shook as it was presented to her.

      "Oh, no," said she, "she's not married, Aunt Margaret--at least not now, though I believe she's a widow, or something of that kind, you know--and she hasn't any children at all! As to her other name, I don't know it, and I believe hardly any one does. You see, she's one of that queer sort of people; she's very