The Essential Julian Hawthorne Collection. Julian Hawthorne

of his may have any thing to do with it? Hum! Margaret says it's only so that he may not be interrupted in his studies by acquaintances. Well, that's likely enough--that's likely enough!"

      "By-the-way, where's the young man to stay? At Abbie's, of course, if--Margaret says, at some good boarding-house. Well, Abbie's is the only one in town. It's a singular coincidence, certainly, if it _is_ a coincidence! Perhaps I'd better go down at once and see Abbie, and have the whole matter cleared up. I shall have time enough before supper, if I harness Dolly now."

      As Professor Valeyon arrived at this conclusion, he uplifted himself, with some slight signs of the rustiness of age, from his chair, took his brown-linen duster from the balcony railing across which it had been thrown, and put it on, with laborious puffings, and a slight increase of perspiration. Then, first turning round, to make sure that he had all his belongings with him, he entered the hall-door, and passed through into his study.

      The rooms in which we live seem to imbibe something of our characteristics, and the examination of a dwelling-place may not infrequently throw some light upon the inner nature of its occupant. The professor's study was of but moderate size, carpeted with a red-and-white check straw matting, considerably frayed and defaced in the region of the table, and faded where the light from the windows fell upon it. The four walls were hidden, to a height of about seven feet from the floor, with rows upon rows of books, of all sizes and varieties of binding, no small proportion being novels, and even those not invariably of a classical standard. The only picture was a stained engraving of the Transfiguration, over the mantel-piece, in a faded and fly-be-spotted gilt frame. In the centre of the room, occupying, indeed, a pretty large share of all the available space, stood an ample study-table, covered with green baize, darkened, for a considerable space around the inkstand, by innumerable spatterings of ink. It supported a confused medley of natural and unnatural accompaniments to reading and writing. A ponderous ebony inkstand, with solid cut-glass receptacles, one being intended for powder, though none was ever put in it, a mighty dictionary, which, being too heavy to be considered movable, occupied one corner of the table by itself: the earthen tobacco-jar, with a small piece chipped from the cover; pamphlets and books, standing or lying upon one another; heaps of rusty steel and blunted quill pens; a quire or two of blue and white letter-paper; a paper-knife, loose in the handle, but smooth of edge; a box of lucifer matches, and several burnt ends; an extra pipe or two; the professor's straw hat; a brass rack for holding letters and cards; and a great deal of pink blotting-paper scattered about everywhere.

      Opposite the table stood a chair, straight-backed and severe, in which Professor Valeyon always sat when at work. He had a theory that it was not well to be too much at bodily ease when intellectually occupied. Directly behind the chair, upon the shelf of a bookcase, stood a plaster cast of Shakespeare's face, the nose of which was most unaccountably darkened and polished. It is doubtful whether even the professor himself could have cleared up the mystery of this deepened color in the immortal bard's nose. But whoever, during those hours set apart by the old gentleman for solitary labor and meditation, had happened to peep in at the window, would, ten to one, have beheld him tilted thoughtfully back in his chair, abstractedly tweaking, with the forefinger and thumb of his right hand, the sacred feature in question. He had done it every day, for many years past, and never once found himself out, and, doubtless, the great poet was far too broad-minded ever to think of resenting the liberty, especially as it was only in his most thoughtful moments that the professor meddled with him.

      The room contained little else in the way of furniture, except a few extra chairs, and a malacca-joint cane, with an ivory head, which stood in a corner near the door. It produced an impression at once of cleanliness and disorder, therein bearing a strong analogy to the professor's own person and habits; and the disorder was of such a kind, that, although no rule or system in the arrangement of any thing was perceptible, Professor Valeyon would have been at once and almost instinctively aware of any alteration that might have been made, however slight.

      On entering the study, the old gentleman first shuffled up to the fireplace, flapping the heels of his slippers behind him as he went, and deposited his pipe on the mantel-piece. Next, he put on his straw hat, and, turning to the engraving of the Transfiguration, which had served him as a looking-glass almost ever since it had hung there, he put himself to rights, with his usual fierce scowlings, liftings of the chin, and jerkings at collar and stock. When every thing seemed in proper trim, he took his ivory-headed cane from its place in the corner, and made his way along the entry to the front door.

      "Bless me!" ejaculated the professor, as he emerged upon the porch, shading his eyes from the white dazzle of the road; "how hot it is, sure enough!" Scarcely had he spoken, however, when the sun, which had been coquetting for the last half-hour with the majestic white cloud which Cornelia had idly watched from the balcony, suddenly plunged his burning face right into its cool, soft bosom, and immediately a clear, gray shadow gently took possession of the landscape.

      "Humph!" grunted the professor again, turning a sharp, wise eye to the westward, "we shall have a thunder-shower before long. I must take the covered wagon. But how's this? I declare I've forgotten to change my slippers! I'm growing old--I'm growing old, that's certain!"

      As the old gentleman stood, shaking his head over this new symptom of approaching senility, he happened to turn his eyes in the direction of the village, and descried a figure approaching rapidly from the turn in the road, which at once arrested his attention.

      "Who can that be?" muttered he to himself, frowning to assist his vision. "None of the town boys, that's certain. Never saw such a figure but once before! If any thing, this is the better man of the two. By-the-way, what if it should be--! Humph! I believe it is, sure enough."

      By this time the stranger, a very tall and broadly built young man, with a close brown beard, and quick, comprehensive eyes, had arrived opposite the house, and stood with one hand on the gate.

      "Is this the parsonage?" demanded he, speaking with great rapidity of utterance, and turning his head half sideways as he spoke, without, however, removing his eyes from the professor's face.

      The old gentleman nodded his head, "It is known by that name, sir!" said he.

      With the almost impatient quickness which marked every thing he did--a quickness which did not seem in any way allied to slovenliness or inaccuracy, however--the young man pushed through the gate, which protested loudly against such rough usage, and walked hastily up to the porch-steps. He paused a moment ere ascending.

      "Are you Professor Valeyon?" he asked.

      Again the professor bowed his head in assent. "And are you--?" began he.

      The young man sprang up the steps, and grasping the other's half-extended hand, gave it a brief, hard shake.

      "I'm Bressant," said he.

      CHAPTER III.

      SOPHIE AND CORNELIA ENTER INTO A COVENANT.

      When Cornelia left her father on the balcony, she danced up-stairs, and chassed on tiptoe up to the door of Sophie's room. There she stopped and knocked.

      Somehow or other, nobody ever went into that room without knocking. It never entered any one's head to burst in unannounced. The door was an unimposing-looking piece of deal, grained by some village artist into the portraiture of an as yet undiscovered kind of wood, and considerably impaired in various ways by time. It could not have been the door, therefore. Nor was the bolt ever drawn, save at certain hours of the morning and night. Sophie was not an ogre, either. Cornelia, who was very trying at times, would have found it hard to recall an occasion when Sophie had answered or addressed her sharply or crossly. If she exerted any influence, or wielded any power, it was not of the kind which attends a violent or morose temper. But no vixen or shrew, how terrible soever she may be, can hope at all times or from all people to meet with respect or consideration; while to Sophie Valeyon the world always put on its best face and manner, secretly wondering at itself the while for being so well-behaved.

      As to the affair of knocking, Sophie herself had never said a word about it, one