Название | 4 Books by Coningsby Dawson |
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Автор произведения | Coningsby Dawson |
Жанр | Контркультура |
Серия | |
Издательство | Контркультура |
Год выпуска | 0 |
isbn | 9781456613617 |
"All the eyeballs under hoods Shroud you in their glare; Enter these enchanted woods You who dare."
Maybe what re-creates one for the moment is the British officer's uniform, and even more the fact that you are not asked, but expected, to do your duty. So I came back quite unruffled across battered trenches and silent mounds to write this letter to you.
My dear father, I'm over thirty, and yet just as much a little boy as ever. I still feel overwhelmingly dependent on your good opinion and love. I'm glad that they are black days when you have no letters from me. I love to think of the rush to the door when the postman rings and the excited shouting up the stairs, "Quick, one from Con."
February 2nd.
You see by the writing how tired I was when I reached this point. It's nearly twenty-four hours later and again night. The gramophone is playing an air from _La Tosca_ to which the guns beat out a bass accompaniment. I close my eyes and picture the many times I have heard the (probably) German orchestras of Broadway Joy Palaces play that same music. How incongruous that I should be listening to it here and under these circumstances! It must have been listened to so often by gay crowds in the beauty places of the world. A romantic picture grows up in my mind of a blue night, the laughter of youth in evening dress, lamps twinkling through trees, far off the velvety shadow of water and mountains, and as a voice to it all, that air from _La Tosca_. I can believe that the silent people near by raise themselves up in their snow-beds to listen, each one recalling some ecstatic moment before the dream of life was shattered.
There's a picture in the Pantheon at Paris, I remember; I believe it's called _To Glory_. One sees all the armies of the ages charging out of the middle distance with Death riding at their head. The only glory that I have discovered in this war is in men's hearts--it's not external. Were one to paint the spirit of this war he would depict a mud landscape, blasted trees, an iron sky; wading through the slush and shell-holes would come a file of bowed figures, more like outcasts from the Embankment than soldiers. They're loaded down like pack animals, their shoulders are rounded, they're wearied to death, but they go on and go on. There's no "To Glory" about what we're doing out here; there's no flash of swords or splendour of uniforms. There are only very tired men determined to carry on. The war will be won by tired men who could never again pass an insurance test, a mob of broken counter-jumpers, ragged ex-plumbers and quite unheroic persons. We're civilians in khaki, but because of the ideals for which we fight we've managed to acquire soldiers' hearts.
My flow of thought was interrupted by a burst of song in which I was compelled to join. We're all writing letters around one candle; suddenly the O.C. looked up and began, God Be With You Till We Meet Again. We sang it in parts. It was in Southport, when I was about nine years old, that I first heard that sung. You had gone for your first trip to America, leaving a very lonely family behind you. We children were scared to death that you'd be drowned. One evening, coming back from a walk on the sand-hills, we heard voices singing in a garden, God Be With You Till We Meet Again. The words and the soft dusk, and the vague figures in the English summer garden, seemed to typify the terror of all partings. We've said good-bye so often since, and God has been with us. I don't think any parting was more hard than our last at the prosaic dock-gates with the cold wind of duty blowing, and the sentry barring your entrance, and your path leading back to America while mine led on to France. But you three were regular soldiers--just as much soldiers as we chaps who were embarking. One talks of our armies in the field, but there are the other armies, millions strong, of mothers and fathers and sisters, who keep their eyes dry, treasure muddy letters beneath their pillows, offer up prayers and wait, wait, wait so eternally for God to open another door.
To-morrow I again go forward, which means rising early and taking a long plod through the snows; that's one reason for not writing any more, and another is that our one poor candle is literally on its last legs.
Your poem, written years ago when the poor were marching in London, is often in my mind:
"Yesterday and to-day Have been heavy with labour and sorrow; I should faint if I did not see The day that is after to-morrow."
And there's that last verse which prophesied utterly the spirit in which we men at the Front are fighting to-day:
"And for me, with spirit elate The mire and the fog I press thorough, For Heaven shines under the cloud Of the day that is after to-morrow."
We civilians who have been taught so long to love our enemies and do good to them who hate us--much too long ever to make professional soldiers--are watching with our hearts in our eyes for that day which conies after to-morrow. Meanwhile we plod on determinedly, hoping for the hidden glory.
Yours very lovingly, Con.
XLV
February 3rd, 1917.
Dear Misses W.:
You were very kind to remember me at Christmas. _Seventeen_ was read with all kinds of gusto by all my brother officers. It's still being borrowed.
I've been back from leave a few days now and am settling back to business again. It was a trifle hard after over-eating and undersleeping myself for nine days, and riding everywhere with my feet up in taxis. I was the wildest little boy. Here it's snowy and bitter. We wear scarves round our ears to keep the frost away and dream of fires a mile high. All I ask, when the war is ended, is to be allowed to sit asleep in a big armchair and to be left there absolutely quiet. Sleep, which we crave so much at times, is only death done up in sample bottles. Perhaps some of these very weary men who strew our battlefields are glad to lie at last at endless leisure.
Good-bye, and thank you.
Yours very sincerely, Con.
XLVI
February 4th, 1917.
My Dearest Mother:
Somewhere in the distance I can hear a piano going and men's voices singing A Perfect Day. It's queer how music creates a world for you in which you are not, and makes you dreamy. I've been sitting by a fire and thinking of all the happy times when the total of desire seemed almost within one's grasp. It never is--one always, always misses it and has to rub the dust from the eyes, recover one's breath and set out on the search afresh. I suppose when you grow very old you learn the lesson of sitting quiet, and the heart stops beating and the total of desire comes to you. And yet I can remember so many happy days, when I was a child in the summer and later at Kootenay. One almost thought he had caught the secret of carrying heaven in his heart.
By the time this reaches you I'll be in the line again, but for the present I'm undergoing a special course of training. You can't hear the most distant sound of guns, and if it wasn't for the pressure of study, similar to that at _Kingston_, one would be very rested.
Sunday of all days is the one when I remember you most. You're just sitting down to mid-day dinner,--I've made the calculation for difference of time. You're probably saying how less than a month ago we were in London. That doesn't sound true even when I write it. I wonder how your old familiar surroundings strike you. It's terrible to come down from the mountain heights of a great elation like our ten days in London. I often think of that with regard to myself when the war is ended. There'll be a sense of dissatisfaction when the old lost comforts are regained. There'll be a sense of lowered manhood. The stupendous terrors of Armageddon demand less courage than the uneventful terror of the daily commonplace. There's something splendid and exhilarating in going forward among bursting shells--we, who have done all that, know that when the guns have ceased to roar our blood will grow more sluggish and we'll never be such men again. Instead of getting up in the morning and hearing your O.C. say, "You'll run a line into trench so-and-so to-day and shoot up such-and-such Hun wire," you'll hear necessity saying, "You'll work from breakfast to dinner and earn your daily bread. And you'll do it to-morrow and to-morrow and to-morrow