The Sixty-Five Years of Washington. Juan José Saer

approvingly, and they started to eat. And Botón says that Barco said (more or less): If we attribute the stumble to chance, it’s obvious a horse can stumble. But if we consider the stumble an accident, that is, deviance from a necessary action, it goes without saying that horses do not stumble. I’m of the chef’s opinion, in that case. And Cohen (also more or less): I don’t have an opinion. I’m only inferring the necessary implications in our notion of instinct. And Beatriz (also more or less and, to Leto, listening to what the Mathematician tells him, constantly rolling a cigarette): If we accept the cook’s notion of instinct, we would come to the conclusion that horses don’t die. Given that instinct is pure necessity, and the first necessity of a living being is its own survival, how can a horse die, given that it’s a living being?

      Much more alive than some of us here, says the Mathematician that Botón told him Tomatis said. He can imagine Tomatis saying that from the other end of the table, while he slowly unwraps his fish and scrapes, with his knife blade, the burned skin that may have stuck to the newspaper. Washington, the Mathematician says, wasn’t saying anything. Several in the group must have been waiting for him to open his mouth, but Washington confined himself to eating, bent over his plate with a thoughtful smile, pushing down the mouthfuls from time to time with sips of white wine. Botón, on the upper deck of the ferry, says that Washington didn’t say anything. Botón says, the Mathematician says. Both imagine him: the Mathematician as blonde, curly-haired, with a blonde goatee, eating his chocolate bar to make up for the breakfast he couldn’t eat because he got up too late, the almost transparent clear blue of his eyes, recently showered and combed, getting ready to spend the weekend in Diamante, and Leto as dark-haired, imprecise, his skin dark and covered in acne, his hair straight and unruly, of an almost wiry stiffness, without Leto knowing or ever having asked himself, since he’s never seen him, why the word Botón, which evokes that string of unknown associations, summed up in the characteristics attributed to their name, makes him look like this.