Tarzan: The Adventures and the Works of Edgar Rice Burroughs. Edgar Rice Burroughs

inexorable limits upon him; nor was there another who realized this truth more keenly than Tarzan. He chafed and fretted that he could not travel with the swiftness of thought and that the long tedious miles stretching far ahead of him must require hours and hours of tireless effort upon his part before he would swing at last from the final bough of the fringing forest into the open plain and in sight of his goal.

      Days it took, even though he lay up at night for but a few hours and left to chance the finding of meat directly on his trail. If Wappi, the antelope, or Horta, the boar, chanced in his way when he was hungry, he ate, pausing but long enough to make the kill and cut himself a steak.

      Then at last the long journey drew to its close and he was passing through the last stretch of heavy forest that bounded his estate upon the east, and then this was traversed and he stood upon the plain's edge looking out across his broad lands towards his home.

      At the first glance his eyes narrowed and his muscles tensed. Even at that distance he could see that something was amiss. A thin spiral of smoke arose at the right of the bungalow where the barns had stood, but there were no barns there now, and from the bungalow chimney from which smoke should have arisen, there arose nothing.

      Once again Tarzan of the Apes was speeding onward, this time even more swiftly than before, for he was goaded now by a nameless fear, more product of intuition than of reason. Even as the beasts, Tarzan of the Apes seemed to possess a sixth sense. Long before he reached the bungalow, he had almost pictured the scene that finally broke upon his view.

      Silent and deserted was the vine-covered cottage. Smoldering embers marked the site of his great barns. Gone were the thatched huts of his sturdy retainers, empty the fields, the pastures, and corrals. Here and there vultures rose and circled above the carcasses of men and beasts.

      It was with a feeling as nearly akin to terror as he ever had experienced that the ape-man finally forced himself to enter his home. The first sight that met his eyes set the red haze of hate and bloodlust across his vision, for there, crucified against the wall of the living-room, was Wasimbu, giant son of the faithful Muviro and for over a year the personal bodyguard of Lady Jane.

      The overturned and shattered furniture of the room, the brown pools of dried blood upon the floor, and prints of bloody hands on walls and woodwork evidenced something of the frightfulness of the battle that had been waged within the narrow confines of the apartment. Across the baby grand piano lay the corpse of another black warrior, while before the door of Lady Jane's boudoir were the dead bodies of three more of the faithful Greystoke servants.

      The door of this room was closed. With drooping shoulders and dull eyes Tarzan stood gazing dumbly at the insensate panel which hid from him what horrid secret he dared not even guess.

      Slowly, with leaden feet, he moved toward the door. Gropingly his hand reached for the knob. Thus he stood for another long minute, and then with a sudden gesture he straightened his giant frame, threw back his mighty shoulders and, with fearless head held high, swung back the door and stepped across the threshold into the room which held for him the dearest memories and associations of his life. No change of expression crossed his grim and stern-set features as he strode across the room and stood beside the little couch and the inanimate form which lay face downward upon it; the still, silent thing that had pulsed with life and youth and love.

      No tear dimmed the eye of the ape-man, but the God who made him alone could know the thoughts that passed through that still half-savage brain. For a long time he stood there just looking down upon the dead body, charred beyond recognition, and then he stooped and lifted it in his arms. As he turned the body over and saw how horribly death had been meted he plumbed, in that instant, the uttermost depths of grief and horror and hatred.

      Nor did he require the evidence of the broken German rifle in the outer room, or the torn and blood-stained service cap upon the floor, to tell him who had been the perpetrators of this horrid and useless crime.

      For a moment he had hoped against hope that the blackened corpse was not that of his mate, but when his eyes discovered and recognized the rings upon her fingers the last faint ray of hope forsook him.

      In silence, in love, and in reverence he buried, in the little rose garden that had been Jane Clayton's pride and love, the poor, charred form and beside it the great black warriors who had given their lives so futilely in their mistress' protection.

      At one side of the house Tarzan found other newly made graves and in these he sought final evidence of the identity of the real perpetrators of the atrocities that had been committed there in his absence.

      Here he disinterred the bodies of a dozen German askaris and found upon their uniforms the insignia of the company and regiment to which they had belonged. This was enough for the ape-man. White officers had commanded these men, nor would it be a difficult task to discover who they were.

      Returning to the rose garden, he stood among the Hun trampled blooms and bushes above the grave of his dead—with bowed head he stood there in a last mute farewell. As the sun sank slowly behind the towering forests of the west, he turned slowly away upon the still-distinct trail of Hauptmann Fritz Schneider and his blood-stained company.

      His was the suffering of the dumb brute—mute; but though voiceless no less poignant. At first his vast sorrow numbed his other faculties of thought—his brain was overwhelmed by the calamity to such an extent that it reacted to but a single objective suggestion: She is dead! She is dead! She is dead! Again and again this phrase beat monotonously upon his brain—a dull, throbbing pain, yet mechanically his feet followed the trail of her slayer while, subconsciously, his every sense was upon the alert for the ever-present perils of the jungle.

      Gradually the labor of his great grief brought forth another emotion so real, so tangible, that it seemed a companion walking at his side. It was Hate—and it brought to him a measure of solace and of comfort, for it was a sublime hate that ennobled him as it has ennobled countless thousands since—hatred for Germany and Germans. It centered about the slayer of his mate, of course; but it included everything German, animate or inanimate. As the thought took firm hold upon him he paused and raising his face to Goro, the moon, cursed with upraised hand the authors of the hideous crime that had been perpetrated in that once peaceful bungalow behind him; and he cursed their progenitors, their progeny, and all their kind the while he took silent oath to war upon them relentlessly until death overtook him.

      There followed almost immediately a feeling of content, for, where before his future at best seemed but a void, now it was filled with possibilities the contemplation of which brought him, if not happiness, at least a surcease of absolute grief, for before him lay a great work that would occupy his time.

      Stripped not only of all the outward symbols of civilization, Tarzan had also reverted morally and mentally to the status of the savage beast he had been reared. Never had his civilization been more than a veneer put on for the sake of her he loved because he thought it made her happier to see him thus. In reality he had always held the outward evidences of so-called culture in deep contempt. Civilization meant to Tarzan of the Apes a curtailment of freedom in all its aspects—freedom of action, freedom of thought, freedom of love, freedom of hate. Clothes he abhorred—uncomfortable, hideous, confining things that reminded him somehow of bonds securing him to the life he had seen the poor creatures of London and Paris living. Clothes were the emblems of that hypocrisy for which civilization stood—a pretense that the wearers were ashamed of what the clothes covered, of the human form made in the semblance of God. Tarzan knew how silly and pathetic the lower orders of animals appeared in the clothing of civilization, for he had seen several poor creatures thus appareled in various traveling shows in Europe, and he knew, too, how silly and pathetic man appears in them since the only men he had seen in the first twenty years of his life had been, like himself, naked savages. The ape-man had a keen admiration for a well-muscled, well-proportioned body, whether lion, or antelope, or man, and it had ever been beyond him to understand how clothes could be considered more beautiful than a clear, firm, healthy skin, or coat and trousers more graceful than the gentle curves of rounded muscles playing beneath a flexible hide.

      In civilization Tarzan had found greed and selfishness and cruelty far beyond that which he had known in his familiar, savage jungle, and though civilization had