The Social Cancer - The Original Classic Edition. Хосе Рисаль

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Название The Social Cancer - The Original Classic Edition
Автор произведения Хосе Рисаль
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by that of his father, put an end to his studies and he had to turn his attention to business affairs. He married a pretty young woman of Santa Cruz, who gave him social position and helped him to make his fortune. Dona Pia Alba was not satisfied with buying and selling sugar, indigo, and coffee, but wished to plant and reap, so the newly-married couple bought land in San Diego. From this time dated their friendship with Padre Damoso and with Don Rafael Ibarra, the richest capitalist of the town.

       The lack of an heir in the first six years of their wedded life made of that eagerness to accumulate riches almost a censurable ambi-

       tion. Dona Pia was comely, strong, and healthy, yet it was in vain that she offered novenas and at the advice of the devout women

       of San Diego made a pilgrimage to the Virgin of Kaysaysay9 in Taal, distributed [47]alms to the poor, and danced at midday in May in the procession of the Virgin of Turumba10 in Pakil. But it was all with no result until Fray Damaso advised her to go to Obando to dance in the fiesta of St. Pascual Bailon and ask him for a son. Now it is well known that there is in Obando a trinity which

       grants sons or daughters according to request--Our Lady of Salambaw, St. Clara, and St. Pascual. Thanks to this wise advice, Dona

       Pia soon recognized the signs of approaching motherhood. But alas! like the fisherman of whom Shakespeare tells in Macbeth, who ceased to sing when he had found a treasure, she at once lost all her mirthfulness, fell into melancholy, and was never seen to smile again. "Capriciousness, [48]natural in her condition," commented all, even Capitan Tiago. A puerperal fever put an end to her hidden grief, and she died, leaving behind a beautiful girl baby for whom Fray Damaso himself stood sponsor. As St. Pascual had not granted the son that was asked, they gave the child the name of Maria Clara, in honor of the Virgin of Salambaw and St. Clara, punishing the worthy St. Pascual with silence.

       The little girl grew up under the care of her aunt Isabel, that good old lady of monkish urbanity whom we met at the beginning of the story. For the most part, her early life was spent in San Diego, on account of its healthful climate, and there Padre Damaso was devoted to her.

       Maria Clara had not the small eyes of her father; like her mother, she had eyes large, black, long-lashed, merry and smiling when she

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       was playing but sad, deep, and pensive in moments of repose. As a child her hair was curly and almost blond, her straight nose was neither too pointed nor too flat, while her mouth with the merry dimples at the corners recalled the small and pleasing one of her mother, her skin had the fineness of an onion-cover and was white as cotton, according to her perplexed relatives, who found the traces of Capitan Tiago's paternity in her small and shapely ears. Aunt Isabel ascribed her half-European features to the longings of Dona Pia, whom she remembered to have seen many times weeping before the image of St. Anthony. Another cousin was of the same opinion, differing only in the choice of the smut, as for her it was either the Virgin herself or St. Michael. A famous philosopher, who was the cousin of Capitan Tinong and who had memorized the "Amat,"11 sought for the true explanation in planetary influences.

       The idol of all, Maria Clara grew up amidst smiles and love. The very friars showered her with attentions when she appeared in the processions dressed in white, her [49]abundant hair interwoven with tuberoses and sampaguitas, with two diminutive wings of silver and gold fastened on the back of her gown, and carrying in her hands a pair of white doves tied with blue ribbons. Afterwards, she would be so merry and talk so sweetly in her childish simplicity that the enraptured Capitan Tiago could do nothing but bless the saints of Obando and advise every one to purchase beautiful works of sculpture.

       In southern countries the girl of thirteen or fourteen years changes into a woman as the bud of the night becomes a flower in the morning. At this period of change, so full of mystery and romance, Maria Clara was placed, by the advice of the curate of Binondo, in the nunnery of St. Catherine12 in order to receive strict religious training from the Sisters. With tears she took leave of Padre Damaso and of the only lad who had been a friend of her childhood, Crisostomo Ibarra, who himself shortly afterward went away to Europe. There in that convent, which communicates with the world through double bars, even under the watchful eyes of the nuns, she spent seven years.

       Each having his own particular ends in view and knowing the mutual inclinations of the two young persons, Don Rafael and Capitan Tiago agreed upon the marriage of their children and the formation of a business partnership. This agreement, which was concluded some years after the younger Ibarra's departure, was celebrated with equal joy by two hearts in widely separated parts of the world

       and under very different circumstances. [50]

       1 This celebrated Lady was first brought from Acapulco, Mexico, by Juan Nino de Tabora, when he came to govern the Philippines in 1626. By reason of her miraculous powers of allaying the storms she was carried back and forth in the state galleons on a number of voyages, until in 1672 she was formally installed in a church in the hills northeast of Manila, under the care of the Augustinian Fathers. While her shrine was building she is said to have appeared to the faithful in the top of a large breadfruit tree, which is known

       to the Tagalogs as "antipolo"; hence her name. Hers is the best known and most frequented shrine in the country, while she disputes

       with the Holy Child of Cebu the glory of being the wealthiest individual in the whole archipelago.

       There has always existed a pious rivalry between her and the Dominicans' Lady of the Rosary as to which is the patron saint of the Philippines, the contest being at times complicated by counterclaims on the part of St. Francis, although the entire question would seem to have been definitely settled by a royal decree, published about 1650, officially conferring that honorable post upon St. Michael the Archangel (San Miguel). A rather irreverent sketch of this celebrated queen of the skies appears in Chapter XI of Foreman's The Philippine Islands.--TR.

       2 Santa Cruz, Paco, and Ermita are districts of Manila, outside the Walled City.--TR.

       3 John xviii. 10.

       4 A town in Laguna Province, noted for the manufacture of furniture.--TR.

       5 God grant that this prophecy may soon be fulfilled for the author of the booklet and all of us who believe it. Amen.--Author's

       note.

       6 "Blessed are the poor in spirit" and "blessed are the possessors."--TR.

       7 The annual celebration of the Dominican Order held in October in honor of its patroness, the Virgin of the Rosary, to whose intervention was ascribed the victory over a Dutch fleet in 1646, whence the name. See Guia Oficial de Filipinas, 1885, pp. 138, 139; Montero y Vidal, Historia General de Filipinas, Vol. I, Chap. XXIII; Blair and Robertson, The Philippine Islands, Vol. XXXV, pp.

       249, 250.--TR.

       8 Members of the Society of St. Vincent de Paul, whose chief business is preaching and teaching. They entered the Philippines in

       1862.--TR.

       9 "Kaysaysay: A celebrated sanctuary in the island of Luzon, province of Batangas, jurisdiction, of Taal, so called because there is venerated in it a Virgin who bears that name ....

       "The image is in the center of the high altar, where there is seen an eagle in half-relief, whose abdomen is left open in order to afford a tabernacle for the Virgin: an idea enchanting to many of the Spaniards [47n]established in the Philippines during the last century, but which in our opinion any sensible person will characterize as extravagant.

       "This image of the Virgin of Kaysaysay enjoys the fame of being very miraculous, so that the Indians gather from great distances

       to hear mass in her sanctuary every Saturday. Her discovery, over two and a half centuries ago, is notable in that she was found in

       the sea during some fisheries, coming up in a drag-net with the fish. It is thought that this venerable image of the Filipinos may have

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       been in some ship which was wrecked and that the currents carried her up to the coast, where she was found in the manner related. "The Indians, naturally credulous and for the most part quite superstitious, in spite of the advancements in civilization and culture, relate that she appeared afterwards in some trees, and in memory of