The Social Cancer - The Original Classic Edition. Хосе Рисаль

use of tobacco and buyo, which, when chewed and gathered in one cheek, marred the symmetry of his features, we would say that he might properly have considered himself a handsome man and have passed for such. Yet in spite of this bad habit he kept marvelously white both his natural teeth and also the two which the dentist furnished him at twelve pesos each.

       He was considered one of the richest landlords in Binondo and a planter of some importance by reason of his [37]estates in Pam-

       34

       panga and Laguna, principally in the town of San Diego, the income from which increased with each year. San Diego, on account of its agreeable baths, its famous cockpit, and his cherished memories of the place, was his favorite town, so that he spent at least two months of the year there. His holdings of real estate in the city were large, and it is superfluous to state that the opium monopoly controlled by him and a Chinese brought in large profits. They also had the lucrative contract of feeding the prisoners in Bilibid and furnished zacate to many of the stateliest establishments in Manila u through the medium of contracts, of course. Standing well

       with all the authorities, clever, cunning, and even bold in speculating upon the wants of others, he was the only formidable rival of a certain Perez in the matter of the farming-out of revenues and the sale of offices and appointments, which the Philippine government always confides to private persons. Thus, at the time of the events here narrated, Capitan Tiago was a happy man in so far as it is possible for a narrow-brained individual to be happy in such a land: he was rich, and at peace with God, the government, and men.

       That he was at peace with God was beyond doubt,--almost like religion itself. There is no need to be on bad terms with the good God when one is prosperous on earth, when one has never had any direct dealings with Him and has never lent Him any money. Capitan Tiago himself had never offered any prayers to Him, even in his greatest difficulties, for he was rich and his gold prayed for him. For masses and supplications high and powerful priests had been created; for novenas and rosaries God in His infinite bounty had created the poor for the service of the rich--the poor who for a peso could be secured to recite sixteen mysteries and to read all the sacred books, even the Hebrew Bible, for a little extra. If at any time in the midst of pressing difficulties he needed celestial aid and had not at hand even a red Chinese taper, he would [38]call upon his most adored saints, promising them many things for the purpose of putting them under obligation to him and ultimately convincing them of the righteousness of his desires.

       The saint to whom he promised the most, and whose promises he was the most faithful in fulfilling, was the Virgin of Antipolo, Our Lady of Peace and Prosperous Voyages.1 With many of the lesser saints he was not very punctual or even decent; and sometimes, after having his petitions granted, he thought no more about them, though of course after such treatment he did not bother them again, when occasion arose. Capitan Tiago knew that the calendar was full of idle saints who perhaps had nothing wherewith to occupy their time up there in heaven. Furthermore, to the Virgin of Antipolo he ascribed greater power and efficiency than to

       all the other Virgins combined, whether they carried silver canes, naked or richly clothed images of the Christ Child, scapularies,

       rosaries, or girdles. Perhaps this reverence was owing to the fact that she was a very strict Lady, watchful of her name, and, according to the senior sacristan of Antipolo, an enemy of photography. When she was angered she turned black as ebony, while [39]the other Virgins were softer of heart and more indulgent. It is a well-known fact that some minds love an absolute monarch rather than a constitutional one, as witness Louis XIV and Louis XVI, Philip II and Amadeo I. This fact perhaps explains why infidel Chinese and even Spaniards may be seen kneeling in the famous sanctuary; what is not explained is why the priests run away with the money of the terrible Image, go to America, and get married there.

       In the sala of Capitan Tiago's house, that door, hidden by a silk curtain leads to a small chapel or oratory such as must be lacking in no Filipino home. There were placed his household gods--and we say "gods" because he was inclined to polytheism rather than to monotheism, which he had never come to understand. There could be seen images of the Holy Family with busts and extremities of ivory, glass eyes, long eyelashes, and curly blond hair--masterpieces of Santa Cruz sculpture. Paintings in oil by artists of Paco and Ermita2 represented martyrdoms of saints and miracles of the Virgin; St. Lucy gazing at the sky and carrying in a plate an extra pair of eyes with lashes and eyebrows, such as are seen painted in the triangle of the Trinity or on Egyptian tombs; St. Pascual Bailon;

       St. Anthony of Padua in a guingon habit looking with tears upon a Christ Child dressed as a Captain-General with the three-cor- nered hat, sword, and boots, as in the children's ball at Madrid that character is represented--which signified for Capitan Tiago that while God might include in His omnipotence the power of a Captain-General of the Philippines, the Franciscans would nevertheless play with Him as with a doll. There, might also be seen a St. Anthony the Abbot with a hog by his side, a hog that for the worthy Capitan was as miraculous as the saint himself, for which reason he never dared to refer to it as the hog, but as the creature of holy St. Anthony; a St. Francis [40]of Assisi in a coffee-colored robe and with seven wings, placed over a St. Vincent who had only two

       but in compensation carried a trumpet; a St. Peter the Martyr with his head split open by the talibon of an evil-doer and held fast by

       a kneeling infidel, side by side with another St. Peter cutting off the ear of a Moro, Malchus3 no doubt, who was gnawing his lips and writhing with pain, while a fighting-cock on a doric column crowed and flapped his wings--from all of which Capitan Tiago deduced that in order to be a saint it was just as well to smite as to be smitten.

       Who could enumerate that army of images and recount the virtues and perfections that were treasured there! A whole chapter would hardly suffice. Yet we must not pass over in silence a beautiful St. Michael of painted and gilded wood almost four feet high. The Archangel is biting his lower lip and with flashing eyes, frowning forehead, and rosy cheeks is grasping a Greek shield and brandishing in his right hand a Sulu kris, ready, as would appear from his attitude and expression, to smite a worshiper or any one else who might approach, rather than the horned and tailed devil that had his teeth set in his girlish leg.

       Capitan Tiago never went near this image from fear of a miracle. Had not other images, even those more rudely carved ones that

       issue from the carpenter shops of Paete,4 many times come to life for the confusion and punishment of incredulous sinners? It

       is a well-known fact that a certain image of Christ in Spain, when invoked as a witness of promises of love, had assented with a

       35

       movement of the head in the presence of the judge, and that another such image had reached out its right arm to embrace St. Lut-garda. And furthermore, had he not himself read a booklet recently published about a mimic sermon preached [41]by an image of St. Dominic in Soriano? True, the saint had not said a single word, but from his movements it was inferred, at any rate the author

       of the booklet inferred, that he was announcing the end of the world.5 Was it not reported, too, that the Virgin of Luta in the

       town of Lipa had one cheek swollen larger than the other and that there was mud on the borders of her gown? Does not this prove mathematically that the holy images also walk about without holding up their skirts and that they even suffer from the toothache, perhaps for our sake? Had he not seen with his own eyes, during the regular Good-Friday sermon, all the images of Christ move and bow their heads thrice in unison, thereby calling forth wails and cries from the women and other sensitive souls destined for Heaven? More? We ourselves have seen the preacher show to the congregation at the moment of the descent from the cross a handkerchief stained with blood, and were ourselves on the point of weeping piously, when, to the sorrow of our soul, a sacristan assured us that

       it was all a joke, that the blood was that of a chicken which had been roasted and eaten on the spot in spite of the fact that it was Good Friday--and the sacristan was fat! So Capitan Tiago, even though he was a prudent and pious individual, took care not to approach the kris of St. Michael. "Let's take no chances," he would say to himself, "I know that he's an archangel, but I don't trust him, no, I don't trust him."

       Not a year passed without his joining with an orchestra in the pilgrimage to