Leo Tolstoy: The Complete Novels and Novellas. Leo Tolstoy

down and began to pray.

      At first he repeated some well-known prayers, and only accented a word here and there. Next, he repeated thee same prayers, but louder and with increased accentuation. Lastly he repeated them again and with even greater emphasis, as well as with an evident effort to pronounce them in the old Slavonic Church dialect. Though disconnected, his prayers were very touching. He prayed for all his benefactors (so he called every one who had received him hospitably), with, among them, Mamma and ourselves. Next he prayed for himself, and besought God to forgive him his sins, at the same time repeating, “God forgive also my enemies!” Then, moaning with the effort, he rose from his knees — only to fall to the floor again and repeat his phrases afresh. At last he regained his feet, despite the weight of the chains, which rattled loudly whenever they struck the floor.

      Woloda pinched me rudely in the leg, but I took no notice of that (except that I involuntarily touched the place with my hand), as I observed with a feeling of childish astonishment, pity, and respect the words and gestures of Grisha. Instead of the laughter and amusement which I had expected on entering the store-room, I felt my heart beating and overcome.

      Grisha continued for some time in this state of religious ecstasy as he improvised prayers and repeated again and yet again, “Lord,

      have mercy upon me!” Each time that he said, “Pardon me, Lord, and teach me to do what Thou wouldst have done,” he pronounced the words with added earnestness and emphasis, as though he expected an immediate answer to his petition, and then fell to sobbing and moaning once more. Finally, he went down on his knees again, folded his arms upon his breast, and remained silent. I ventured to put my head round the door (holding my breath as I did so), but Grisha still made no movement except for the heavy sighs which heaved his breast. In the moonlight I could see a tear glistening on the white patch of his blind eye.

      “Yes. Thy will be done!” he exclaimed suddenly, with an expression which I cannot describe, as, prostrating himself with his forehead on the floor, he fell to sobbing like a child.

      Much sand has run out since then, many recollections of the past have faded from my memory or become blurred in indistinct visions, and poor Grisha himself has long since reached the end of his pilgrimage; but the impression which he produced upon me, and the feelings which he aroused in my breast, will never leave my mind. O truly Christian Grisha, your faith was so strong that you could feel the actual presence of God; your love so great that the words fell of themselves from your lips. You had no reason to prove them, for you did so with your earnest praises of His majesty as you fell to the ground speechless and in tears!

      Nevertheless the sense of awe with which I had listened to Grisha could not last for ever. I had now satisfied my curiosity, and, being cramped with sitting in one position so long, desired to join in the tittering and fun which I could hear going on in the dark store-room behind me. Some one took my hand and whispered,

      “Whose hand is this?” Despite the darkness, I knew by the touch and the low voice in my ear that it was Katenka. I took her by the arm, but she withdrew it, and, in doing so, pushed a cane chair which was standing near. Grisha lifted his head looked quietly about him, and, muttering a prayer, rose and made the sign of the cross towards each of the four corners of the room.

Chapter 13 — Natalia Savishna

      In days gone by there used to run about the seignorial courtyard of the country-house at Chabarovska a girl called Natashka. She always wore a cotton dress, went barefooted, and was rosy, plump, and gay. It was at the request and entreaties of her father, the clarionet player Savi, that my grandfather had “taken her upstairs”— that is to say, made her one of his wife’s female servants. As chamber-maid, Natashka so distinguished herself by her zeal and amiable temper that when Mamma arrived as a baby and required a nurse Natashka was honoured with the charge of her. In this new office the girl earned still further praises and rewards for her activity, trustworthiness, and devotion to her young mistress. Soon, however, the powdered head and buckled shoes of the young and active footman Foka (who had frequent opportunities of courting her, since they were in the same service) captivated her unsophisticated, but loving, heart. At last she ventured to go and ask my grandfather if she might marry Foka, but her master took the request in bad part, flew into a passion, and punished poor Natashka by exiling her to a farm which he owned in a remote quarter of the Steppes. At length, when she had been gone six months and nobody could be found to replace her, she was recalled to her former duties. Returned, and with her dress in rags, she fell at Grandpapa’s feet, and besought him to restore her his favour and kindness, and to forget the folly of which she had been guilty — folly which, she assured him, should never recur again. And she kept her word.

      From that time forth she called herself, not Natashka, but Natalia Savishna, and took to wearing a cap, All the love in her heart was now bestowed upon her young charge. When Mamma had a governess appointed for her education, Natalia was awarded the keys as housekeeper, and henceforth had the linen and provisions under her care. These new duties she fulfilled with equal fidelity and zeal. She lived only for her master’s advantage. Everything in which she could detect fraud, extravagance, or waste she endeavoured to remedy to the best of her power. When Mamma married and wished in some way to reward Natalia Savishna for her twenty years of care and labour, she sent for her and, voicing in the tenderest terms her attachment and love, presented her with a stamped charter of her (Natalia’s) freedom, [It will be remembered that this was in the days of serfdom] telling her at the same time that, whether she continued to serve in the household or not, she should always receive an annual pension of 300 roubles. Natalia listened in silence to this. Then, taking the document in her hands and regarding it with a frown, she muttered something between her teeth, and darted from the room, slamming the door behind her. Not understanding the reason for such strange conduct, Mamma followed her presently to her room, and found her sitting with streaming eyes on her trunk, crushing her pocket-handkerchief between her fingers, and looking mournfully at the remains of the document, which was lying torn to pieces on the floor.

      “What is the matter, dear Natalia Savishna?” said Mamma, taking her hand.

      “Nothing, ma’am,” she replied; “only — only I must have displeased you somehow, since you wish to dismiss me from the house. Well, I will go.”

      She withdrew her hand and, with difficulty restraining her tears, rose to leave the room, but Mamma stopped her, and they wept a while in one another’s arms.

      Ever since I can remember anything I can remember Natalia Savishna and her love and tenderness; yet only now have I learnt to appreciate them at their full value. In early days it never occurred to me to think what a rare and wonderful being this old domestic was. Not only did she never talk, but she seemed never even to think, of herself. Her whole life was compounded of love and self-sacrifice. Yet so used was I to her affection and singleness of heart that I could not picture things otherwise. I never thought of thanking her, or of asking myself, “Is she also happy? Is she also contented?” Often on some pretext or another I would leave my lessons and run to her room, where, sitting down, I would begin to muse aloud as though she were not there. She was forever mending something, or tidying the shelves which lined her room, or marking linen, so that she took no heed of the nonsense which I talked — how that I meant to become a general, to marry a beautiful woman, to buy a chestnut horse, to, build myself a house of glass, to invite Karl Ivanitch’s relatives to come and visit me from Saxony, and so forth; to all of which she would only reply, “Yes, my love, yes.” Then, on my rising, and preparing to go, she would open a blue trunk which had pasted on the inside of its lid a coloured picture of a hussar which had once adorned a pomade bottle and a sketch made by Woloda, and take from it a fumigation pastille, which she would light and shake for my benefit, saying:

      “These, dear, are the pastilles which your grandfather (now in Heaven) brought back from Otchakov after fighting against the Turks.” Then she would add with a sigh: “But this is nearly the last one.”

      The trunks which filled her room seemed to contain almost everything in the world. Whenever anything was wanted, people said, “Oh, go and ask Natalia Savishna for it,” and, sure enough, it was seldom that she did not produce the