3 Books To Know Pulitzer Prize for Fiction. Edith Wharton

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Название 3 Books To Know Pulitzer Prize for Fiction
Автор произведения Edith Wharton
Жанр Языкознание
Серия 3 books to know
Издательство Языкознание
Год выпуска 0
isbn 9783967998610



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of it any more,” he said. “It's all right, and nothing in the world to worry about. So good-night, old lady. I'll be polite enough to him, never fear—if we happen to be thrown together. So good-night!”

      “But, George, dear—”

      “I'm going to bed, old lady; so good-night.”'

      Thus the interview closed perforce. She kissed him again before going slowly to her own room, her perplexity evidently not dispersed; but the subject was not renewed between them the next day or subsequently. Nor did Fanny make any allusion to the cryptic approbation she had bestowed upon her nephew after the Major's “not very successful little dinner”; though she annoyed George by looking at him oftener and longer than he cared to be looked at by an aunt. He could not glance her way, it seemed, without finding her red-rimmed eyes fixed upon him eagerly, with an alert and hopeful calculation in them which he declared would send a nervous man into fits. For thus, one day, he broke out, in protest:

      “It would!” he repeated vehemently. “Given time it would—straight into fits! What do you find the matter with me? Is my tie always slipping up behind? Can't you look at something else? My Lord! We'd better buy a cat for you to stare at, Aunt Fanny! A cat could stand it, maybe. What in the name of goodness do you expect to see?”

      But Fanny laughed good-naturedly, and was not offended. “It's more as if I expected you to see something, isn't it?” she said quietly, still laughing.

      “Now, what do you mean by that?”

      “Never mind!”

      “All right, I don't. But for heaven's sake stare at somebody else awhile. Try it on the house-maid!”

      “Well, well,” Fanny said indulgently, and then chose to be more obscure in her meaning than ever, for she adopted a tone of deep sympathy for her final remark, as she left him: “I don't wonder you're nervous these days, poor boy!”

      And George indignantly supposed that she referred to the ordeal of Lucy's continued absence. During this period he successfully avoided contact with Lucy's father, though Eugene came frequently to the house, and spent several evenings with Isabel and Fanny; and sometimes persuaded them and the Major to go for an afternoon's motoring. He did not, however, come again to the Major's Sunday evening dinner, even when George Amberson returned. Sunday evening was the time, he explained, for going over the week's work with his factory managers.

      When Lucy came home the autumn was far enough advanced to smell of burning leaves, and for the annual editorials, in the papers, on the purple haze, the golden branches, the ruddy fruit, and the pleasure of long tramps in the brown forest. George had not heard of her arrival, and he met her, on the afternoon following that event, at the Sharons', where he had gone in the secret hope that he might hear something about her. Janie Sharon had just begun to tell him that she heard Lucy was expected home soon, after having “a perfectly gorgeous time”—information which George received with no responsive enthusiasm—when Lucy came demurely in, a proper little autumn figure in green and brown.

      Her cheeks were flushed, and her dark eyes were bright indeed; evidences, as George supposed, of the excitement incidental to the perfectly gorgeous time just concluded; though Janie and Mary Sharon both thought they were the effect of Lucy's having seen George's runabout in front of the house as she came in. George took on colour, himself, as, he rose and nodded indifferently; and the hot suffusion to which he became subject extended its area to include his neck and ears. Nothing could have made him much more indignant than his consciousness of these symptoms of the icy indifference which it was his purpose not only to show but to feel.

      She kissed her cousins, gave George her hand, said “How d'you do,” and took a chair beside Janie with a composure which augmented George's indignation.

      “How d'you do,” he said. “I trust that ah—I trust—I do trust—”

      He stopped, for it seemed to him that the word “trust” sounded idiotic. Then, to cover his awkwardness, he coughed, and even to his own rosy ears his cough was ostentatiously a false one. Whereupon, seeking to be plausible, he coughed again, and instantly hated himself: the sound he made was an atrocity. Meanwhile, Lucy sat silent, and the two Sharon girls leaned forward, staring at him with strained eyes, their lips tightly compressed; and both were but too easily diagnosed as subject to an agitation which threatened their self-control. He began again.

      “I er—I hope you have had a—a pleasant time. I er—I hope you are well. I hope you are extremely—I hope extremely—extremely—” And again he stopped in the midst of his floundering, not knowing how to progress beyond “extremely,” and unable to understand why the infernal word kept getting into his mouth.

      “I beg your pardon?” Lucy said.

      George was never more furious; he felt that he was “making a spectacle of himself”; and no young gentleman in the world was more loath than George Amberson Minafer to look a figure of fun. And while he stood there, undeniably such a figure, with Janie and Mary Sharon threatening to burst at any moment, if laughter were longer denied them. Lucy sat looking at him with her eyebrows delicately lifted in casual, polite inquiry. Her own complete composure was what most galled him.

      “Nothing of the slightest importance!” he managed to say. “I was just leaving. Good afternoon!” And with long strides he reached the door and hastened through the hall; but before he closed the front door he heard from Janie and Mary Sharon the outburst of wild, irrepressible emotion which his performance had inspired.

      He drove home in a tumultuous mood, and almost ran down two ladies who were engaged in absorbing conversation at a crossing. They were his Aunt Fanny and the stout Mrs. Johnson; a jerk of the reins at the last instant saved them by a few inches; but their conversation was so interesting that they were unaware of their danger, and did not notice the runabout, nor how close it came to them. George was so furious with himself and with the girl whose unexpected coming into a room could make him look such a fool, that it might have soothed him a little if he had actually run over the two absorbed ladies without injuring them beyond repair. At least, he said to himself that he wished he had; it might have taken his mind off of himself for a few minutes. For, in truth, to be ridiculous (and know it) was one of several things that George was unable to endure. He was savage.

      He drove into the Major's stable too fast, the sagacious Pendennis saving himself from going through a partition by a swerve which splintered a shaft of the runabout and almost threw the driver to the floor. George swore, and then swore again at the fat old darkey, Tom, for giggling at his swearing.

      “Hoopee!” said old Tom. “Mus' been some white lady use Mist' Jawge mighty bad! White lady say, 'No, suh, I ain' go'n out ridin' 'ith Mist' Jawge no mo'!' Mist' Jawge drive in. 'Dam de dam worl'! Dam de dam hoss! Dam de dam nigga'! Dam de dam dam!' Hoopee!”

      “That'll do!” George said sternly.

      “Yessuh!”

      George strode from the stable, crossed the Major's back yard, then passed behind the new houses, on his way home. These structures were now approaching completion, but still in a state of rawness hideous to George—though, for that matter, they were never to be anything except hideous to him. Behind them, stray planks, bricks, refuse of plaster and lath, shingles, straw, empty barrels, strips of twisted tin and broken tiles were strewn everywhere over the dried and pitted gray mud where once the suave lawn had lain like a green lake around those stately islands, the two Amberson houses. And George's state of mind was not improved by his present view of this repulsive area, nor by his sensations when he kicked an uptilted shingle only to discover that what uptilted it was a brickbat on the other side of it. After that, the whole world seemed to be one solid conspiracy of malevolence.

      In this temper he emerged from behind the house nearest to his own, and, glancing toward the street, saw his mother standing with Eugene Morgan upon the cement path that led to the front gate. She was bareheaded, and Eugene held his hat and stick in his hand; evidently he had been calling upon her, and she had come from the house with him, continuing their conversation and delaying their parting.

      They