The World Of Chance. William Dean Howells

he said, apologetically: " Of course it's our business to examine manuscripts for publication, and I hope it's going to be our business to publish more and more of them, but an American novel by an unknown author, as long as we have the competition of these pirated English novels — If we can only get the copyright bill through, we shall be all right."

      Ray said nothing aloud, for he was busy reproaching himself under his breath for abusing Mr. Brandreth's hospitality.

      " What is the — character of your novel? " asked Mr. Brandreth, to break the painful silence, apparently, rather than to inform himself.

      " The usual character," Ray answered, with a listlessness which perhaps passed for careless confidence with the young publisher, and piqued his interest. " It's a love-story."

      " Of course. Does it end well? A great deal depends upon the ending with the public, you know."

      " I suppose it ends badly. It ends as badly as it can," said the author, feeling that he had taken the bit in his teeth. " It's unrelieved tragedy."

      " That isn't so bad, sometimes," said Mr. Brandreth. " That is, if the tragedy is intense enough. Sometimes a thing of that kind takes with the public, if the love part is good and strong. Have you the manuscript here in New York with you? "

      " I have it here in my lap with me," said Ray, with a desperate laugh.

      Mr. Brandreth cast his eye over the package. " What do you call it? So much depends upon a title with the public."

      " I had thought of several titles: the hero's name for one; the heroine's for another. Then I didn't know but A Modern Romeo would do. It's very much on the lines of the play."

      " Indeed! " said Mr. Brandreth, with a sudden interest that flattered Ray with fresh hopes. " That's very curious. I once took part in an amateur performance of Romeo myself. We gave it in the open air. The effect was very novel."

      " I should think it might be," said Ray, He hastened to add, " My story deals, of course, with American life, and the scene is laid in the little village where I grew up,"

      " Our play," said Mr. Brandreth, " was in a little summer place in Massachusetts. One of the ladies gave us her tennis-ground, and we made our exits and our entrances through the surrounding shrubbery. You've no idea how beautiful the mediaeval dresses looked in the electric light. It was at night."

      " It must have been beautiful," Ray hastily admitted. " My Juliet is the daughter of the village doctor, and my Romeo is a young lawyer, who half kills a cousin of hers for trying to interfere with them."

      " That's good," said Mr. Brandreth. " I took the part of Romeo myself, and Mrs. Brandreth — she was Miss Chapley, then — was cast for Juliet; but another girl who had refused the part suddenly changed her mind and claimed it, and we had the greatest time to keep the whole affair from going to pieces. I beg your pardon; I interrupted you."

      "Not at all," said Ray. "It must have been rather difficult. In my story there has been a feud between the families of the lovers about a land boundary; and both families try to break off the engagement."

      "That's very odd," said Mr. Brandreth. "The play nearly broke off my acquaintance with Mrs. Brandreth, Of course she was vexed — as anybody would be — at having to give up the part at the eleventh hour, when she'd taken so much trouble with it; but when she saw my suffering with the other girl, who didn't know half her lines, and walked through it all like a mechanical doll, she forgave me. Romeo is my favorite play. Did you ever see Julia Marlowe in it?"

      " No."

      "Then you never saw Juliet! I used to think Margaret Mather was about the loveliest Juliet, and in fact she has a great deal of passion " —

      "My Juliet," Ray broke in, "is one of those impassioned natures. When she finds that the old people are inexorable, she jumps at the suggestion of a secret marriage, and the lovers run off and are married, and come back and live separately. They meet at a picnic soon after, where Juliet goes with her cousin, who makes himself offensive to the husband, and finally insults him. They happen to be alone together near the high bank of a river, and the husband, who is a quiet fellow of the deadly sort, suddenly throws the cousin over the cliff. The rest are dancing —

      " We introduced a minuet in our theatricals," Mr. Brandreth interposed, " and people said it was the best thing in it. I beg your pardon! "

      " Not at all. It must have been very picturesque. The cousin is taken up for dead, and the husband goes into hiding until the result of the cousin's injuries can be ascertained. They are searching for the husband everywhere, and the girl's father, who has dabbled in hypnotism, and has hypnotized his daughter now and then, takes the notion of trying to discover the husband's whereabouts by throwing her into a hypnotic trance and questioning her: he believes that she knows. The trance is incomplete, and with what is left of her consciousness the girl suffers tremendously from the conflict that takes place in her. In the midst of it all, word comes from the room where the cousin is lying insensible that he is dying. The father leaves his daughter to go to him, and she lapses into the cataleptic state. The husband has been lurking about, intending to give himself up if it comes to the worst. He steals up to the open window — I forgot to say that the hypnotization scene takes place in her father's office, a little building that stands apart from the house, and of course it's a ground floor — and he sees her stretched out on the lounge, all pale and stiff, and he thinks she is dead."

      Mr. Brandreth burst into a laugh. " I must tell you what our Mercutio said — he was an awfully clever fellow, a lawyer up there, one of the natives, and he made simply a perfect Mercutio. He said that our Juliet was magnificent in the sepulcher scene; and if she could have played the part as a dead Juliet throughout, she would have beat us all! "

      " Capital! " said Ray. " Ha, ha, ha! "

      " Well, go on," said Mr. Brandreth.

      "Oh! Well, the husband gets in at the window and throws himself on her breast, and tries to revive her. She shows no signs of life, though all the time she is perfectly aware of what is going on, and is struggling to speak and reassure him. She recovers herself just at the moment he draws a pistol and shoots himself through the heart. The shot brings the father from the house, and as he enters the little office, his daughter lifts herself, gives him one ghastly stare, and falls dead on her husband's body."

      " That is strong," said Mr. Brandreth. " That is a very powerful scene."

      " Do you think so? " Ray asked. He looked flushed and flattered, but he said: " Sometimes I've been afraid it was overwrought, and improbable — weak. It's not, properly speaking, a novel, you see. It's more in the region of romance."

      " Well, so much the better. I think people are getting tired of those commonplace, photographic things. They want something with a little more imagination," said Mr. Brandreth.

      " The motive of my story might be called psychological," said the author. " Of course I've only given you the crudest outline of it, that doesn't do it justice " —

      " Well, they say that roman psychologique is superseding the realistic novel in France. Will you allow me?"

      He offered to take the manuscript, and Ray eagerly undid it, and placed it in his hands. He turned over some pages of it, and dipped into it here and there.

      " Yes," he said. " Now I'll tell you what we'll do, Mr. Ray. You leave this with us, and we'll have our readers go over it, and report to us, and then we'll communicate with you about it. What did you say your New York address was? "

      "I haven't any yet," said Ray; but I'll call and leave it as soon as I've got one." He rose, and the young publisher said:

      " Well, drop in any time. We shall always be glad to see you. Of course I can't promise you an immediate decision."

      " Oh, no; I don't expect that. I can wait. And I can't tell you how much — how much I appreciate your kindness."

      " Oh, not at all. Ah! " The boy came back with a type-written sheet in his hand; Mr. Brandreth