Under Fire. Henri Barbusse

what's that in there?" says the fatigue man, still ruddily sweating, and using his foot to point at a bucket.

      "Yes," says Paradis, "my mistake, there is some."

      The fatigue man shrugs his shoulders, and hurls at Paradis a look of unspeakable scorn—"Now you're beginning! Get your gig-lamps on, if your sight's bad." He adds, "One cup each—rather less perhaps—some chucklehead bumped against me, coming through the Boyau du Bois, and a drop got spilled." "Ah!" he hastens to add, raising his voice, "if I hadn't been loaded up, talk about the boot-toe he'd have got in the rump! But he hopped it on his top gear, the brute!"

      In spite of this confident assurance, the fatigue man makes off himself, curses overtaking him as he goes, maledictions charged with offensive reflections on his honesty and temperance, imprecations inspired by this revelation of a ration reduced.

      All the same, they throw themselves on the food, and eat it standing, squatting, kneeling, sitting on tins, or on haversacks pulled out of the holes where they sleep—or even prone, their backs on the ground, disturbed by passers-by, cursed at and cursing. Apart from these fleeting insults and jests, they say nothing, the primary and universal interest being but to swallow, with their mouths and the circumference thereof as greasy as a rifle-breech. Contentment is theirs.

      At the earliest cessation of their jaw-bones' activity, they serve up the most ribald of raillery. They knock each other about, and clamor in riotous rivalry to have their say. One sees even Farfadet smiling, the frail municipal clerk who in the early days kept himself so decent and clean amongst us all that he was taken for a foreigner or a convalescent. One sees the tomato-like mouth of Lamuse dilate and divide, and his delight ooze out in tears. Poterloo's face, like a pink peony, opens out wider and wider. Papa Blaire's wrinkles flicker with frivolity as he stands up, pokes his head forward, and gesticulates with the abbreviated body that serves as a handle for his huge drooping mustache. Even the corrugations of Cocon's poor little face are lighted up.

      Becuwe goes in search of firewood to warm the coffee. While we wait for our drink, we roll cigarettes and fill pipes. Pouches are pulled out. Some of us have shop-acquired pouches in leather or rubber, but they are a minority. Biquet extracts his tobacco from a sock, of which the mouth is drawn tight with string. Most of the others use the bags for anti-gas pads, made of some waterproof material which is an excellent preservative of shag, be it coarse or fine; and there are those who simply fumble for it in the bottom of their greatcoat pockets.

      The smokers spit in a circle, just at the mouth of the dug-out which most of the half-section inhabit, and flood with tobacco-stained saliva the place where they put their hands and feet when they flatten themselves to get in or out.

      But who notices such a detail?

      * * * * *

      Now, a propos of a letter to Marthereau from his wife, they discuss produce.

      "La mere Marthereau has written," he says. "That fat pig we've got at home, a fine specimen, guess how much she's worth now?"

      But the subject of domestic economy degenerates suddenly into a fierce altercation between Pepin and Tulacque. Words of quite unmistakable significance are exchanged. Then—"I don't care a what you say or what you don't say! Shut it up!"—"I shall shut it when I want, midden!"—"A seven-pound thump would shut it up quick enough!"—"Who from? Who'll give it me?"—"Come and find out!"

      They grind their teeth and approach each other in a foaming rage. Tulacque grasps his prehistoric ax, and his squinting eyes are flashing. The other is pale and his eyes have a greenish glint; you can see in his blackguard face that his thoughts are with his knife.

      But between the two, as they grip each other in looks and mangle in words, Lamuse intervenes with his huge pacific head, like a baby's, and his face of sanguinary hue: "Allons, allons! You're not going to cut yourselves up! Can't be allowed!"

      The others also interpose, and the antagonists are separated, but they continue to hurl murderous looks at each other across the barrier of their comrades. Pepin mutters a residue of slander in tones that quiver with malice—

      "The hooligan, the ruffian, the blackguard! But wait a bit! I'll see him later about this!"

      On the other side, Tulacque confides in the poilu who is beside him: "That crab-louse! Non, but you know what he is! You know—there's no more to be said. Here, we've got to rub along with a lot of people that we don't know from Adam. We know 'em and yet we don't know 'em; but that man, if he thinks he can mess me about, he'll find himself up the wrong street! You wait a bit. I'll smash him up one of these days, you'll see!"

      Meanwhile the general conversation is resumed, drowning the last twin echoes of the quarrel.

      "It's every day alike, alors!" says Paradis to me; "yesterday it was Plaisance who wanted to let Fumex have it heavy on the jaw, about God knows what—a matter of opium pills, I think. First it's one and then it's another that talks of doing some one in. Are we getting to be a lot of wild animals because we look like 'em?"

      "Mustn't take them too seriously, these men," Lamuse declares; "they're only kids."

      "True enough, seeing that they're men."

      * * * * *

      The day matures. A little more light has trickled through the mists that enclose the earth. But the sky has remained overcast, and now it dissolves in rain; With a slowness which itself disheartens, the wind brings back its great wet void upon us. The rain-haze makes everything clammy and dull—even the Turkey red of Lamuse's cheeks, and even the orange armor that caparisons Tulacque. The water penetrates to the deep joy with which dinner endowed us, and puts it out. Space itself shrinks; and the sky, which is a field of melancholy, comes closely down upon the earth, which is a field of death.

      We are still there, implanted and idle. It will be hard to-day to reach the end of it, to get rid of the afternoon. We shiver in discomfort, and keep shifting our positions, like cattle enclosed.

      Cocon is explaining to his neighbor the arrangement and intricacy of our trenches. He has seen a military map and made some calculations. In the sector occupied by our regiment there are fifteen lines of French trenches. Some are abandoned, invaded by grass, and half leveled; the others solidly upkept and bristling with men. These parallels are joined up by innumerable galleries which hook and crook themselves like ancient streets. The system is much more dense than we believe who live inside it. On the twenty-five kilometers' width that form the army front, one must count on a thousand kilometers of hollowed lines—trenches and saps of all sorts. And the French Army consists of ten such armies. There are then, on the French side, about 10,000 kilometers² of trenches, and as much again on the German side. And the French front is only about one-eighth of the whole war-front of the world.

      Thus speaks Cocon, and he ends by saying to his neighbor, "In all that lot, you see what we are, us chaps?"

      Poor Barque's head droops. His face, bloodless as a slum child's, is underlined by a red goatee that punctuates his hair like an apostrophe: "Yes, it's true, when you come to think of it. What's a soldier, or even several soldiers?—Nothing, and less than nothing, in the whole crowd; and so we see ourselves lost, drowned, like the few drops of blood that we are among all this flood of men and things."

      Barque sighs and is silent, and the end of his discourse gives a chance of hearing to a bit of jingling narrative, told in an undertone: "He was coming along with two horses—Fs-s-s—a shell; and he's only one horse left."

      "You get fed up with it," says Volpatte.

      "But you stick it," growls Barque.

      "You've got to," says Paradis.

      "Why?" asks Marthereau, without conviction.

      "No need for a reason, as long as we've got to."

      "There is no reason," Lamuse avers.

      "Yes, there is," says Cocon. "It's—or rather, there are several."

      "Shut it up! Much better to have no reason, as long as we've got to stick it."

      "All the same,"