Название | Under Fire |
---|---|
Автор произведения | Henri Barbusse |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066059200 |
"We even fished out, in passing, a sergeant who was piled up in a hole and didn't dare come out, seeing he was shell-shocked. We slanged him, and that set him up a bit, and he thanked us. Sergeant Sacerdote he called himself."
"But your wound, old chap?"
"It's my ears. Two shells, a little one and a big one, my lad—went off while you're saying it. My head came between the two bursts, as you might say, but only just; a very close shave, and my lugs got it."
"You should have seen him," says Fouillade, "it was disgusting, those two ears hanging down. We had two packets of bandages, and the stretcher-men fired us one in. That makes three packets he's got rolled round his nut."
"Give us your traps, we're going back."
Farfadet and I divide Volpatte's equipment between us. Fouillade, sullen with thirst and racked by stiff joints, growls, and insists obstinately on keeping his weapons and bundles.
We stroll back, finding diversion—as always—in walking without ranks. It is so uncommon that one finds it surprising and profitable. So it is a breach of liberty which soon enlivens all four of us. We are in the country as though for the pleasure of it.
"We are pedestrians!" says Volpatte proudly. When we reach the turning at the top of the hill, he relapses upon rosy visions: "Old man, it's a good wound, after all. I shall be sent back, no mistake about it."
His eyes wink and sparkle in the huge white clump that dithers on his shoulders—a clump reddish on each side, where the ears were.
From the depth where the village lies we hear ten o'clock strike. "To hell with the time," says Volpatte "it doesn't matter to me any more what time it is."
He becomes loquacious. It is a low fever that inspires his dissertation, and condenses it to the slow swing of our walk, in which his step is already jaunty.
"They'll stick a red label on my greatcoat, you'll see, and take me to the rear. I shall be bossed this time by a very polite sort of chap, who'll say to me, 'That's one side, now turn the other way—so, my poor fellow.' Then the ambulance, and then the sick-train, with the pretty little ways of the Red Cross ladies all the way along, like they did to Crapelet Jules, then the base hospital. Beds with white sheets, a stove that snores in the middle of us all, people with the special job of looking after you, and that you watch doing it, regulation slippers—sloppy and comfortable—and a chamber-cupboard. Furniture! And it's in those big hospitals that you're all right for grub! I shall have good feeds, and baths. I shall take all I can get hold of. And there'll be presents—that you can enjoy without having to fight the others for them and get yourself into a bloody mess. I shall have my two hands on the counterpane, and they'll do damn well nothing, like things to look at—like toys, what? And under the sheets my legs'll be white-hot all the way through, and my trotters'll be expanding like bunches of violets."
Volpatte pauses, fumbles about, and pulls out of his pocket, along with his famous pair of Soissons scissors, something that he shows to me: "Tiens, have you seen this?"
It is a photograph of his wife and two children. He has already shown it to me many a time. I look at it and express appreciation.
"I shall go on sick-leave," says Volpatte, "and while my ears are sticking themselves on again, the wife and the little ones will look at me, and I shall look at them. And while they're growing again like lettuces, my friends, the war, it'll make progress—the Russians—one doesn't know, what?" He is thinking aloud, lulling himself with happy anticipations, already alone with his private festival in the midst of us.
"Robber!" Feuillade shouts at him. "You've too much luck, by God!"
How could we not envy him? He would be going away for one, two, or three months; and all that time, instead of our wretched privations, he would be transformed into a man of means!
"At the beginning," says Farfadet, "it sounded comic when I heard them wish for a 'good wound.' But all the same, and whatever can be said about it, I understand now that it's the only thing a poor soldier can hope for if he isn't daft."
* * * * *
We were drawing near to the village and passing round the wood. At its corner, the sudden shape of a woman arose against the sportive sunbeams that outlined her with light. Alertly erect she stood, before the faintly violet background of the wood's marge and the crosshatched trees. She was slender, her head all afire with fair hair, and in her pale face we could see the night-dark caverns of great eyes. The resplendent being gazed fixedly upon us, trembling, then plunged abruptly into the undergrowth and disappeared like a torch.
The apparition and its flight so impressed Volpatte that he lost the thread of his discourse.
"She's something like, that woman there!"
"No," said Fouillade, who had misunderstood, "she's called Eudoxie. I knew her because I've seen her before. A refugee. I don't know where she comes from, but she's at Gamblin, in a family there."
"She's thin and beautiful," Volpatte certified; "one would like to make her a little present—she's good enough to eat—tender as a chicken. And look at the eyes she's got!"
"She's queer," says Fouillade. "You don't know when you've got her. You see her here, there, with her fair hair on top, then—off! Nobody about. And you know, she doesn't know what danger is; marching about, sometimes, almost in the front line, and she's been seen knocking about in No Man's Land. She's queer."
"Look! There she is again. The spook! She's keeping an eye on us. What's she after?"
The shadow-figure, traced in lines of light, this time adorned the other end of the spinney's edge.
"To hell with women," Volpatte declared, whom the idea of his deliverance has completely recaptured.
"There's one in the squad, anyway, that wants her pretty badly. See—when you speak of the wolf—"
"You see its tail—"
"Not yet, but almost—look!" From some bushes on our right we saw the red snout of Lamuse appear peeping, like a wild boar's.
He was on the woman's trail. He had seen the alluring vision, dropped to the crouch of a setting dog, and made his spring. But in that spring he fell upon us.
Recognizing Volpatte and Fouillade, big Lamuse gave shouts of delight. At once he had no other thought than to get possession of the bags, rifles, and haversacks—"Give me all of it—I'm resting—come on, give it up."
He must carry everything. Farfadet and I willingly gave up Volpatte's equipment; and Fouillade, now at the end of his strength, agreed to surrender his pouches and his rifle.
Lamuse became a moving heap. Under the huge burden he disappeared, bent double, and made progress only with shortened steps.
But we felt that he was still under the sway of a certain project, and his glances went sideways. He was seeking the woman after whom he had hurled himself. Every time he halted, the better to trim some detail of the load, or puffingly to mop the greasy flow of perspiration, he furtively surveyed all the corners of the horizon and scrutinized the edges of the wood. He did not see her again.
I did see her again, and got a distinct impression this time that it was one of us she was after. She half arose on our left from the green shadows of the undergrowth. Steadying herself with one hand on a branch, she leaned forward and revealed the night-dark eyes and pale face, which showed—so brightly lighted was one whole side of it—like a crescent moon.
I saw that she was smiling. And following the course of the look that smiled, I saw Farfadet a little way behind us, and he was smiling too. Then she slipped away into the dark foliage, carrying the twin smile with her.
Thus was the understanding revealed to me between this lissom and dainty gypsy, who was like no one at all, and Farfadet, conspicuous among us all—slender, pliant and sensitive as lilac.