The Clayhanger Trilogy: Clayhanger, Hilda Lessways & These Twain (Complete Edition). Bennett Arnold

the fact that Edwin was the son of his father.

      “Is this thy son, Darius?” he asked; and his ancient eyes were shining.

      Edwin had scarcely ever heard any one address his father by his Christian name.

      Darius nodded; and then, seeing the old man’s hand creeping out towards him, Edwin pulled off his cap and took the hand, and was struck by the hot smooth brittleness of the skin and the earnest tremulous weakness of the caressing grasp. Edwin had never seen Mr Shushions before.

      “Nay, nay, my boy,” trembled the old man, “don’t bare thy head to me ... not to me! I’m one o’ th’ ould sort. Eh, I’m rare glad to see thee!” He kept Edwin’s hand, and stared long at him, with his withered face transfigured by solemn emotion. Slowly he turned towards Darius, and pulled himself together. “Thou’st begotten a fine lad, Darius! ... a fine, honest lad!”

      “So-so!” said Darius gruffly, whom Edwin was amazed to see in a state of agitation similar to that of Mr Shushions.

      The men gazed at each other; Edwin looked at the ground and other unresponsive objects.

      “Edwin,” his father said abruptly, “run and ask Big James for th’ proof of that Primitive Methodist hymn-paper; there’s a good lad.”

      And Edwin hastened through the shadowy shop as if loosed from a captivity, and in passing threw his satchel down on a bale of goods.

      Five.

      He comprehended nothing of the encounter; neither as to the origin of the old man’s status in his father’s esteem, nor as to the cause of his father’s strange emotion. He regarded the old man impatiently as an aged simpleton, probably over pious, certainly connected with the Primitive Methodists. His father had said ‘There’s a good lad’ almost cajolingly. And this was odd; for, though nobody could be more persuasively agreeable than his father when he chose, the occasions when he cared to exert his charm, especially over his children, were infrequent, and getting more so. Edwin also saw something symbolically ominous in his being sent direct to the printing office. It was no affair of his to go to the printing office. He particularly did not want to go to the printing office.

      However, he met Big James, with flowing beard and flowing apron, crossing the yard. Big James was brushing crumbs from the beard.

      “Father wants the proof of some hymn-paper—I don’t know what,” he said. “I was just coming—”

      “So was I, Mister Edwin,” replied Big James in his magnificent voice, and with his curious humorous smile. And he held up a sheet of paper in his immense hand, and strode majestically on towards the shop.

      Here was another detail that struck the boy. Always Big James had addressed him as ‘Master Edwin’ or ‘Master Clayhanger.’ Now it was ‘Mister.’ He had left school. Big James was, of course, aware of that, and Big James had enough finesse and enough gentle malice to change instantly the ‘master’ to ‘mister.’ Edwin was scarcely sure if Big James was not laughing at him. He could not help thinking that Big James had begun so promptly to call him ‘mister’ because the foreman compositor expected that the son of the house would at once begin to take a share in the business. He could not help thinking that his father must have so informed Big James. And all this vaguely disturbed Edwin, and reminded him of his impending battle and of the complex forces marshalled against him. And his hand, wandering in his pockets, touched that unfortunate report which stated that he had lost one place during the term.

      Six.

      He lingered in the blue-paved yard, across which cloud-shadows swept continually, and then Big James came back and spectacularly ascended the flight of wooden steps to the printing office, and disappeared. Edwin knew that he must return to the shop to remove his bag, for his father would assuredly reprimand him if he found it where it had been untidily left. He sidled, just like an animal, to the doorway, and then slipped up to the counter, behind the great mahogany case of ‘artists’ materials.’ His father and the old man were within the shop now, and Edwin overheard that they were discussing a topic that had lately been rife in religious circles, namely, Sir Henry Thompson’s ingenious device for scientifically testing the efficacy of prayer, known as the ‘Prayer Gauge.’ The scheme was to take certain hospitals and to pray for the patients in particular wards, leaving other wards unprayed for, and then to tabulate and issue the results.

      Mr Shushions profoundly resented the employment of such a dodge; the mere idea of it shocked him, as being blasphemous; and Darius Clayhanger deferentially and feelingly agreed with him, though Edwin had at least once heard his father refer to the topic with the amused and non-committal impartiality of a man who only went to chapel when he specially felt like going.

      “I’ve preached in the pulpits o’ our Connexion,” said Mr Shushions with solemn, quavering emotion, “for over fifty year, as you know. But I’d ne’er gi’ out another text if Primitives had ought to do wi’ such a flouting o’ th’ Almighty. Nay, I’d go down to my grave dumb afore God!”

      He had already been upset by news of a movement that was on foot for deferring Anniversary Sermons from August to September, so that people should be more free to go away for a holiday, and collections be more fruitful. What! Put off God’s ordinance, to enable chapel-members to go ‘a-wakesing’! Monstrous! Yet September was tried, in spite of Mr Shushions, and when even September would not work satisfactorily, God’s ordinance was shifted boldly to May, in order to catch people, and their pockets well before the demoralisation incident to holidays.

      Edwin thought that his father and the mysterious old man would talk for ever, and timorously he exposed himself to obtain possession of his satchel, hoping to escape unseen. But Mr Shushions saw him, and called him, and took his hand again.

      “Eh, my boy,” he said, feebly shaking the hand, “I do pray as you’ll grow up to be worthy o’ your father. That’s all as I pray for.”

      Edwin had never considered his father as an exemplar. He was a just and unmerciful judge of his father, against whom he had a thousand grievances. And in his heart he resentfully despised Mr Shushions, and decided again that he was a simpleton, and not a very tactful one. But then he saw a round yellow tear slowly form in the red rim of the old man’s eye and run crookedly down that wrinkled cheek. And his impatient scorn expired. The mere sight of him, Edwin, had brought the old man to weeping! And the tear was so genuine, so convincing, so majestic that it induced in Edwin a blank humility. He was astounded, mystified; but he was also humbled. He himself was never told, and he never learnt, the explanation of that epic tear.

      Chapter 4.

      The Child-man.

      Table of Contents

      The origin of the tear on the aged cheek of Mr Shushions went back about forty years, and was embedded in the infancy of Darius Clayhanger.

      The earliest memory of Darius Clayhanger had to do with the capital letters Q W and S. Even as the first steam-printer in Bursley, even as the father of a son who had received a thoroughly sound middle-class education, he never noticed a capital Q W or S without recalling the Widow Susan’s school, where he had wonderingly learnt the significance of those complicated characters. The school consisted of the entire ground floor of her cottage, namely, one room, of which the far corner was occupied by a tiny winding staircase that led to the ancient widow’s bedchamber. The furniture comprised a few low forms for scholars, a table, and a chair; and there were some brilliant coloured prints on the whitewashed walls. At this school Darius acquired a knowledge of the alphabet, and from the alphabet passed to Reading–Made-Easy, and then to the Bible. He made such progress that the widow soon singled him out for honour. He was allowed the high and envied privilege of raking the ashes from under the fire-place and carrying them to the ash-pit, which ash-pit was vast and lofty, being the joint production of many cottages. To reach the