The Clayhanger Trilogy: Clayhanger, Hilda Lessways & These Twain (Complete Edition). Bennett Arnold

knew he had never been in the shop before, went straight to the coke-stove, bent his knees, and began to warm his hands. In this position he opened an interview with Edwin, who dropped the Literary Supplement. Miss Ingamells was momentarily absent.

      “Father in?”

      “No, sir.”

      Edwin did not say where his father was, because he had received general instructions never to ‘volunteer information’ on that point.

      “Where is he?”

      “He’s out, sir.”

      “Oh! Well! Has he left any instructions about those specifications for the Shawport Board School?”

      “No, sir. I’m afraid he hasn’t. But I can ask in the printing office.”

      Mr Orgreave approached the counter, smiling. His face was angular, rather stout, and harsh, with a grey moustache and a short grey beard, and yet his demeanour and his voice had a jocular, youthful quality. And this was not the only contradiction about him. His clothes were extremely elegant and nice in detail—the whiteness of his linen would have struck the most casual observer—but he seemed to be perfectly oblivious of his clothes, indeed, to show carelessness concerning them. His finger-nails were marvellously tended. But he scribbled in pencil on his cuff, and apparently was not offended by a grey mark on his hand due to touching the top of the stove. The idea in Edwin’s head was that Mr Orgreave must put on a new suit of clothes once a week, and new linen every day, and take a bath about once an hour. The man had no ceremoniousness. Thus, though he had never previously spoken to Edwin, he made no preliminary pretence of not being sure who Edwin was; he chatted with him as though they were old friends and had parted only the day before; he also chatted with him as though they were equals in age, eminence, and wealth. A strange man!

      “Now look here!” he said, as the conversation proceeded, “those specifications are at the Sytch Chapel. If you could come along with me now—I mean now—I could give them to you and point out one or two things to you, and perhaps Big James could make a start on them this morning. You see it’s urgent.”

      So he was familiar with Big James.

      “Certainly,” said Edwin, excited.

      And when he had curtly told the paper boy to do portions of the newspaper job which he had always held the paper boy was absolutely incapable of doing, he sent the boy to find Miss Ingamells, informed her where he was going, and followed Mr Orgreave out of the shop.

      Three.

      “Of course you know Charlie’s at school in France,” said Mr Orgreave, as they passed along Wedgwood Street in the direction of Saint Luke’s Square. He was really very companionable.

      “Er—yes!” Edwin replied, nervously explosive, and buttoning up his tight overcoat with an important business air.

      “At least it isn’t a school—it’s a university. Besancon, you know. They take university students much younger there. Oh! He has a rare time—a rare time. Never writes to you, I suppose?”

      “No.” Edwin gave a short laugh.

      Mr Orgreave laughed aloud. “And he wouldn’t to us either, if his mother didn’t make a fuss about it. But when he does write, we gather there’s no place like Besancon.”

      “It must be splendid,” Edwin said thoughtfully.

      “You and he were great chums, weren’t you? I know we used to hear about you every day. His mother used to say that we had Clayhanger with every meal.” Mr Orgreave again laughed heartily.

      Edwin blushed. He was quite startled, and immensely flattered. What on earth could the Sunday have found to tell them every day about him? He, Edwin Clayhanger, a subject of conversation in the household of the Orgreaves, that mysterious household which he had never entered but which he had always pictured to himself as being so finely superior! Less than a year ago Charlie Orgreave had been ‘the Sunday,’ had been ‘old Perish-inthe-attempt,’ and now he was a student in Besancon University, unapproachable, extraordinarily romantic; and he, Edwin, remained in his father’s shop! He had been aware that Charlie had gone to Besancon University, but he had not realised it effectively till this moment. The realisation blew discontent into a flame, which fed on the further perception that evidently the Orgreave family were a gay, jolly crowd of cronies together, not in the least like parents and children; their home life must be something fundamentally different from his.

      Four.

      When they had crossed the windy space of Saint Luke’s Square and reached the top of the Sytch Bank, Mr Orgreave stopped an instant in front of the Sytch Pottery, and pointed to a large window at the south end that was in process of being boarded up.

      “At last!” he murmured with disgust. Then he said: “That’s the most beautiful window in Bursley, and perhaps in the Five Towns; and you see what’s happening to it.”

      Edwin had never heard the word ‘beautiful’ uttered in quite that tone, except by women, such as Auntie Hamps, about a baby or a valentine or a sermon. But Mr Orgreave was not a woman; he was a man of the world, he was almost the man of the world; and the subject of his adjective was a window!

      “Why are they boarding it up, Mr Orgreave?” Edwin asked.

      “Oh! Ancient lights! Ancient lights!”

      Edwin began to snigger. He thought for an instant that Mr Orgreave was being jocular over his head, for he could only connect the phrase ‘ancient lights’ with the meaner organs of a dead animal, exposed, for example, in tripe shops. However, he saw his ineptitude almost simultaneously with the commission of it, and smothered the snigger in becoming gravity. It was clear that he had something to learn in the phraseology employed by architects.

      “I should think,” said Mr Orgreave, “I should think they’ve been at law about that window for thirty years, if not more. Well, it’s over now, seemingly.” He gazed at the disappearing window. “What a shame!”

      “It is,” said Edwin politely.

      Mr Orgreave crossed the road and then stood still to gaze at the facade of the Sytch Pottery. It was a long two-storey building, purest Georgian, of red brick with very elaborate stone facings which contrasted admirably with the austere simplicity of the walls. The porch was lofty, with a majestic flight of steps narrowing to the doors. The ironwork of the basement railings was unusually rich and impressive.

      “Ever seen another pot-works like that?” demanded Mr Orgreave, enthusiastically musing.

      “No,” said Edwin. Now that the question was put to him, he never had seen another pot-works like that.

      “There are one or two pretty fine works in the Five Towns,” said Mr Orgreave. “But there’s nothing elsewhere to touch this. I nearly always stop and look at it if I’m passing. Just look at the pointing! The pointing alone—”

      Edwin had to readjust his ideas. It had never occurred to him to search for anything fine in Bursley. The fact was, he had never opened his eyes at Bursley. Dozens of times he must have passed the Sytch Pottery, and yet not noticed, not suspected, that it differed from any other pot-works: he who dreamed of being an architect!

      “You don’t think much of it?” said Mr Orgreave, moving on. “People don’t.”

      “Oh yes! I do!” Edwin protested, and with such an air of eager sincerity that Mr Orgreave turned to glance at him. And in truth he did think that the Sytch Pottery was beautiful. He never would have thought so but for the accident of the walk with Mr Orgreave; he might have spent his whole life in the town, and never troubled himself a moment about the Sytch Pottery. Nevertheless he now, by an act of sheer faith, suddenly, miraculously and genuinely regarded it as an exquisitely beautiful edifice, on a plane with the edifices of the capitals of Europe, and as a feast for discerning eyes. “I like architecture very much,” he added.