The Greatest Crime Novels of Frank L. Packard (14 Titles in One Edition). Frank L. Packard

him so well in the days gone by, the leather girdle, or undervest, with its stout-sewn, upright pockets in which nestled, in an array of fine, blue-steel, highly tempered instruments, a compact powerful burglar’s kit. It was the one thing that he had saved from the fire in the old Sanctuary—and that more by accident than design. He had been wearing the girdle that night when he had stolen into the Crime Club, and afterwards had returned to the Sanctuary with the intention of destroying forever all traces of Larry the Bat; and then, only half dressed, as he was changing into the clothes of Jimmie Dale, the alarm had come before he had taken off the girdle, and, without thought of it again at the time, he had still been wearing it when he had made his escape. He looked at it now for a moment grimly—and smiled in a mirthless way. He had not used it since that night, and that night he had never meant or thought to use it again—only to destroy it!

      He reached into the aperture in the wall once more, drew out a pocket flashlight and an automatic pistol, and laid them down beside the clothes and the leather girdle; then, pulling off his coat and shirt, he ran noiselessly across the room to the washstand. A few drops from a tiny phial poured into the water, and the pallor, the sickly hue from his face was gone. It was to be Jimmie Dale—not Smarlinghue—who would keep the rendezvous at Malay John’s!

      And now he was back across the room once more, turning out the light as he passed the gas-jet. The leather girdle, that went on much after the fashion of a life-preserver, was fastened over his shoulders and secured around his waist. The remainder of his clothes were stripped off with lightning speed, and in their place were donned the fashionably tailored, immaculate tweeds of Jimmie Dale. It was like some quick-moving, shadowy pantomime in the moonlight. He gathered up the discarded garments, tucked them into the opening in the wall, replaced the baseboard, slipped the automatic and flashlight into the side pockets of his coat—and stood up, his fingers feeling swiftly over his vest and under the back of his coat to guard against the possibility of any tell-tale bulge from the leather girdle underneath.

      An instant he stood glancing critically about him; then the roller shade over the window was lifted aside, the window itself, on carefully oiled hinges, was opened noiselessly, closed again—and, hugged close against the wall of the building, hidden in the black shadows, Jimmie Dale, so silent as to be almost uncanny in his movements, crept along the few intervening feet to the fence that enclosed the courtyard. Here, next to the wall, a loosened plank swung outward at a touch, and he was standing in a narrow, black areaway beyond. There was only the depth of the house between himself and the street, and he paused now, crouched motionless against the wall, listening. He heard no footfalls from the pavement—only, like a distant murmur, the night sounds from the Bowery, a block away—only the muffled roar of an elevated train. The way was presumably clear, and he moved forward again—cautiously. He reached the front of the building, which, like the old Sanctuary, was a tenement of the poorer class, paused once more, this time to peer quickly up and down the dark, ill-lighted cross street—and, satisfied that he was safe from observation, stepped out on the sidewalk, and began to walk nonchalantly along to the Bowery.

      And here, at the corner, under a street lamp he consulted his watch. It was ten o’clock! He smiled a little ironically. Certainly, they would hardly expect him as early as that! Well, he would be a little ahead of time, that was all!

      Chapter III.

       The Man with the Scar

       Table of Contents

      Jimmie Dale walked on again, rapidly now, heading down the Bowery. At the expiration of perhaps ten minutes, he turned east; and still a few minutes later, in the neighbourhood of Chatham Square, plunged suddenly into a dark alleyway—there was, of course, as there was to all such places, an unobtrusive entrance to Malay John’s.

      His lips tightened a little as he moved quietly forward. To venture here in an unknown character was not far from being tantamount, if he were discovered, to taking his life in his hands. Malay John was a queer customer and a bad enemy, though counted “straight” by the underworld, and trusted by the crooks and near-crooks as few other men were in the Bad Lands. And, if Malay John was queer, the place he ran was queerer still. Ostensibly he conducted a dance hall, and a profitable one at that; but below the dance hall, known only to the initiated, deep down in a sub-cellar, was perhaps the most remunerative gambling joint and pipe lay-out in Crimeland.

      Jimmie Dale halted before a doorway in the alley. The rear of a low building rose black and unlighted above him. A confused jangle from a tinny piano, accompanying a blatant cornet and a squeaky violin, mingled with the dull scrape of many feet, laughter, voices, singing—the dance hall at the front of the building was in full swing. He glanced sharply up and down the dark alleyway, then, leaning forward, placed his ear to the panel of the door—and the next instant opened the door softly and stepped inside.

      It was pitch black here, but it was familiar ground to Larry the Bat in the old days, and therefore to Smarlinghue in the new. The short passageway in which he was standing terminated, he knew, in a rear entrance to the dance hall, which was always kept locked and used only by Malay John himself, and which was just at the foot of the stairs that led upward to Malay John’s combination of private den, office, and sleeping apartment; while at the side of the passage, half way along, was that other door, always guarded on the inside, that required an “open sesame” to gain admittance to the dive below.

      And now he crept stealthily past this latter door, reached the staircase, and went swiftly up to the landing above. Here another door barred his way, and here again he placed his ear to the panel—but this time to listen, it seemed, interminably. Every faculty was strained and alert now. He could take no chances here, and the uproar from the dance hall below, while it had safeguarded his ascent of the stairs, was confusing now and by no means an unmixed blessing.

      Still he crouched there, his ear to the panel—and then, satisfied at last, he tried the door. It was locked.

      “The penalty of being early!” murmured Jimmie Dale softly to himself.

      His hand reached in under his vest to one of the pockets in the leather girdle, and a tiny steel instrument was inserted in the lock. There was a curious snipping sound, the doorknob turned slowly under his hand; then cautiously, inch by inch, he pushed the door open, slipped through—and stood motionless on the other side of the threshold. Save only from the dance hall below, there was not a sound. The door closed again; again that snipping sound as it was relocked—and then the round, white ray of Jimmie Dale’s flashlight circled his surroundings.

      There was a sort of barbaric splendour to the place. Malay John was something of a sybarite! It was a single room, whose floor was covered with rich Turkish rugs, whose walls were covered with Oriental hangings, and in one corner was a great, wide divan, canopied, also with Oriental hangings at head and foot, serving presumably for a bed; but, striking a somewhat incongruous note, others of the appointments were modern enough—the flat-topped desk in the centre of the room with its revolving chair, for instance, and a large, ponderous safe that stood back against the rear wall.

      Jimmie Dale crossed the room for a closer inspection of the safe, and, as his flashlight played over the single dial, he shook his head whimsically. No, it would be hardly true to call that modern; it was only an ancient monstrosity, a helpless thing at the mercy of any cracksman who—

      The flashlight in his hand went out. Like lightning, Jimmie Dale, his tread silent on the heavy rugs, leaped back across the room, and in an instant slipped in behind the end hangings of the divan and stood, pressed closely, against the wall.

      A key turned stealthily in the lock, the door opened as stealthily—then silence—then a flashlight swept suddenly around the room—darkness again—and then a hoarse whisper:

      “All clear, Birdie. Lock the door.”

      The door closed. The flashlight played down the room again—and upon Jimmie Dale’s lips came a twisted smile, as, his fingers edging the hanging slightly to one side, he peered out.

      The light ray moving before them, two dark forms