The Greatest Crime Novels of Frank L. Packard (14 Titles in One Edition). Frank L. Packard

      Jimmie Dale’s hands clenched more fiercely. It was an impossible situation—it was untenable. That he could play his role in the underworld with only the underworld to reckon with—yes; but with the police as well, watching him in his character of a poor, drug-wrecked artist, constantly in touch with him, likely at any moment to make the discovery that Smarlinghue and Jimmie Dale, the millionaire clubman, a leader in New York’s most exclusive set, were one and the same—no! And yet what was he to do? With the Gray Seal it had been different. Then, police and underworld alike were openly allied as common enemies against him—but none had known who the Gray Seal was until that night when the Magpie had roused the Bad Lands like a hive of swarming hornets with the news that the Gray Seal was Larry the Bat; none had known until that night when it was accepted as a fact that Larry the Bat, and therefore the Gray Seal, had perished miserably in the tenement fire.

      Around the squalid room, lighted now only by the moonrays, Jimmie Dale’s eyes travelled slowly, abstractedly. Yes, in that one particular it was different; but here was the New Sanctuary, and again he was living the old life in close, intimate companionship with the underworld—the old life that only six months ago he had thought to have done with forever!

      He turned his face suddenly to the wall, and lay very still—only his hands still remained tightly clenched, and the hard, set look on his face grew harder still.

      Six months ago, like some mocking illusion, like some phantom of unreality that jeered at him, it seemed now, he had lived for a few short weeks in a dreamland of wondrous happiness, a happiness that all his own great wealth had never been able to bring him, a happiness that no wealth could ever buy—the joy of her—the glad promise that for always their lives would be lived together—and then, as though she had vanished utterly from the face of the earth, she was gone.

      The Tocsin! Marie LaSalle to the world, she was always, and always would be, the Tocsin to him. Gone! A hand unclenched and passed heavily across his eyes and flirted the hair back from his forehead. She had taken her place in her own world again; her fortune had been restored to her, its management placed in the hands of a trust company; the interior of the mansion on Fifth Avenue, with its sliding walls and secret passages, that had served as headquarters for the Crime Club, was in the process of reconstruction—and she had disappeared.

      It had come suddenly, and yet—as he understood now, though then he had only attributed it to an exaggerated prudence on her part—not without warning. In the three weeks that had intervened between the night of the fire in the old Sanctuary and her disappearance, she had permitted him to see her only at such times and at such intervals as would be consistent with the most casual of acquaintanceships. He remembered well enough now her answer to his constant protests, an answer that was always the same. “Jimmie,” she had said, “a sudden intimacy between us would undo all that you have done—you know that. It would not only renew, but would be almost proof positive to those who are left of the Crime Club that their suspicions of Jimmie Dale were justified, and from that as a starting point it would not take a very clever brain to identify Jimmie Dale as Larry the Bat—and the Gray Seal. Don’t you see! You never knew me before all the misery and trouble came—there was nothing between us then. To see too much of each other now, to have too much in common now would only be to court disaster. Our intimacy must appear to come gradually, to come naturally. We must wait—a year at least—Jimmie.”

      A year! And within a few hours following the last occasion on which she had said that, Jason, his butler, had laid the morning mail upon the breakfast table, and he had found her note.

      It seemed as though he were living that moment over again now, as he lay here on the cot in the darkness—his eagerness as he had recognised the well-known hand amongst the pile of correspondence, the thrill akin to tenderness with which he had opened the note; and then the utter misery of it all, the room swirling about him, the blind agony in which he had risen from his chair, and, as he had groped his way from the room, the sudden, pitiful anxiety on the faithful old Jason’s face, which, even in his own distress, he had not failed to note and understand and be grateful for.

      There had been only a few words in the note, and those few carefully chosen, guarded, like the notes of old, lest they should fall into a stranger’s hand; but he had read only too clearly between the lines. She had had only far too much more reason for fear than she had admitted to him; and those fears had crystallised into realities. One sentence in the note stood out above all others, a sentence that had lived with him since that morning months ago, the words seeming to visualise her, high in her courage, brave in the unselfishness of her love: “Jimmie, I must not, I cannot, I will not bring you into the shadows again; I must fight this out alone.”

      He recalled the feverish haste in which he had acted that morning—the one thought that had possessed him being to reach her if possible before she could put her designs into execution. Benson, his chauffeur, reckless of speed laws, had rushed him to the hotel where, pending the remodelling of the Fifth Avenue mansion, she had taken rooms. Here, he learned that she had given up her apartments on the previous afternoon, and that it was understood she had left for an extended travel tour, and that her baggage had been taken to the Pennsylvania Station. From the hotel he had gone to the trust company in whose hands she had placed the management of her estate. With a few additional details, disquieting rather than otherwise, it was the story of the hotel over again. They did not know where she was, except that she had told them she was going away for a long trip, had given them the fullest powers to handle her affairs, and, on the previous afternoon, had drawn a very large sum of money before leaving the institution.

      He had returned then, like a man dazed, to his home on Riverside Drive, and had locked himself in his den to think it out. She had covered her tracks well—and had done it in a masterly way because she had done it simply. It was possible that she had actually gone away for a trip; but it was more probable that she had not. He had had, of course, no means of knowing; but the sort of peril that threatened her, his intuition told him, was not such as to be diverted by the mere expedient of absenting herself from New York temporarily; and, besides, she had said that she would fight it out. She could hardly do that in the person of Marie LaSalle, or away from New York. She was clever, resourceful, resolute and fearless—and those very traits opened a vista of possibilities that left his mind staggering blindly as in a maze. She was gone—and alone in the face of deadly menace. He remembered then the curious, unnatural calmness underlying the mad whirling of his brain at the thought that that was not literally true, that she was not, nor would she ever be alone—while he lived. It was only a question of how he could help her. It had seemed almost certain that the danger threatening her came from one of two sources—either from those who were left of the Crime Club, relentless, savage for vengeance on account of the ruin and disaster that had overtaken them; or else from the Magpie, and behind the Magpie, massed like some Satanic phalanx, every denizen of the underworld, for Silver Mag had disappeared coincidentally with Larry the Bat, coincidentally with the Magpie’s attempted robbery of the supposed Henry LaSalle’s safe, to which plot she was held by the underworld to be a party, coincidentally with the dispersion of the Crime Club, and coincidently with the reappearance of the heiress Marie LaSalle—and, further, Silver Mag stood condemned to death in the Bad Lands as the accomplice of the Gray Seal. But Silver Mag had disappeared. Had the underworld, prompted by the Magpie, solved the riddle—did it know, or guess, or suspect that Silver Mag was Marie LaSalle?

      Which was it? The Crime Club, or the Magpie? Here again he could not know, though he inclined to the belief that it was the latter; but here, in either case, the means of knowing, of helping her, the way, the road, was clearly defined—and the road was the road to the underworld. But Larry the Bat was dead and the road was barred. And then a half finished painting standing on an easel at the rear of his den had brought him inspiration. It was one of his hobbies—and it swung wide again for him the door of the underworld. None, in a broken-down, disappointed, drug-shattered artist, would recognise Larry the Bat! The only similarity between the two—the one thing that must of necessity be the same in order to explain plausibly his intimacy with the dens and lairs of Crimeland, the one thing that would, if nothing more, assure an unsuspicious, tolerant acceptance of his presence there, was that, like Larry the Bat, he would assume the rôle of a confirmed