THE GENIUS. Theodore Dreiser

which lay between two gently rising ridges of hill covered with trees. One corner of the farm, and that not so very far from the house, was cut by a stream, a little shallow thing, singing over pebbles and making willows and hazel bushes to grow in profusion along its banks, and there was a little lake within a mile of the house. In front of it was a ten acre field of wheat, to the right of it a grazing patch of several acres, to the left a field of clover; and near the house by a barn, a well, a pig pen, a corn crib and some smaller sheds. In front of the house was a long open lawn, down the centre of which ran a gravel path, lined on either side by tall old elm trees. The immediate dooryard was shut from this noble lawn by a low picket fence along the length of which grew lilac bushes and inside which, nearer the house, were simple beds of roses, calycanthus and golden glow. Over an arbor leading from the backdoor to a rather distant summer kitchen flourished a grapevine, and there was a tall remnant of a tree trunk covered completely with a yellow blooming trumpet vine. The dooryard's lawn was smooth enough, and the great lawn was a dream of green grass, graced with the shadows of a few great trees. The house was long and of no great depth, the front a series of six rooms ranged in a row, without an upper storey. The two middle rooms which had originally, perhaps seventy years before, been all there was of the house. Since then all the other rooms had been added, and there was in addition to these a lean-to containing a winter kitchen and dining room, and to the west of the arbor leading to the summer kitchen, an old unpainted frame storehouse. In all its parts the place was shabby and run down but picturesque and quaint.

      Eugene was surprised to find the place so charming. It appealed to him, the long, low front, with doors opening from the centre and end rooms direct upon the grass, with windows set in climbing vines and the lilac bushes forming a green wall between the house and the main lawn. The great rows of elm trees throwing a grateful shade seemed like sentinel files. As the carryall turned in at the wagon gate in front he thought "What a place for love! and to think Angela should live here."

      The carryall rattled down the pebble road to the left of the lawn and stopped at the garden gate. Marietta came out. Marietta was twenty-two years old, and as gay and joyous as her elder sister Angela was sober and in a way morbid. Light souled as a kitten, looking always on the bright side of things, she made hosts of friends everywhere she went, having a perfect swarm of lovers who wrote her eager notes, but whom she rebuffed with good natured, sympathetic simplicity. Here on this farm there was not supposed to be so much opportunity for social life as in town, but beaux made their way here on one pretext and another. Marietta was the magnet, and in the world of gaiety which she created Angela shared.

      Angela was now in the dining room—easy to be called—but Marietta wanted to see for herself what sort of lover her sister had captured. She was surprised at his height, his presence, the keenness of his eyes. She hardly understood so fine a lover for her own sister, but held out her hand smilingly.

      "This is Mr. Witla, isn't it?" she asked.

      "The same," he replied, a little pompously. "Isn't it a lovely drive over here?"

      "We think it nice in nice weather," she laughed. "You wouldn't like it so much in winter. Won't you come in and put your grip here in the hall? David will take it to your room."

      Eugene obeyed, but he was thinking of Angela and when she would appear and how she would look. He stepped into the large, low ceiled, dark, cool parlor and was delighted to see a piano and some music piled on a rack. Through an open window he saw several hammocks out on the main lawn, under the trees. It seemed a wonderful place to him, the substance of poetry—and then Angela appeared. She was dressed in plain white linen. Her hair, braided as he liked it in a great rope, lay as a band across her forehead. She had picked a big pink rose and put it in her waist. At sight of her Eugene held out his arms and she flew to them. He kissed her vigorously, for Marietta had discreetly retired and they were left alone.

      "So I have you at last," he whispered, and kissed her again.

      "Oh, yes, yes, and it has been so long," she sighed.

      "You couldn't have suffered any more than I have," he consoled. "Every minute has been torture, waiting, waiting, waiting!"

      "Let's not think of that now," she urged. "We have each other. You are here."

      "Yes, here I am," he laughed, "all the virtues done up in one brown suit. Isn't it lovely—these great trees, that beautiful lawn?"

      He paused from kissing to look out of the window.

      "I'm glad you like it," she replied joyously. "We think it's nice, but this place is so old."

      "I love it for that," he cried appreciatively. "Those bushes are so nice—those roses. Oh, dear, you don't know how sweet it all seems—and you—you are so nice."

      He held her off at arm's length and surveyed her while she blushed becomingly. His eager, direct, vigorous onslaught confused her at times—caused her pulse to beat at a high rate.

      They went out into the dooryard after a time and then Marietta appeared again, and with her Mrs. Blue, a comfortable, round bodied mother of sixty, who greeted Eugene cordially. He could feel in her what he felt in his own mother—in every good mother—love of order and peace, love of the well being of her children, love of public respect and private honor and morality. All these things Eugene heartily respected in others. He was glad to see them, believed they had a place in society, but was uncertain whether they bore any fixed or important relationship to him. He was always thinking in his private conscience that life was somehow bigger and subtler and darker than any given theory or order of living. It might well be worth while for a man or woman to be honest and moral within a given condition or quality of society, but it did not matter at all in the ultimate substance and composition of the universe. Any form or order of society which hoped to endure must have individuals like Mrs. Blue, who would conform to the highest standards and theories of that society, and when found they were admirable, but they meant nothing in the shifting, subtle forces of nature. They were just accidental harmonies blossoming out of something which meant everything here to this order, nothing to the universe at large. At twenty-two years of age he was thinking these things, wondering whether it would be possible ever to express them; wondering what people would think of him if they actually knew what he did think; wondering if there was anything, anything, which was really stable—a rock to cling to—and not mere shifting shadow and unreality.

      Mrs. Blue looked at her daughter's young lover with a kindly eye. She had heard a great deal about him. Having raised her children to be honest, moral and truthful she trusted them to associate only with those who were equally so. She assumed that Eugene was such a man, and his frank open countenance and smiling eyes and mouth convinced her that he was basically good. Also, what to her were his wonderful drawings, sent to Angela in the form of proofs from time to time, particularly the one of the East Side crowd, had been enough to prejudice her in his favor. No other daughter of the family, and there were three married, had approximated to this type of man in her choice. Eugene was looked upon as a prospective son-in-law who would fulfill all the conventional obligations joyfully and as a matter of course.

      "It's very good of you to put me up, Mrs. Blue," Eugene said pleasantly. "I've always wanted to come out here for a visit—I've heard so much of the family from Angela."

      "It's just a country home we have, not much to look at, but we like it," replied his hostess. She smiled blandly, asked if he wouldn't make himself comfortable in one of the hammocks, wanted to know how he was getting along with his work in New York and then returned to her cooking, for she was already preparing his first meal. Eugene strolled with Angela to the big lawn under the trees and sat down. He was experiencing the loftiest of human emotions on earth—love in youth, accepted and requited, hope in youth, justified in action by his success in New York; peace in youth, for he had a well earned holiday in his grasp, was resting with the means to do so and with love and beauty and admiration and joyous summer weather to comfort him.

      As he rocked to and fro in the hammock gazing at the charming lawn and realizing all these things, his glance rested at last upon Angela, and he thought, "Life can really hold no finer thing than this."

      CHAPTER XVIII