The Old Wives' Tale. Bennett Arnold

didn’t you go too?” He continued his flattering investigations with a generous smile.

      “I simply didn’t care to,” said she, proudly nonchalant.

      “And I suppose you are in charge here?”

      “No,” she answered. “I just happened to have run down here for these scissors. That’s all.”

      “I often see your sister,” said he. “ ‘Often’ do I say?—that is, generally, when I come; but never you.”

      “I’m never in the shop,” she said. “It’s just an accident to-day.”

      “Oh! So you leave the shop to your sister?”

      “Yes.” She said nothing of her teaching.

      Then there was a silence. Sophia was very thankful to be hidden from the curiosity of the shop. The shop could see nothing of her, and only the back of the young man; and the conversation had been conducted in low voices. She tapped her foot, stared at the worn, polished surface of the counter, with the brass yard-measure nailed along its edge, and then she uneasily turned her gaze to the left and seemed to be examining the backs of the black bonnets which were perched on high stands in the great window. Then her eyes caught his for an important moment.

      “Yes,” she breathed. Somebody had to say something. If the shop missed the murmur of their voices the shop would wonder what had happened to them.

      Mr. Scales looked at his watch. ‘ “I dare say if I come in again about two—” he began.

      “Oh yes, they’re SURE to be in then,” she burst out before he could finish his sentence.

      He left abruptly, queerly, without shaking hands (but then it would have been difficult—she argued—for him to have put his arm over the boxes), and without expressing the hope of seeing her again. She peeped through the black bonnets, and saw the porter put the leather strap over his shoulders, raise the rear of the barrow, and trundle off; but she did not see Mr. Scales. She was drunk; thoughts were tumbling about in her brain like cargo loose in a rolling ship. Her entire conception of herself was being altered; her attitude towards life was being altered. The thought which knocked hardest against its fellows was, “Only in these moments have I begun to live!”

      And as she flitted upstairs to resume watch over her father she sought to devise an innocent-looking method by which she might see Mr. Scales when he next called. And she speculated as to what his name was.

III

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      When Sophia arrived in the bedroom, she was startled because her father’s head and beard were not in their accustomed place on the pillow. She could only make out something vaguely unusual sloping off the side of the bed. A few seconds passed—not to be measured in time—and she saw that the upper part of his body had slipped down, and his head was hanging, inverted, near the floor between the bed and the ottoman. His face, neck, and hands were dark and congested; his mouth was open, and the tongue protruded between the black, swollen, mucous lips; his eyes were prominent and coldly staring. The fact was that Mr. Baines had wakened up, and, being restless, had slid out partially from his bed and died of asphyxia. After having been unceasingly watched for fourteen years, he had, with an invalid’s natural perverseness, taken advantage of Sophia’s brief dereliction to expire. Say what you will, amid Sophia’s horror, and her terrible grief and shame, she had visitings of the idea: he did it on purpose!

      She ran out of the room, knowing by intuition that he was dead, and shrieked out, “Maggie,” at the top of her voice; the house echoed.

      “Yes, miss,” said Maggie, quite close, coming out of Mr. Povey’s chamber with a slop-pail.

      “Fetch Mr. Critchlow at once. Be quick. Just as you are. It’s father—”

      Maggie, perceiving darkly that disaster was in the air, and instantly filled with importance and a sort of black joy, dropped her pail in the exact middle of the passage, and almost fell down the crooked stairs. One of Maggie’s deepest instincts, always held in check by the stern dominance of Mrs. Baines, was to leave pails prominent on the main routes of the house; and now, divining what was at hand, it flamed into insurrection.

      No sleepless night had ever been so long to Sophia as the three minutes which elapsed before Mr. Critchlow came. As she stood on the mat outside the bedroom door she tried to draw her mother and Constance and Mr. Povey by magnetic force out of the wakes into the house, and her muscles were contracted in this strange effort. She felt that it was impossible to continue living if the secret of the bedroom remained unknown one instant longer, so intense was her torture, and yet that the torture which could not be borne must be borne. Not a sound in the house! Not a sound from the shop! Only the distant murmur of the wakes!

      “Why did I forget father?” she asked herself with awe. “I only meant to tell him that they were all out, and run back. Why did I forget father?” She would never be able to persuade anybody that she had literally forgotten her father’s existence for quite ten minutes; but it was true, though shocking.

      Then there were noises downstairs.

      “Bless us! Bless us!” came the unpleasant voice of Mr. Critchlow as he bounded up the stairs on his long legs; he strode over the pail. “What’s amiss?” He was wearing his white apron, and he carried his spectacles in his bony hand.

      “It’s father—he’s—” Sophia faltered.

      She stood away so that he should enter the room first. He glanced at her keenly, and as it were resentfully, and went in. She followed, timidly, remaining near the door while Mr. Critchlow inspected her handiwork. He put on his spectacles with strange deliberation, and then, bending his knees outwards, thus lowered his body so that he could examine John Baines point-blank. He remained staring like this, his hands on his sharp apron-covered knees, for a little space; and then he seized the inert mass and restored it to the bed, and wiped those clotted lips with his apron.

      Sophia heard loud breathing behind her. It was Maggie. She heard a huge, snorting sob; Maggie was showing her emotion.

      “Go fetch doctor!” Mr. Critchlow rasped. “And don’t stand gaping there!”

      “Run for the doctor, Maggie,” said Sophia.

      “How came ye to let him fall?” Mr. Critchlow demanded.

      “I was out of the room. I just ran down into the shop—”

      “Gallivanting with that young Scales!” said Mr. Critchlow, with devilish ferocity. “Well, you’ve killed yer father; that’s all!”

      He must have been at his shop door and seen the entry of the traveller! And it was precisely characteristic of Mr. Critchlow to jump in the dark at a horrible conclusion, and to be right after all. For Sophia Mr. Critchlow had always been the personification of malignity and malevolence, and now these qualities in him made him, to her, almost obscene. Her pride brought up tremendous reinforcements, and she approached the bed.

      “Is he dead?” she asked in a quiet tone. (Somewhere within a voice was whispering, “So his name is Scales.”)

      “Don’t I tell you he’s dead?”

      “Pail on the stairs!”

      This mild exclamation came from the passage. Mrs. Baines, misliking the crowds abroad, had returned alone; she had left Constance in charge of Mr. Povey. Coming into her house by the shop and showroom, she had first noted the phenomenon of the pail—proof of her theory of Maggie’s incurable untidiness.

      “Been to see the elephant, I reckon!” said Mr. Critchlow, in fierce sarcasm, as he recognized Mrs. Baines’s voice.

      Sophia leaped towards the door, as though to bar her mother’s entrance.